Gopal, Madan (1990). K.S. Gautam (ed.). India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 173.
"The central figure is of colossal size and, whether it represents the Bodhisattva Padmapani or Prince Siddhartha, it bears the marks of both high rank and great spiritual stature. (...) The handmaid in long blue velvet coat and high embroidered cap appears, from her features, to be of Persian origin..."Encyclopedia Of World Art Vol. 1. New-York, Toronto, London: McGRAW-HILL. 1959. p. 165.
"Padmapani Painting Ajanta Cave". Chatrapati Sambhajinagar District Administration, Government Of Maharashtra. Archived from the original on 2 April 2023. Retrieved 2 April 2023.
Behl, Benoy K.; Nigam, Sangitika (1998). The Ajanta caves: artistic wonder of ancient Buddhist India. Harry N. Abrams. pp. 20, 26. ISBN978-0-8109-1983-9., Quote: "The caves of the earlier phase at Ajanta date from around the second century BC, during the rule of the Satavahana dynasty. Although the Satavahanas were Hindu rulers, they (...)"
Cohen 2006a, pp. 83–84 (quote): "Hans Bakker's political history of the Vakataka dynasty observed that Ajanta caves belong to the Buddhist, not the Hindu tradition. That this should be so is already remarkable in itself. By all we know of Harisena he was a Hindu; (...)." Cohen, Richard S. (2006a). Beyond Enlightenment: Buddhism, Religion, Modernity. Routledge. ISBN978-1-134-19205-2.
Spink 2007, pp. 139 and 3 (quote): "Going down into the ravine where the caves were cut, he scratched his inscription (John Smith, 28th Cavalry, 28th April, 1819) across the innocent chest of a painted Buddha image on the thirteenth pillar on the right in Cave 10..." Spink, Walter M. (2007). Ajanta: History and Development, Volume 5: Cave by Cave. Leiden: Brill. ISBN978-90-04-15644-9.
Asher, Catherine; Metcalf, Thomas R. (1994). Perceptions of South Asia's visual past. American Institute of Indian Studies, New Delhi, Swadharma Swarajya Sangha, Madras, and Oxford & IBH Publishing Company. pp. 4–5, 17–21, 26–29, 47–63. ISBN978-81-204-0883-8.
Cohen, Richard S. (May 1998). "Nāga, Yakṣiṇī, Buddha: Local Deities and Local Buddhism at Ajanta". History of Religions. 37 (4). University of Chicago Press: 360–400. doi:10.1086/463514. JSTOR3176402. S2CID162226757.
Jain, Rajesh K.; Garg, Rajeev (2004). "Rock-Cut Congregational Spaces in Ancient India". Architectural Science Review. 47 (2): 199–203. doi:10.1080/00038628.2004.9697044. S2CID110386714.
Born, Wolfgang (1943). "The Origin and the Distribution of the Bulbous Dome". The Journal of the American Society of Architectural Historians. 3 (4): 32–48. doi:10.2307/901122. JSTOR901122.
"Recent excavations have unearthed valuable material including a brick monastery that had a stūpa, a gold coin of the Byzantine King Theodosius, an image of Mahiṣāsuramardinī, implements, vessels, and other objects. For a full report, see 'Excavation at Ajanta: District Aurangabad', in Indian Archaeology 2000 2001 A Review (New Delhi: Archaeological Survey of India, 2006), pp. 92-97" in Singh, Rajesh Kumar (2012). "The Early Development of the Cave 26-Complex at Ajanta". South Asian Studies. 28 (1): 37–68. doi:10.1080/02666030.2012.659906. S2CID161425050.
Dhavalikar, M. K. (1969). "Sri Yugadhara: A Master-Artist of Ajanta". Artibus Asiae. 31 (4): 301–307. doi:10.2307/3249338. JSTOR3249338.
Anand Krishna (1981), An exceptional group of painted Buddha figures at Ajanta, The Journal of the International Association of Buddhist Studies, Volume 4, Number 1, pages 96–100 with footnote 1; Schlingloff, Dieter (1976). "Kalyanakarin's Adventures. The Identification of an Ajanta Painting". Artibus Asiae. 38 (1): 5–28. doi:10.2307/3250094. JSTOR3250094.
Cohen, Richard S. (May 1998). "Nāga, Yakṣiṇī, Buddha: Local Deities and Local Buddhism at Ajanta". History of Religions. 37 (4). University of Chicago Press: 360–400. doi:10.1086/463514. JSTOR3176402. S2CID162226757.
Vasant, Suresh (2000). "Tulja Leni and Kondivte Caitya-gṛhas: A Structural Analysis". Ars Orientalis. 30: 23–32. JSTOR4629566.
Born, Wolfgang (1943). "The Origin and the Distribution of the Bulbous Dome". The Journal of the American Society of Architectural Historians. 3 (4): 32–48. doi:10.2307/901122. JSTOR901122.
Anand Krishna (1981), An exceptional group of painted Buddha figures at Ajanta, The Journal of the International Association of Buddhist Studies, Volume 4, Number 1, pages 96–100 with footnote 1; Schlingloff, Dieter (1976). "Kalyanakarin's Adventures. The Identification of an Ajanta Painting". Artibus Asiae. 38 (1): 5–28. doi:10.2307/3250094. JSTOR3250094.
Singh 2021, p. 302. Singh, Rajesh Kumar (2021). "Circa 465 CE and the Stupa-Shrine of the Ajanta Cave 11". In Dziekan, Marek M.; Filipowska, Sylwia; Siemieniec-Gołaś, Ewa (eds.). Myth, Image, Metaphor in the Cultures of Asia and Africa, Proceedings of the 6th All-Polish Conference of Oriental Studies. Warsaw: Elipsa. pp. 301–373. Retrieved 15 April 2023.
Cohen, Richard S. (May 1998). "Nāga, Yakṣiṇī, Buddha: Local Deities and Local Buddhism at Ajanta". History of Religions. 37 (4). University of Chicago Press: 360–400. doi:10.1086/463514. JSTOR3176402. S2CID162226757.
Jain, Rajesh K.; Garg, Rajeev (2004). "Rock-Cut Congregational Spaces in Ancient India". Architectural Science Review. 47 (2): 199–203. doi:10.1080/00038628.2004.9697044. S2CID110386714.
"Recent excavations have unearthed valuable material including a brick monastery that had a stūpa, a gold coin of the Byzantine King Theodosius, an image of Mahiṣāsuramardinī, implements, vessels, and other objects. For a full report, see 'Excavation at Ajanta: District Aurangabad', in Indian Archaeology 2000 2001 A Review (New Delhi: Archaeological Survey of India, 2006), pp. 92-97" in Singh, Rajesh Kumar (2012). "The Early Development of the Cave 26-Complex at Ajanta". South Asian Studies. 28 (1): 37–68. doi:10.1080/02666030.2012.659906. S2CID161425050.
Spink, Walter M. (May 2008) [revised September 2008]. "Ajanta Lecture, Korea". WalterSpink. Archived from the original on 18 June 2021. Retrieved 6 March 2015.
"Padmapani Painting Ajanta Cave". Chatrapati Sambhajinagar District Administration, Government Of Maharashtra. Archived from the original on 2 April 2023. Retrieved 2 April 2023.
Spink, Walter M. (May 2008) [revised September 2008]. "Ajanta Lecture, Korea". WalterSpink. Archived from the original on 18 June 2021. Retrieved 6 March 2015.