Bharatanatyam (English Wikipedia)

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archive.org

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Janet O'Shea (2007). At Home in the World: Bharata Natyam on the Global Stage. Wesleyan University Press. pp. 26–38, 55–57, 83–87. ISBN 978-0-8195-6837-3.
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Emmie Te Nijenhuis 1974, pp. 1–25. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Kapila Vatsyayan 2001. Kapila Vatsyayan (2001). Bharata, the Nāṭyaśāstra. Sahitya Akademi. ISBN 978-81-260-1220-6.
Guy L. Beck (2012). Sonic Liturgy: Ritual and Music in Hindu Tradition. University of South Carolina Press. pp. 138–139. ISBN 978-1-61117-108-2. Quote: "A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)".
Allen G. Noble; Ashok K. Dutt (1982). India: Cultural Patterns and Processes. Westview Press. p. 160. ISBN 978-0-86531-237-1.
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Fergusson 1880, p. 414. Fergusson, James (1880). The Caves Temples of India. W. H. Allen. Retrieved 2 April 2016.
Nijenhuis, Emmie Te (1992). Saṅgītaśiromaṇi: A Medieval Handbook of Indian Music. BRILL. ISBN 978-90-04-09498-7.
Davesh Soneji (2011). Unfinished Gestures: Devadasis, Memory, and Modernity in South India. University of Chicago Press. pp. 30–31. ISBN 978-0-226-76811-3.
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Leslie C. Orr (2000). Donors, Devotees, and Daughters of God: Temple Women in Medieval Tamilnadu. Oxford University Press. pp. 11–13. ISBN 978-0-19-535672-4.
Mary Ellen Snodgrass (2016). The Encyclopedia of World Folk Dance. Rowman & Littlefield. pp. 165–168. ISBN 978-1-4422-5749-8.
Nalini Ghuman (2014). Resonances of the Raj: India in the English Musical Imagination, 1897-1947. Oxford University Press. pp. 97 footnote 72. ISBN 978-0-19-931489-8.
Margaret E. Walker (2016). India's Kathak Dance in Historical Perspective. Routledge. pp. 94–98. ISBN 978-1-317-11737-7.
Janet O'Shea (2007). At Home in the World: Bharata Natyam on the Global Stage. Wesleyan University Press. pp. 35–36. ISBN 978-0-8195-6837-3.
Janet O'Shea (2007). At Home in the World: Bharata Natyam on the Global Stage. Wesleyan University Press. p. 7. ISBN 978-0-8195-6837-3.
Margaret E. Walker (2016). India's Kathak Dance in Historical Perspective. Routledge. pp. 99–102. ISBN 978-1-317-11737-7.
Ester Gallo (2016). Migration and Religion in Europe: Comparative Perspectives on South Asian Experiences. Routledge. p. 32. ISBN 978-1-317-09637-5.
Paromitra Kar (2013). Adam M. Pine and Olaf Kuhlke (ed.). Geographies of Dance: Body, Movement, and Corporeal Negotiations. Lexington. pp. 5–6. ISBN 978-0-7391-7185-1.
Janet O'Shea (2007). At Home in the World: Bharata Natyam on the Global Stage. Wesleyan University Press. pp. 82–85. ISBN 978-0-8195-6837-3.
Janet O'Shea (2007). At Home in the World: Bharata Natyam on the Global Stage. Wesleyan University Press. pp. 1–3, 26, 85–86. ISBN 978-0-8195-6837-3.
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Kapila Vatsyayan (1997). The Square and the Circle of the Indian Arts. Abhinav Publications. p. 81. ISBN 978-81-7017-362-5.
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Bajaj, Tanvi; Vohra, Swasti Shrimali (2015). Performing Arts and Therapeutic Implications. Routledge. p. 127. ISBN 978-1-317-32572-7.
Ann Cooper Albright; David Gere (2003). Taken by Surprise: A Dance Improvisation Reader. Wesleyan University Press. pp. 141–147. ISBN 978-0-8195-6648-5.
Swami Paramatmananda Puri; Amritanandamayi Devi (2015). Dust Of Her Feet. Sterling. p. 82. ISBN 978-1-68037-296-0.
Anjani Arunkumar (1989). Compositions for Bharatanāṭyam: A Soulful Worship of the Divine. Bharatiya Vidya Bhavan. pp. xxi–xxii.
P. K. Ravindranath (1980). Bhavaṁ, ragaṁ, talam, natyaṁ: a hand-book of Indian dance. Savita Damodaran Arengetra Samiti. p. 75.
Gurcharan Singh Randhawa; Amitabha Mukhopadhyay (1986). Floriculture in India. Allied Publishers. pp. 607–608. ISBN 978-81-7023-494-4.
Swarajya Prakash Gupta; Krishna Lal; Mahua Bhattacharyya (2002). Cultural tourism in India: museums, monuments & arts. Indraprastha Museum of Art and Archaeology. p. 198. ISBN 978-81-246-0215-7.
Maratt Mythili Anoop; Varun Gulati (2016). Scripting Dance in Contemporary India. Lexington Books. p. 96. ISBN 978-1-4985-0552-9.
Siyuan Liu (2016). Routledge Handbook of Asian Theatre. Routledge. p. 132. ISBN 978-1-317-27886-3.
TM Krishna (2013). A Southern Music. HarperCollins Publishers. pp. 147–148. ISBN 978-93-5029-822-0.
Rosenblatt Louis; Sanford B. Steever (2015). The Dravidian Languages. Routledge. p. 2. ISBN 978-1-136-91164-4.
Tarla Mehta 1995, p. 3. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Tarla Mehta 1995, p. 5. Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Tanvi Bajaj; Swasti Shrimali Vohra (2015). Performing Arts and Therapeutic Implications. Routledge. pp. 82–84. ISBN 978-1-317-32572-7.
Tanvi Bajaj; Swasti Shrimali Vohra (2015). Performing Arts and Therapeutic Implications. Routledge. pp. 85–87. ISBN 978-1-317-32572-7.
Anne-Marie Gaston (1992). Julia Leslie (ed.). Roles and Rituals for Hindu Women. Motilal Banarsidass. pp. 149–150, 170–171. ISBN 978-81-208-1036-5.
Anne-Marie Gaston (1992). Julia Leslie (ed.). Roles and Rituals for Hindu Women. Motilal Banarsidass. pp. 150–152. ISBN 978-81-208-1036-5.
Ester Gallo (2016). Migration and Religion in Europe: Comparative Perspectives on South Asian Experiences. Routledge. pp. 32–33. ISBN 978-1-317-09637-5.

