Computer music (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Computer music" in English language version.

refsWebsite

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16doi.org

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10web.archive.org

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5semanticscholar.org

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4jstor.org

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4ircam.fr

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2theguardian.com

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2uillinois.edu

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2nih.gov

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2sony.fr

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1academia.edu

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1unimelb.edu.au

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1manchester.ac.uk

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1bl.uk

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1archive.org

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1gizmag.com

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1harvard.edu

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1worldcat.org

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1leeds.ac.uk

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1tu-berlin.de

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1scribd.com

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1telegraph.co.uk

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1arstechnica.com

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1newscientist.com

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1jatit.org

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1books.google.com

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1blog.google

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1tech.eu

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1sky.com

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1princeton.edu

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academia.edu

Doornbusch, Paul (9 July 2017). "MuSA 2017 – Early Computer Music Experiments in Australia, England and the USA". MuSA Conference. Retrieved 18 October 2017.

archive.org

Bogdanov, Vladimir (2001). All Music Guide to Electronica: The Definitive Guide to Electronic Music. Backbeat Books. p. 320. ISBN 978-0-87930-628-1. Retrieved 4 December 2013.

arstechnica.com

Cheng, Jacqui (30 September 2009). "Virtual Composer Makes Beautiful Music and Stirs Controversy". Ars Technica.

bbc.co.uk

news.bbc.co.uk

Fildes, Jonathan (17 June 2008). "Oldest computer music unveiled". BBC News Online. Retrieved 18 June 2008.

bl.uk

blogs.bl.uk

"Restoring the first recording of computer music – Sound and vision blog". British Library. 13 September 2016. Retrieved 28 August 2017.

blog.google

"Turn ideas into music with MusicLM". Google. 10 May 2023. Retrieved 22 September 2023.

books.google.com

Jan Pavelka; Gerard Tel; Miroslav Bartosek, eds. (1999). Factor oracle: a new structure for pattern matching; Proceedings of SOFSEM'99; Theory and Practice of Informatics. Springer-Verlag, Berlin. pp. 291–306. ISBN 978-3-540-66694-3. Retrieved 4 December 2013. Lecture Notes in Computer Science 1725

doi.org

Doornbusch, Paul (2017). "Early Computer Music Experiments in Australia and England". Organised Sound. 22 (2). Cambridge University Press: 297–307 [11]. doi:10.1017/S1355771817000206.
Doornbusch, Paul (March 2004). "Computer Sound Synthesis in 1951: The Music of CSIRAC". Computer Music Journal. 28 (1): 11–12. doi:10.1162/014892604322970616. S2CID 10593824.
Mathews, Max (1 November 1963). "The Digital Computer as a Musical Instrument". Science. 142 (3592): 553–557. Bibcode:1963Sci...142..553M. doi:10.1126/science.142.3592.553. PMID 17738556. The generation of sound signals requires very high sampling rates.... A high speed machine such as the I.B.M. 7090 ... can compute only about 5000 numbers per second ... when generating a reasonably complex sound.
Bonomini, Mario; Zammit, Victor; Pusey, Charles D.; De Vecchi, Amedeo; Arduini, Arduino (March 2011). "Pharmacological use of l-carnitine in uremic anemia: Has its full potential been exploited?☆". Pharmacological Research. 63 (3): 157–164. doi:10.1016/j.phrs.2010.11.006. ISSN 1043-6618. PMID 21138768.
Parolini, Giuditta (2016). "Pietro Grossi's Experience in Electronic and Computer Music by Giuditta Parolini". University of Leeds. doi:10.5518/160/27. Archived from the original on 18 June 2021. Retrieved 21 March 2021.
Giomi, Francesco (1995). "The Work of Italian Artist Pietro Grossi: From Early Electronic Music to Computer Art". Leonardo. 28 (1): 35–39. doi:10.2307/1576152. JSTOR 1576152. S2CID 191383265.
Shimazu, Takehito (1994). "The History of Electronic and Computer Music in Japan: Significant Composers and Their Works". Leonardo Music Journal. 4. MIT Press: 102–106 [104]. doi:10.2307/1513190. JSTOR 1513190. S2CID 193084745. Retrieved 9 July 2012.^{[permanent dead link]}
Doornbusch, Paul. "3: Early Hardware and Early Ideas in Computer Music: Their Development and Their Current Forms". In Dean (2009), pp. 44–80. doi:10.1093/oxfordhb/9780199792030.013.0003
Berg, Paul (1996). "Abstracting the future: The Search for Musical Constructs". Computer Music Journal. 20 (3). MIT Press: 24–27 [11]. doi:10.2307/3680818. JSTOR 3680818.
Shlomo Dubnov, Gérard Assayag, Olivier Lartillot, Gill Bejerano, "Using Machine-Learning Methods for Musical Style Modeling", Computers, 36 (10), pp. 73–80, October 2003. doi:10.1109/MC.2003.1236474
Dubnov, S. (1999). "Stylistic randomness: About composing NTrope Suite." Organised Sound, 4(2), 87–92. doi:10.1017/S1355771899002046
"Using factor oracles for machine improvisation", G. Assayag, S. Dubnov, (September 2004) Soft Computing 8 (9), 604–610 doi:10.1007/s00500-004-0385-4
S Dubnov, G Assayag, A Cont, "Audio oracle analysis of musical information rate", IEEE Fifth International Conference on Semantic Computing, 567–557, 2011 doi:10.1109/ICSC.2011.106
Collins, N.; McLean, A.; Rohrhuber, J.; Ward, A. (2004). "Live coding in laptop performance". Organised Sound. 8 (3): 321–330. doi:10.1017/S135577180300030X. S2CID 56413136.
Collins, Nick (2003). "Generative Music and Laptop Performance". Contemporary Music Review. 22 (4): 67–79. doi:10.1080/0749446032000156919. S2CID 62735944.

