Cinema of China (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Cinema of China" in English language version.

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36web.archive.org

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22chinesefilmclassics.org

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10variety.com

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9hollywoodreporter.com

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6worldcat.org

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6filmbiz.asia

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3entgroup.cn

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3sensesofcinema.com

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3screenaustralia.gov.au

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3statista.com

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3chinadaily.com.cn

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2china.org.cn

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2ucsd.edu

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2doi.org

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2chinafilminsider.com

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2time.com

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1chinaculture.org

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1wikipedia.org

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1cuhk.edu.hk

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1uwaterloo.ca

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1theguardian.com

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1semanticscholar.org

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1electricsheepmagazine.co.uk

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1ijoc.org

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1timeoutbeijing.com

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1sfgate.com

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1archive.org

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1icarusfilms.com

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1dy.com.cn

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1newstatesman.com

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1asianbite.com

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1latimes.com

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1deadline.com

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archive.org

Chu, Yingchu (2007). Chinese Documentaries: From Dogma to Polyphony. Routledge. pp. 91–92.

asianbite.com

"Zhou Xun Obtains Hong Kong Citizenship". Archived from the original on 2 April 2012. Retrieved 5 February 2016.

asiatimes.com

Edwards, Russell (15 November 2016). "New law, slowing sales take shine off China's box office". Atimes.com. Retrieved 16 November 2016.

bfi.org.uk

ftvdb.bfi.org.uk

"Kunlun Film Company". British Film Institute. 2004. Archived from the original on 22 January 2008. Retrieved 25 April 2007.

books.google.com

David Carter (2010). East Asian Cinema. Kamera Books. ISBN 978-1-84243-380-5.
Yingjin Zhang (2012). "Chapter 24 - Chinese Cinema and Technology". A Companion to Chinese Cinema. Wiley-Blackwell. p. 456. ISBN 978-1-4443-3029-8.
Zhang, Rui (1 September 2008). The Cinema of Feng Xiaogang: Commercialization and Censorship in Chinese Cinema after 1989. Hong Kong University Press. p. 22. ISBN 978-962-209-885-5.
赵子忠 (Zhào Zizhōng) (2006). 中国影视投融资的产业透视 [An Industry Perspective of China's Film and Television Investment and Financing] (in Chinese). 中国传媒大学出版社 (Communication University of China Press). p. 179. ISBN 978-7-81085-720-8. 1979 年中国大陆生产的影片只有 50 多部,但观众人次达到了 279 亿,平均每天有 7 千万人次的观众看电影,创造了中国电影票房史上 [In 1979, there were only more than 50 films produced in mainland China, but the number of viewers reached 27.9 billion, and an average of 70 million viewers watched films every day, creating history at the box office in China]
Link, Perry (2000). The Uses of Literature: Life in the Socialist Chinese Literary System. Princeton University Press. p. 204. ISBN 978-0-691-00198-2.
"Fujian xi ju: Fujianxiju". 福建省戯劇年鑑 (Fujian Drama Yearbook) (in Chinese) (1–6). Fujian: 中国戏剧家协会福建分会 (Fujian Branch of China Dramatists Association): 11. 1985. 近年拍摄的戏曲片《白蛇传》观众人数最多,达七亿人次、《七品芝麻官》五亿人次。 [In recent years, the opera film "Legend of the White Snake" has the largest audience, reaching 700 million people, and "Sesame Official" with 500 million people.]
中国电影年鉴 [China Film Yearbook] (in Chinese). 中国电影出版社 (China Film Press). 1985. p. 161. 近四年来城乡观众人次超过 1 亿的影片有:《喜盈门》 6 亿 5 千万,《武当》 6 亿 1 千万,《少林弟子》 5 亿 2 千万,《武林志》 5 亿,《从奴隶到将军》 4 亿 7 千万,《西安事变》 4 亿 5 千万,《吉鸿昌》 3 亿 8 千万,《开枪,为他送行》 3 亿 3 千万,《杜十娘》 2 亿 6 千万,《佩剑将军》 2 亿 6 千万,《火烧圆明园》 2 亿 4 千万 [In the past four years, films with more than 100 million viewers in urban and rural areas include: "Xi ying men" 650 million, "Wudang" 610 million, "Shao lin di zi" 520 million, "Wu lin zhi" 500 million, "Cong Nu Li Dao Jiang Jun" 470 million, "Xi'an Incident" 450 million, "Ji Hong Chang" 380 million, "Kai Qiang, Wei Ta Song Xing" 330 million, "Du Shiniang" 260 million, "A General Wearing the Sword" 260 million, "Burning of the Imperial Palace" 240 million]
Elledge, Jonn (16 September 2021). "Some films that probably sold more tickets than any Avengers movie". The Compendium of (Not Quite) Everything: All the Facts You Didn't Know You Wanted to Know. Hachette UK. pp. 139–40. ISBN 978-1-4722-7648-3.
Xu, Gary G. (2007). Sinascape: Contemporary Chinese Cinema. Rowman & Littlefield. pp. 47–48. ISBN 978-0-7425-5450-4.