britannica.com

Bharata-natyam Encyclopædia Britannica. 2007

ccrtindia.gov.in

Bharatnatyam Dance, Centre for Cultural Resources and Training, Government of India

dailynews.lk

"Over 7,000 Bharatanatyam dancers set a world record". Daily News (Source: The Hindu). 4 March 2019.

desifaves.com

Desifaves (8 April 2025). "Dance Practice Attire: Comfort Rooted in Tradition". Desifaves. Retrieved 8 April 2025.

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Natalia Lidova 2014. Natalia Lidova (2014). Natyashastra. Oxford University Press. doi:10.1093/obo/9780195399318-0071.
Wallace Dace 1963, p. 249. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Avanthi Meduri (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice". Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.
Kannan, Rajalakshmi Nadadur (2019). "Colonial Material Collections and Representations of Devadasi Bodies in the Public Sphere in the Early 20th-Century South India". Anthropos. 114 (2): 531–546. doi:10.5771/0257-9774-2019-2-531. ISSN 0257-9774. JSTOR 27095513. S2CID 214131186.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 5–7. doi:10.2307/1124019. JSTOR 1124019.
Shah, Purnima (2002). "State Patronage in India: Appropriation of the "Regional" and "National"". Dance Chronicle. 25 (1): 125–141. doi:10.1081/DNC-120003123. ISSN 0147-2526. JSTOR 1568182. S2CID 159713358.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 2–3. doi:10.2307/1124019. JSTOR 1124019.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 3–4. doi:10.2307/1124019. JSTOR 1124019.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 1–22. doi:10.2307/1124019. JSTOR 1124019.
Katrak, Ketu H. (2004). "Cultural Translation of Bharata Natyam into Contemporary Indian Dance. Second-generation South Asian Americans and cultural politics in diasporic locations". South Asian Popular Culture. 2 (2): 79–102. doi:10.1080/1474668042000275699. S2CID 144136967.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 7–8. doi:10.2307/1124019. JSTOR 1124019.
Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.
O'Shea, Janet (2003). "At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter" (PDF). TDR. 47 (1). MIT Press: 176–186. doi:10.1162/105420403321250071. S2CID 17824898.