dx.doi.org

Bonomini, Mario; Zammit, Victor; Pusey, Charles D.; De Vecchi, Amedeo; Arduini, Arduino (March 2011). "Pharmacological use of l-carnitine in uremic anemia: Has its full potential been exploited?☆". Pharmacological Research. 63 (3): 157–164. doi:10.1016/j.phrs.2010.11.006. ISSN 1043-6618. PMID 21138768.

francoispachet.fr

":: Continuator". Archived from the original on 1 November 2014. Retrieved 19 May 2014.

gizmag.com

Cattermole, Tannith (9 May 2011). "Farseeing inventor pioneered computer music". Gizmag. Retrieved 28 October 2011. In 1957 the MUSIC program allowed an IBM 704 mainframe computer to play a 17-second composition by Mathews. Back then computers were ponderous, so synthesis would take an hour.

harvard.edu

ui.adsabs.harvard.edu

Mathews, Max (1 November 1963). "The Digital Computer as a Musical Instrument". Science. 142 (3592): 553–557. Bibcode:1963Sci...142..553M. doi:10.1126/science.142.3592.553. PMID 17738556. The generation of sound signals requires very high sampling rates.... A high speed machine such as the I.B.M. 7090 ... can compute only about 5000 numbers per second ... when generating a reasonably complex sound.

ircam.fr

repmus.ircam.fr

Tangian, Andranik (2003). "Constructing rhythmic canons" (PDF). Perspectives of New Music. 41 (2): 64–92. Archived from the original (PDF) on 24 January 2021. Retrieved 16 January 2021.
Tangian, Andranik (2010). "Constructing rhythmic fugues (unpublished addendum to Constructing rhythmic canons)". IRCAM, Seminaire MaMuX, 9 February 2002, Mosaïques et pavages dans la musique (PDF). Archived from the original (PDF) on 22 January 2021. Retrieved 16 January 2021.
Tangian, Andranik (2002–2003). "Eine kleine Mathmusik I and II". IRCAM, Seminaire MaMuX, 9 February 2002, Mosaïques et pavages dans la musique. Archived from the original on 21 January 2021. Retrieved 16 January 2021.

omax.ircam.fr

"The OMax Project Page". omax.ircam.fr. Retrieved 2 February 2018.

jatit.org

Mauricio Toro, Carlos Agon, Camilo Rueda, Gerard Assayag. "GELISP: A Framework to Represent Musical Constraint Satisfaction Problems and Search Strategies", Journal of Theoretical and Applied Information Technology 86, no. 2 (2016): 327–331.