cctv.com

"CCTV-电影频道-相聚——《流金岁月》". Cctv.com. Retrieved 27 July 2018.

china.org.cn

Zhang Rui (3 January 2017). "China reveals box office toppers for 2016". china.org.cn. Retrieved 4 January 2017.
Li Xiao (17 January 2004). "Film Industry in China". China.org.cn. Retrieved 27 February 2007.

chinaculture.org

Ministry of Culture Staff (2003). "Sole Island Movies". ChinaCulture.org. Archived from the original on 26 August 2006. Retrieved 18 August 2006.

chinadaily.com.cn

china.chinadaily.com.cn

回望中国电影20年从5亿人看《少林寺》到票房1日破亿 [Looking back at Chinese movies over 20 years, from 500 million people watching "Shaolin Temple" to the box office breaking 100 million in one day]. China Daily (in Chinese). 29 December 2014. Retrieved 1 April 2022.

ent.chinadaily.com.cn

"吴宇森对话高晓松 "最后一部电影会拍给徐克"" [Woo Yusen talks to Gao Xiaosong: "The last movie will be made for Tsui Hark"]. China Daily (in Chinese). 17 November 2017. Retrieved 29 March 2022.

chinadaily.com.cn

Raymond Zhou (29 January 2010). "Confucius loses his way". China Daily. Retrieved 3 April 2015.

chinafilmbiz.com

"July 2012". chinafilmbiz 中国电影业务. 29 July 2012. Retrieved 13 November 2019.
"July 2012". chinafilmbiz 中国电影业务. 29 July 2012. Retrieved 12 November 2019.

chinafilminsider.com

"Chinese Main Melody Film Wins Over Young Moviegoers | CFI". China Film Insider. 2 August 2017. Retrieved 13 November 2019.
Papish, Jonathan (29 February 2016). "China Box Office: February and 'The Mermaid' Smash Records". China Film Insider. Retrieved 1 March 2016.

chinesefilmclassics.org

"Red Heroine 紅俠 (1929)". 24 February 1929.
"Song at Midnight 夜半歌聲 (1937)". Chinese Film Classics. 21 February 1937. Archived from the original on 18 October 2023.
"Street Angels 馬路天使 (1937)". Chinese Film Classics. 22 July 1937. Archived from the original on 1 October 2023.
"Zhou Xuan 周璇". Chinese Film Classics. Archived from the original on 21 July 2023.
"Love and Duty 戀愛與義務 (1931)". 24 February 1931.
Cheng, Bugao (8 March 1933). "Spring Silkworms 春蠶 (1933)". Chinese Film Classics. Retrieved 23 March 2023.
"Module 3: Goddess (1934)". Chinese Film Classics. Retrieved 23 March 2023.
"Module 4: The Great Road (1934)". Chinese Film Classics. Retrieved 23 March 2023.
"Ruan Lingyu 阮玲玉". 8 March 2021.
"Li Lili 黎莉莉". Chinese Film Classics.
"Chen Yanyan 陳燕燕". Chinese Film Classics.
"New Women 新女性 (1935)". 4 February 1935.
"Song of the Fishermen 漁光曲 (1934)". 14 June 1934.
"Hua Mu Lan 木蘭從軍 (1939)". 17 February 1939.
"Spring River Flows East 一江春水向東流 (1947)". 10 October 1947.
"Crows and Sparrows 烏鴉與麻雀 (1949)". 14 January 1950.
"Wanderings of Three Hairs the Orphan 三毛流浪記 (1949)". 31 October 1949.
Rea, Christopher (14 February 1947). "Love Everlasting 不了情 (1947)". Chinese Film Classics. Retrieved 23 March 2023.
"Module 8: Long Live the Missus! (1947)". Chinese Film Classics. Retrieved 23 March 2023.
"Spring in a Small Town 小城之春 (1948)". 26 September 1948.
Rea, Christopher (22 April 2021). "Fei Mu 費穆". Chinese Film Classics. Retrieved 30 December 2023.
"Animation and Cartoons 卡通與漫畫 - Chinese Film Classics". 23 April 2021.