facebook.com

"Shivam Natyalaya - Bharatnatyam School". www.facebook.com. Retrieved 27 February 2024.

free.fr

dhdi.free.fr

Bhavanani, Ananda Balayogi; Bhavanani, Devasena (2001). "BHARATANATYAM AND YOGA". Archived from the original on 23 October 2006. He also points out that these [Bharatanatyam dance] stances are very similar to Yoga Asanas, and in the Gopuram walls at Chidambaram, at least twenty different classical Yoga Asanas are depicted by the dancers, including Dhanurasana, Chakrasana, Vrikshasana, Natarajasana, Trivikramasana, Ananda Tandavasana, Padmasana, Siddhasana, Kaka Asana, Vrishchikasana and others.

hindustantimes.com

"13-year-old Chinese girl performs Bharatanatyam in China, scripts history with her dance". Hindustan Times. 14 August 2024. Archived from the original on 20 September 2024. Retrieved 25 March 2025.

illinois.edu

jashm.press.illinois.edu

Ann David (2007), Religious Dogma or Political Agenda? Bharatanatyam and its Reemergence in British Tamil Temples, Journal for the Anthropological Study of Human Movement, Volume 14, Number 4, Fall 2007, University of Illinois Press, Archive

jstor.org

Wallace Dace 1963, p. 249. Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Amrit Srinivasan (1983). "The Hindu Temple-dancer: Prostitute or Nun?". The Cambridge Journal of Anthropology. 8 (1): 73–99. JSTOR 23816342.
Avanthi Meduri (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice". Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.
Kannan, Rajalakshmi Nadadur (2019). "Colonial Material Collections and Representations of Devadasi Bodies in the Public Sphere in the Early 20th-Century South India". Anthropos. 114 (2): 531–546. doi:10.5771/0257-9774-2019-2-531. ISSN 0257-9774. JSTOR 27095513. S2CID 214131186.
Ganesh, Swarnamalya (2015). "RENAMING "SADIR" AS BHARATANATYAM: What's in a Name?". India International Centre Quarterly. 42 (2): 116–125. ISSN 0376-9771. JSTOR 26316557.
Amrit Srinivasan (1983). "The Hindu Temple-dancer: Prostitute or Nun?". The Cambridge Journal of Anthropology. 8 (1): 79–80. JSTOR 23816342.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 5–7. doi:10.2307/1124019. JSTOR 1124019.
Shah, Purnima (2002). "State Patronage in India: Appropriation of the "Regional" and "National"". Dance Chronicle. 25 (1): 125–141. doi:10.1081/DNC-120003123. ISSN 0147-2526. JSTOR 1568182. S2CID 159713358.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 2–3. doi:10.2307/1124019. JSTOR 1124019.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 3–4. doi:10.2307/1124019. JSTOR 1124019.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 1–22. doi:10.2307/1124019. JSTOR 1124019.
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?". Asian Theatre Journal. 5 (1). University of Hawaii Press: 7–8. doi:10.2307/1124019. JSTOR 1124019.
Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.

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msn.com

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Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.

semanticscholar.org

api.semanticscholar.org

Avanthi Meduri (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice". Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.
Kannan, Rajalakshmi Nadadur (2019). "Colonial Material Collections and Representations of Devadasi Bodies in the Public Sphere in the Early 20th-Century South India". Anthropos. 114 (2): 531–546. doi:10.5771/0257-9774-2019-2-531. ISSN 0257-9774. JSTOR 27095513. S2CID 214131186.
Shah, Purnima (2002). "State Patronage in India: Appropriation of the "Regional" and "National"". Dance Chronicle. 25 (1): 125–141. doi:10.1081/DNC-120003123. ISSN 0147-2526. JSTOR 1568182. S2CID 159713358.
Katrak, Ketu H. (2004). "Cultural Translation of Bharata Natyam into Contemporary Indian Dance. Second-generation South Asian Americans and cultural politics in diasporic locations". South Asian Popular Culture. 2 (2): 79–102. doi:10.1080/1474668042000275699. S2CID 144136967.
Meduri, Avanthi (2004). "Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice" (PDF). Dance Research Journal. 36 (2): 11–29. doi:10.2307/20444589. JSTOR 20444589. S2CID 144784756.
O'Shea, Janet (2003). "At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter" (PDF). TDR. 47 (1). MIT Press: 176–186. doi:10.1162/105420403321250071. S2CID 17824898.