jstor.org

Gaburo, Kenneth (Spring 1985). "The Deterioration of an Ideal, Ideally Deteriorized: Reflections on Pietro Grossi's 'Paganini AI Computer'". Computer Music Journal. 9 (1): 39–44. JSTOR 4617921.
Giomi, Francesco (1995). "The Work of Italian Artist Pietro Grossi: From Early Electronic Music to Computer Art". Leonardo. 28 (1): 35–39. doi:10.2307/1576152. JSTOR 1576152. S2CID 191383265.
Shimazu, Takehito (1994). "The History of Electronic and Computer Music in Japan: Significant Composers and Their Works". Leonardo Music Journal. 4. MIT Press: 102–106 [104]. doi:10.2307/1513190. JSTOR 1513190. S2CID 193084745. Retrieved 9 July 2012.^{[permanent dead link]}
Berg, Paul (1996). "Abstracting the future: The Search for Musical Constructs". Computer Music Journal. 20 (3). MIT Press: 24–27 [11]. doi:10.2307/3680818. JSTOR 3680818.

leeds.ac.uk

archive.researchdata.leeds.ac.uk

Parolini, Giuditta (2016). "Pietro Grossi's Experience in Electronic and Computer Music by Giuditta Parolini". University of Leeds. doi:10.5518/160/27. Archived from the original on 18 June 2021. Retrieved 21 March 2021.

manchester.ac.uk

curation.cs.manchester.ac.uk

"Media (Digital 60)". curation.cs.manchester.ac.uk. Retrieved 15 December 2023.

newscientist.com

"Computer composer honours Turing's centenary". New Scientist. 5 July 2012.

nih.gov

pubmed.ncbi.nlm.nih.gov

Mathews, Max (1 November 1963). "The Digital Computer as a Musical Instrument". Science. 142 (3592): 553–557. Bibcode:1963Sci...142..553M. doi:10.1126/science.142.3592.553. PMID 17738556. The generation of sound signals requires very high sampling rates.... A high speed machine such as the I.B.M. 7090 ... can compute only about 5000 numbers per second ... when generating a reasonably complex sound.
Bonomini, Mario; Zammit, Victor; Pusey, Charles D.; De Vecchi, Amedeo; Arduini, Arduino (March 2011). "Pharmacological use of l-carnitine in uremic anemia: Has its full potential been exploited?☆". Pharmacological Research. 63 (3): 157–164. doi:10.1016/j.phrs.2010.11.006. ISSN 1043-6618. PMID 21138768.

princeton.edu

soundlab.cs.princeton.edu

Wang G. & Cook P. (2004) "On-the-fly Programming: Using Code as an Expressive Musical Instrument", In Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME) (New York: NIME, 2004).

scribd.com

Shimazu, Takehito (1994). "The History of Electronic and Computer Music in Japan: Significant Composers and Their Works". Leonardo Music Journal. 4. MIT Press: 102–106 [104]. doi:10.2307/1513190. JSTOR 1513190. S2CID 193084745. Retrieved 9 July 2012.^{[permanent dead link]}

semanticscholar.org

api.semanticscholar.org

Doornbusch, Paul (March 2004). "Computer Sound Synthesis in 1951: The Music of CSIRAC". Computer Music Journal. 28 (1): 11–12. doi:10.1162/014892604322970616. S2CID 10593824.
Giomi, Francesco (1995). "The Work of Italian Artist Pietro Grossi: From Early Electronic Music to Computer Art". Leonardo. 28 (1): 35–39. doi:10.2307/1576152. JSTOR 1576152. S2CID 191383265.
Shimazu, Takehito (1994). "The History of Electronic and Computer Music in Japan: Significant Composers and Their Works". Leonardo Music Journal. 4. MIT Press: 102–106 [104]. doi:10.2307/1513190. JSTOR 1513190. S2CID 193084745. Retrieved 9 July 2012.^{[permanent dead link]}
Collins, N.; McLean, A.; Rohrhuber, J.; Ward, A. (2004). "Live coding in laptop performance". Organised Sound. 8 (3): 321–330. doi:10.1017/S135577180300030X. S2CID 56413136.
Collins, Nick (2003). "Generative Music and Laptop Performance". Contemporary Music Review. 22 (4): 67–79. doi:10.1080/0749446032000156919. S2CID 62735944.

sky.com

news.sky.com

"'Regulate it before we're all finished': Musicians react to AI songs flooding the internet". Sky News. Retrieved 22 September 2023.

sony.fr

csl.sony.fr

Pachet, F., The Continuator: Musical Interaction with Style Archived 14 April 2012 at the Wayback Machine. In ICMA, editor, Proceedings of ICMC, pages 211–218, Göteborg, Sweden, September 2002. ICMA.
Pachet, F. Playing with Virtual Musicians: the Continuator in practice Archived 14 April 2012 at the Wayback Machine. IEEE MultiMedia,9(3):77–82 2002.