chinesemirror.com

"《Legend of the White Snake》(1926)". The Chinese Mirror. Archived from the original on 19 March 2013. Retrieved 23 January 2013.

cuhk.edu.hk

Han, Chen (2008). "啟蒙時代的電影神話──關於第五代電影的文化反思" [The myth of film in the age of Enlightenment——a cultural reflection on the fifth generation of films] (PDF). Twenty-First Century (73) – via Chinese University of Hong Kong.

deadline.com

Tartaglione, Nancy (1 January 2016). "China Box Office Ends Year With $6.77B; On Way To Overtaking U.S. In 2017?". Deadline Hollywood. Retrieved 1 January 2016.

doi.org

Ma, Weijun (September 2014). "Chinese Main Melody TV Drama: Hollywoodization and Ideological Persuasion". Television & New Media. 15 (6): 523–537. doi:10.1177/1527476412471436. ISSN 1527-4764. S2CID 144145010.
Wang, Qian (23 September 2013). "Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music". Perfect Beat. 13 (2): 127–145. doi:10.1558/prbt.v13.i2.127.

dy.com.cn

zx.dy.com.cn

《狼灾记》票房低迷出乎意料导演的兽性情挑_第一电影网 Archived 5 September 2013 at the Wayback Machine

electricsheepmagazine.co.uk

Pamela Jahn (16 May 2014). "A Touch of Sin: Interview with Jia Zhang-ke". Electric Sheep. Retrieved 3 April 2015.

entgroup.cn

english.entgroup.cn

"China Film Industry Report 2014-2015 (In Brief)" (PDF). EntGroup Inc. Archived from the original (PDF) on 15 October 2015. Retrieved 15 October 2015.
Xu Fan (18 June 2015). "Internet Giants Move From Behind the Camera to Front". EntGroup Inc. China Daily. Archived from the original on 15 October 2015. Retrieved 19 June 2015.
Bai Shi (9 February 2014). "Hollywood Takes a Hit". EntGroup Inc. Beijing Review. Archived from the original on 22 February 2014. Retrieved 14 February 2014.

filmbiz.asia

Cremin, Stephen (July 24, 2012). "Resurrection takes China BO record". Film Business Asia. Archived from the original on July 30, 2012. Retrieved April 3, 2015.
Stephen Cremin (18 May 2013). "So Young enters China's all-time top ten". Film Business Asia. Archived from the original on 19 March 2015. Retrieved 3 April 2015.
Kevin Ma (January 6, 2014). "China B.O. up 27% in 2013". Film Business Asia. Archived from the original on January 6, 2014. Retrieved January 6, 2014.
Stephen Cremin and Patrick Frater (January 3, 2013). "Xu joins one billion club". Film Business Asia. Archived from the original on February 5, 2014. Retrieved January 6, 2014.
Stephen Cremin (18 May 2013). "So Young enters China's all-time top ten". Film Business Asia. Archived from the original on 19 March 2015. Retrieved 6 January 2014.
Patrick Frater (10 January 2013). "China BO exceeds RMB17 billion". Film Business Asia. Archived from the original on 15 January 2013. Retrieved 14 February 2014.

