Analysis of information sources in references of the Wikipedia article "Furiosa: A Mad Max Saga" in English language version.
In doing what we did in the preparation of Mad Max: Fury Road, we also wrote what happened to Max in the year before we encounter him in [that film] ... Basically, we had to see that Mad Max was lurking around somewhere because we do know what happened. The writers know what happened to Mad Max in that year before, and we have a whole story of that, which I would like to do sometime if I get the chance.
Even after Furiosa loses her arm, she still tries to go back to the Citadel, eventually just falling in the desert with the birds circling her and this brief shot of Max eating from the food can, which is exactly the start of Fury Road. So it's interesting that we technically start more or less far into Fury Road.
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has generic name (help)We've done it already. It's the last thing I did on this film, and I call it 'Tinted Black & Chrome', or I want to call it 'Tinted Black & Chrome'. I must say, it's really interesting. I'm still trying to demystify why the black and white, for me, has something more elemental to it. I still can't quite put my finger on it. It's not because they look like old black-and-white movies, it's something else. It's like if we took a picture of ourselves right now, it might look a little more dramatic if it was black and white.
Even after Furiosa loses her arm, she still tries to go back to the Citadel, eventually just falling in the desert with the birds circling her and this brief shot of Max eating from the food can, which is exactly the start of Fury Road. So it's interesting that we technically start more or less far into Fury Road.
In doing what we did in the preparation of Mad Max: Fury Road, we also wrote what happened to Max in the year before we encounter him in [that film] ... Basically, we had to see that Mad Max was lurking around somewhere because we do know what happened. The writers know what happened to Mad Max in that year before, and we have a whole story of that, which I would like to do sometime if I get the chance.
We've done it already. It's the last thing I did on this film, and I call it 'Tinted Black & Chrome', or I want to call it 'Tinted Black & Chrome'. I must say, it's really interesting. I'm still trying to demystify why the black and white, for me, has something more elemental to it. I still can't quite put my finger on it. It's not because they look like old black-and-white movies, it's something else. It's like if we took a picture of ourselves right now, it might look a little more dramatic if it was black and white.