tech.eu

"Pick a voice, any voice: Voicemod unleashes "AI Humans" collection of real-time AI voice changers". Tech.eu. 21 June 2023. Retrieved 22 September 2023.

telegraph.co.uk

Leach, Ben (22 October 2009). "Emily Howell: the computer program that composes classical music". The Daily Telegraph. Retrieved 6 October 2017.

theguardian.com

"First recording of computer-generated music – created by Alan Turing – restored". The Guardian. 26 September 2016. Retrieved 28 August 2017.
Ball, Philip (1 July 2012). "Iamus, classical music's computer composer, live from Malaga". The Guardian. Archived from the original on 25 October 2013. Retrieved 15 November 2021.

tu-berlin.de

depositonce.tu-berlin.de

"Music without Musicians but with Scientists Technicians and Computer Companies". 2019.

ugent.be

computing-conference.ugent.be

"Algorhythmic Listening 1949–1962 Auditory Practices of Early Mainframe Computing". AISB/IACAP World Congress 2012. Archived from the original on 7 November 2017. Retrieved 18 October 2017.

uillinois.edu

press.uillinois.edu

Tenney, James. (1964) 2015. “Computer Music Experiences, 1961–1964.” In From Scratch: Writings in Music Theory. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. Urbana: University of Illinois Press. 97–127.
Wannamaker, Robert, The Music of James Tenney, Volume 1: Contexts and Paradigms (University of Illinois Press, 2021), 48–82.

unimelb.edu.au

csse.unimelb.edu.au

Doornbusch, Paul. "The Music of CSIRAC". Melbourne School of Engineering, Department of Computer Science and Software Engineering. Archived from the original on 18 January 2012.

web.archive.org

"Algorhythmic Listening 1949–1962 Auditory Practices of Early Mainframe Computing". AISB/IACAP World Congress 2012. Archived from the original on 7 November 2017. Retrieved 18 October 2017.
Doornbusch, Paul. "The Music of CSIRAC". Melbourne School of Engineering, Department of Computer Science and Software Engineering. Archived from the original on 18 January 2012.
Parolini, Giuditta (2016). "Pietro Grossi's Experience in Electronic and Computer Music by Giuditta Parolini". University of Leeds. doi:10.5518/160/27. Archived from the original on 18 June 2021. Retrieved 21 March 2021.
Tangian, Andranik (2003). "Constructing rhythmic canons" (PDF). Perspectives of New Music. 41 (2): 64–92. Archived from the original (PDF) on 24 January 2021. Retrieved 16 January 2021.
Tangian, Andranik (2010). "Constructing rhythmic fugues (unpublished addendum to Constructing rhythmic canons)". IRCAM, Seminaire MaMuX, 9 February 2002, Mosaïques et pavages dans la musique (PDF). Archived from the original (PDF) on 22 January 2021. Retrieved 16 January 2021.
Tangian, Andranik (2002–2003). "Eine kleine Mathmusik I and II". IRCAM, Seminaire MaMuX, 9 February 2002, Mosaïques et pavages dans la musique. Archived from the original on 21 January 2021. Retrieved 16 January 2021.
Ball, Philip (1 July 2012). "Iamus, classical music's computer composer, live from Malaga". The Guardian. Archived from the original on 25 October 2013. Retrieved 15 November 2021.
":: Continuator". Archived from the original on 1 November 2014. Retrieved 19 May 2014.
Pachet, F., The Continuator: Musical Interaction with Style Archived 14 April 2012 at the Wayback Machine. In ICMA, editor, Proceedings of ICMC, pages 211–218, Göteborg, Sweden, September 2002. ICMA.
Pachet, F. Playing with Virtual Musicians: the Continuator in practice Archived 14 April 2012 at the Wayback Machine. IEEE MultiMedia,9(3):77–82 2002.

worldcat.org

search.worldcat.org

Bonomini, Mario; Zammit, Victor; Pusey, Charles D.; De Vecchi, Amedeo; Arduini, Arduino (March 2011). "Pharmacological use of l-carnitine in uremic anemia: Has its full potential been exploited?☆". Pharmacological Research. 63 (3): 157–164. doi:10.1016/j.phrs.2010.11.006. ISSN 1043-6618. PMID 21138768.