gbtimes.com

"Chinese director Jia Zhangke competing at Cannes 2018". gbtimes.com. Archived from the original on 12 November 2019. Retrieved 12 November 2019.

hkfaa.com

"Welcome to the Hong Kong Film Awards". 2004. Archived from the original on 22 October 2019. Retrieved 4 April 2007.

hollywoodreporter.com

"Breathtaking Photos From Inside the China Studio Luring Hollywood East". Hollywoodreporter.com. 2 November 2016. Retrieved 27 July 2018.
"Wanda Unveils Plans for $8 Billion 'Movie Metropolis,' Reveals Details About Film Incentives". The Hollywood Reporter.
Kraicer, Shelly (6 December 2005). "Timeline". The Hollywood Reporter. Archived from the original on 2 August 2010. Retrieved 8 May 2006.
Karen Chu (17 June 2012). "Feng Xiaogang Unveils Epic 'Remembering 1942' at the Shanghai Film Festival". The Hollywood Reporter. Retrieved 7 July 2012.
Brzeski, Patrick (19 February 2016). "China Box Office: 'Mermaid' Becomes Top-Grossing Film Ever With $400M". The Hollywood Reporter. Retrieved 21 February 2016.
Patrick Brzeski (31 December 2015). "China Box Office Grows Astonishing 49 Percent in 2015, Hits $6.78 Billion". The Hollywood Reporter. Retrieved 31 December 2015.
Brzeski, Patrick (15 February 2016). "China Box Office Breaks World Record With $548M in One Week". The Hollywood Reporter. Retrieved 16 February 2016.
Jonathan Landreth (15 October 2010). "Report: China b.o. to overtake Japan in 2015". The Hollywood Reporter. Archived from the original on 7 November 2013. Retrieved 7 July 2012.
"China Box Office: Jackie Chan's 'Police Story 2013' Tops Chart Dominated by Local Fare". The Hollywood Reporter. 7 January 2014.

icarusfilms.com

"Icarus Films: Featured Filmmakers". icarusfilms.com. Retrieved 28 January 2020.

ijoc.org

"From D-Buffs to the D-Generation: Piracy, Cinema, and an Alternative Public Sphere in Urban China". Talari.com. 1 April 2011. Retrieved 23 October 2015.

jstor.org

Yu, Hongmei (2013). "Visual Spectacular, Revolutionary Epic, and Personal Voice: The Narration of History in Chinese Main Melody Films". Modern Chinese Literature and Culture. 25 (2): 166–218. ISSN 1520-9857. JSTOR 43492536.

latimes.com

Julie Makinen (29 December 2015). "Movie ticket sales jump 48% in China, but Hollywood has reason to worry". Los Angeles Times. Retrieved 29 December 2015.

newstatesman.com

Walsh Megan (20 February 2014). "Feng Xiaogang: the Chinese Spielberg". New Statesman. Retrieved 3 April 2015.

newyorker.com

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nytimes.com

Kahn, Joseph (7 May 2003). "Filming the Dark Side Of Capitalism in China". New York Times. Retrieved 10 April 2008.
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ohio-state.edu

people.cohums.ohio-state.edu

"A Brief History of Chinese Film". Ohio State University. Archived from the original on 10 April 2014. Retrieved 24 April 2007.

qq.com

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screenaustralia.gov.au

"Domestic films' share of box office in Australia and selected other countries, 2000–2009". Screen Australia. Archived from the original on 12 February 2014. Retrieved 14 February 2014.
"Top 20 countries by number of cinema admissions, 2005–2010". Screen Australia. Archived from the original on 12 February 2014. Retrieved 14 February 2014.
"Top 20 countries ranked by number of cinema screens, 2005–2010". Screen Australia. Archived from the original on 12 February 2014. Retrieved 14 February 2014.

screendaily.com

Shackleton2019-01-02T00:38:00+00:00, Liz. "China's box office increases by 9% to $8.9bn in 2018". Screen. Retrieved 12 November 2019.{{cite web}}: CS1 maint: numeric names: authors list (link)

semanticscholar.org

api.semanticscholar.org

Ma, Weijun (September 2014). "Chinese Main Melody TV Drama: Hollywoodization and Ideological Persuasion". Television & New Media. 15 (6): 523–537. doi:10.1177/1527476412471436. ISSN 1527-4764. S2CID 144145010.

