British Journal of Photography, Band 141, Ausgabe 6972, April 1994 (online): a great classic.
Sean Callahan (Hrsg.): American Photographer. Band 15, 1985, S. 94 (online): a delightfully clever photographic album … and collectors item.
Michael Elsohn Ross: Salvador Dalí and the Surrealists: Their Lives and Ideas. 21 Activities. Chicago Review Press, Chicago (Ill.) 2003, ISBN 978-1-55652-479-0, S. 113 (online): a wild and crazy little book.
Desmond Morris: The Naked Man: A study of the male body. Random House, 2012, ISBN 978-1-4090-7572-1, S. 137 f. (online).
Capitaine Peter Moore, Catherine Moore: Flagrant Dali. Grasset, Paris 2009, ISBN 978-2-246-73249-5, S. 47 (online).
Torsten Otte: Salvador Dalí. Eine Biographie mit Selbstzeugnissen des Künstlers. Königshausen & Neumann, Würzburg 2006, ISBN 978-3-8260-3306-3, S. 104 (online).
Jordi Jové: Monográfico Salvador Dalí. Universitat de Lleida, Lleida 2005, ISBN 978-84-8409-547-7, S. 73 (online).
Salvador Dalí: The Late Work. High Museum of Art, Atlanta 2010, ISBN 978-0-300-16828-0, S. 120, 126 und 130 (online).
Michael Elsohn Ross: Salvador Dalí and the Surrealists: Their Lives and Ideas. 21 Activities. Chicago Review Press, Chicago 2003, ISBN 978-1-55652-479-0, S. 113 (online): a major part of his uniform as an eccentric artist.
Jay Robert Nash: Zanies. The World’s Greatest Eccentrics. M. Evans, Lanham (Maryland) 1982, ISBN 978-1-59077-522-6, S. 102 (online): strange hallmark.
Roger Rothman: Tiny Surrealism: Salvador Dalí and the Aesthetics of the Small. University of Nebraska Press, Lincoln/London 2012, ISBN 0-8032-3649-2, S. 182 (online): Dalis most recognizable trait, exaggerated […] feature of his post-1940 identity.
Fleur Cowles: The Case of Salvador Dali. Little, Brown, 1960, S. 296 (online): phallic overtones.
New York Magazine, 22. November 1993, ISSN0028-7369, S. 76 (online): gravity-defying.
Michael Elsohn Ross: Salvador Dalí and the Surrealists: Their Lives and Ideas. 21 Activities. Chicago Review Press, Chicago 2003, ISBN 978-1-55652-479-0, S. 113 (online): heavily waxed and flexible work of art.
Rob White, Edward Buscombe: British Film Institute Film Classics. Band 1, Taylor & Francis, London/New York 2003, ISBN 978-1-57958-328-6, S. 120 (online).
Luis Buñuel, Garrett White: An Unspeakable Betrayal: Selected Writings of Luis Buñuel. University of California Press, Berkeley/Los Angeles/New York 2002, ISBN 978-0-520-23423-9, S. 112 (online).
Román Gubern, Paul Hammond: Luis Buñuel. The Red Years, 1929–1939. University of Wisconsin Press, Madison (Wisconsin) 2012, ISBN 978-0-299-28473-2, S. 74 (online).
Jean-François Guédon, Hélène Sorez: Citations de culture générale expliquées. Eyrolles, Paris 2011, ISBN 978-2-212-86258-4, S. 140 (online).
Robert Descharnes: Salvador Dali: The Work, the Man. H.N. Abrams, New York 1984, ISBN 978-0-8109-0825-3, S. 291 (online).
Clifford Thurlow, Carlos Lozano: Sex, Surrealism, Dali and Me: The Memoirs of Carlos Lozano. Maximilian Thurlow, 2000, ISBN 978-0-9538205-0-4, S. 65 (online).
Antonio Pitxot, Montserrat Aguer: Salvador Dalí House-Museum: Portlligat-Cadaqués. Triangle Postals, Menorca 2008, ISBN 978-84-8478-361-9 (online).
Salvador Dalí, Jack J. Spector: La vie secrète de Salvador Dali: suis-je un génie? Édition critique des manuscrits originaux de La vie secrète de Salvador Dalí. L’age d’homme, Lausanne 2006, ISBN 978-2-8251-3643-0, S. 188 (online).