surrey.ac.uk

epubs.surrey.ac.uk

O'Shea, Janet (2003). "At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter" (PDF). TDR. 47 (1). MIT Press: 176–186. doi:10.1162/105420403321250071. S2CID 17824898.

thehindu.com

Chatterjee, Jagyaseni (8 December 2016). "Much ado about a debut". The Hindu. ISSN 0971-751X. Retrieved 27 September 2021.

thinkquest.org

library.thinkquest.org

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uwaterloo.ca

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Kavitha Jayakrishnan (2011), Dancing Architecture: the parallel evolution of Bharatanātyam and South Indian Architecture, MA Thesis, Awarded by University of Waterloo, Canada, page 25
Kavitha Jayakrishnan (2011), Dancing Architecture: the parallel evolution of Bharatanātyam and South Indian Architecture, MA Thesis, Awarded by University of Waterloo, Canada, pages 21-27, 46

vedasamskritaacademy.org

Parida, Srikanta; Roshni, CP (April 2022). "An analysis of Bharatanatyam" (PDF). Journal of Veda Samskrita Academy. I: 107.

web.archive.org

"Arangetram". 13 May 2009. Archived from the original on 13 May 2009. Retrieved 27 September 2021.
Bhavanani, Ananda Balayogi; Bhavanani, Devasena (2001). "BHARATANATYAM AND YOGA". Archived from the original on 23 October 2006. He also points out that these [Bharatanatyam dance] stances are very similar to Yoga Asanas, and in the Gopuram walls at Chidambaram, at least twenty different classical Yoga Asanas are depicted by the dancers, including Dhanurasana, Chakrasana, Vrikshasana, Natarajasana, Trivikramasana, Ananda Tandavasana, Padmasana, Siddhasana, Kaka Asana, Vrishchikasana and others.
"13-year-old Chinese girl performs Bharatanatyam in China, scripts history with her dance". Hindustan Times. 14 August 2024. Archived from the original on 20 September 2024. Retrieved 25 March 2025.

worldcat.org

search.worldcat.org

Kannan, Rajalakshmi Nadadur (2019). "Colonial Material Collections and Representations of Devadasi Bodies in the Public Sphere in the Early 20th-Century South India". Anthropos. 114 (2): 531–546. doi:10.5771/0257-9774-2019-2-531. ISSN 0257-9774. JSTOR 27095513. S2CID 214131186.
Ganesh, Swarnamalya (2015). "RENAMING "SADIR" AS BHARATANATYAM: What's in a Name?". India International Centre Quarterly. 42 (2): 116–125. ISSN 0376-9771. JSTOR 26316557.
Kapila Vatsyayan 1974, p. 23. Kapila Vatsyayan (1974), Indian classical dance, Sangeet Natak Akademi, OCLC 2238067
Shah, Purnima (2002). "State Patronage in India: Appropriation of the "Regional" and "National"". Dance Chronicle. 25 (1): 125–141. doi:10.1081/DNC-120003123. ISSN 0147-2526. JSTOR 1568182. S2CID 159713358.
Chatterjee, Jagyaseni (8 December 2016). "Much ado about a debut". The Hindu. ISSN 0971-751X. Retrieved 27 September 2021.
Goldberg, Elliott (2016). The Path of Modern Yoga: the history of an embodied spiritual practice. Rochester, Vermont: Inner Traditions. pp. 223, 395–398. ISBN 978-1-62055-567-5. OCLC 926062252.

xinhuanet.com

"Feature: Dance your dance -- Chinese, Indian Bharatanatyam lovers bridge cultures". Xinhua News Agency. Retrieved 25 March 2025.