sensesofcinema.com

Stephen Teo (July 2003). ""There Is No Sixth Generation!" Director Li Yang on Blind Shaft and His Place in Chinese Cinema". Retrieved 3 April 2015.
Rapfogel, Jared (December 2004). "Minimalism and Maximalism: The 42nd New York Film Festival". Senses of Cinema. Archived from the original on 13 September 2007. Retrieved 28 April 2007.
Reynaud, Berenice (September 2003). "Dancing with Myself,Drifting with My Camera: The Emotional Vagabonds". Senses of Cinema. Archived from the original on 3 November 2007. Retrieved 10 December 2007.

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timeoutbeijing.com

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ucsd.edu

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unesco.org

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variety.com

"China Box Office Surges by Annual 83% in 2023 to $7.73 Billion". variety.com. 3 January 2024. Retrieved 27 January 2024.
Frater, Patrick (31 December 2016). "China Box Office Crawls to 3% Gain in 2016". Variety. Retrieved 1 January 2017.
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Variety Staff (31 December 2015). "China Box Office Growth at 49% as Total Hits $6.78 Billion". Variety. Retrieved 1 January 2016.
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web.archive.org

"China Film Industry Report 2014-2015 (In Brief)" (PDF). EntGroup Inc. Archived from the original (PDF) on 15 October 2015. Retrieved 15 October 2015.
Zhang Yingjin (10 October 2003). "A Centennial Review of Chinese Cinema". University of California-San Diego. Archived from the original on 7 September 2008. Retrieved 26 April 2007.
"A Brief History of Chinese Film". Ohio State University. Archived from the original on 10 April 2014. Retrieved 24 April 2007.
"《Legend of the White Snake》(1926)". The Chinese Mirror. Archived from the original on 19 March 2013. Retrieved 23 January 2013.
"Song at Midnight 夜半歌聲 (1937)". Chinese Film Classics. 21 February 1937. Archived from the original on 18 October 2023.
"Street Angels 馬路天使 (1937)". Chinese Film Classics. 22 July 1937. Archived from the original on 1 October 2023.
"Zhou Xuan 周璇". Chinese Film Classics. Archived from the original on 21 July 2023.
Kraicer, Shelly (6 December 2005). "Timeline". The Hollywood Reporter. Archived from the original on 2 August 2010. Retrieved 8 May 2006.
Ministry of Culture Staff (2003). "Sole Island Movies". ChinaCulture.org. Archived from the original on 26 August 2006. Retrieved 18 August 2006.
Zhang Yingjin (1 January 2007). "Chinese Cinema - Cai Chusheng". University of California-San Diego. Archived from the original on 7 March 2007. Retrieved 25 April 2007.
"Kunlun Film Company". British Film Institute. 2004. Archived from the original on 22 January 2008. Retrieved 25 April 2007.
"Welcome to the Hong Kong Film Awards". 2004. Archived from the original on 22 October 2019. Retrieved 4 April 2007.
Yvonne Ng (19 November 2002). "The Irresistible Rise of Asian Cinema-Tian Zhuangzhuang: A Director of the 21st Century". Kinema. Archived from the original on 16 April 2007. Retrieved 23 April 2007.
Corliss, Richard (26 March 2001). "Bright Lights". Time. Archived from the original on 6 February 2007. Retrieved 3 April 2015.
Rapfogel, Jared (December 2004). "Minimalism and Maximalism: The 42nd New York Film Festival". Senses of Cinema. Archived from the original on 13 September 2007. Retrieved 28 April 2007.
"Chinese director Jia Zhangke competing at Cannes 2018". gbtimes.com. Archived from the original on 12 November 2019. Retrieved 12 November 2019.
Cremin, Stephen (July 24, 2012). "Resurrection takes China BO record". Film Business Asia. Archived from the original on July 30, 2012. Retrieved April 3, 2015.
Reynaud, Berenice (September 2003). "Dancing with Myself,Drifting with My Camera: The Emotional Vagabonds". Senses of Cinema. Archived from the original on 3 November 2007. Retrieved 10 December 2007.
《狼灾记》票房低迷出乎意料导演的兽性情挑_第一电影网 Archived 5 September 2013 at the Wayback Machine
Stephen Cremin (18 May 2013). "So Young enters China's all-time top ten". Film Business Asia. Archived from the original on 19 March 2015. Retrieved 3 April 2015.
"Zhou Xun Obtains Hong Kong Citizenship". Archived from the original on 2 April 2012. Retrieved 5 February 2016.
Brenhouse, Hillary (31 January 2011). "As Its Box Office Booms, Chinese Cinema Makes a 3-D Push". Time. Archived from the original on 2 February 2011. Retrieved 14 September 2011.
Kevin Ma (January 6, 2014). "China B.O. up 27% in 2013". Film Business Asia. Archived from the original on January 6, 2014. Retrieved January 6, 2014.
Stephen Cremin and Patrick Frater (January 3, 2013). "Xu joins one billion club". Film Business Asia. Archived from the original on February 5, 2014. Retrieved January 6, 2014.
Stephen Cremin (18 May 2013). "So Young enters China's all-time top ten". Film Business Asia. Archived from the original on 19 March 2015. Retrieved 6 January 2014.
Xu Fan (18 June 2015). "Internet Giants Move From Behind the Camera to Front". EntGroup Inc. China Daily. Archived from the original on 15 October 2015. Retrieved 19 June 2015.
Kevin Ma (2 January 2015). "China B.O up 36% in 2014". Film Business Asia. Archived from the original on 24 January 2015. Retrieved 2 January 2015.{{cite web}}: CS1 maint: unfit URL (link)
Kevin Mar (10 December 2013). "China B.O. passes RMB20 billion in 2013". Film Business Asia. Archived from the original on 24 December 2013. Retrieved 19 December 2013.{{cite web}}: CS1 maint: unfit URL (link)
Jonathan Landreth (15 October 2010). "Report: China b.o. to overtake Japan in 2015". The Hollywood Reporter. Archived from the original on 7 November 2013. Retrieved 7 July 2012.
Bai Shi (9 February 2014). "Hollywood Takes a Hit". EntGroup Inc. Beijing Review. Archived from the original on 22 February 2014. Retrieved 14 February 2014.
"Domestic films' share of box office in Australia and selected other countries, 2000–2009". Screen Australia. Archived from the original on 12 February 2014. Retrieved 14 February 2014.
"Table 11: Exhibition - Admissions & Gross Box Office (GBO)". UNESCO Institute for Statistics. Archived from the original on 25 December 2018. Retrieved 14 February 2014.
"Top 20 countries by number of cinema admissions, 2005–2010". Screen Australia. Archived from the original on 12 February 2014. Retrieved 14 February 2014.
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中国电影年鉴 [China Film Yearbook] (in Chinese). 中国电影出版社 (China Film Press). 1985. p. 161. 近四年来城乡观众人次超过 1 亿的影片有:《喜盈门》 6 亿 5 千万,《武当》 6 亿 1 千万,《少林弟子》 5 亿 2 千万,《武林志》 5 亿,《从奴隶到将军》 4 亿 7 千万,《西安事变》 4 亿 5 千万,《吉鸿昌》 3 亿 8 千万,《开枪,为他送行》 3 亿 3 千万,《杜十娘》 2 亿 6 千万,《佩剑将军》 2 亿 6 千万,《火烧圆明园》 2 亿 4 千万 [In the past four years, films with more than 100 million viewers in urban and rural areas include: "Xi ying men" 650 million, "Wudang" 610 million, "Shao lin di zi" 520 million, "Wu lin zhi" 500 million, "Cong Nu Li Dao Jiang Jun" 470 million, "Xi'an Incident" 450 million, "Ji Hong Chang" 380 million, "Kai Qiang, Wei Ta Song Xing" 330 million, "Du Shiniang" 260 million, "A General Wearing the Sword" 260 million, "Burning of the Imperial Palace" 240 million]

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