Negative-feedback amplifier (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Negative-feedback amplifier" in English language version.

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  • "Nonlinear Distortion and Perception at Low Frequencies". Audioholics Home Theater, HDTV, Receivers, Speakers, Blu-ray Reviews and News. 13 August 2015. Retrieved 2016-04-18. most of the harmonic distortion has been masked, however, a couple of the high order harmonics were far enough away in frequency and loud enough to be heard. So in order to determine the audibility of harmonic distortion, we have to know how much masking is done by different tones at different loudness levels.

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  • Santiram Kal (2004). Basic Electronics: Devices, Circuits, and IT fundamentals (Paperback ed.). Prentice-Hall of India Pvt Ltd. pp. 191 ff. ISBN 978-8120319523.
  • Jung, Walt (2005). Op Amp Applications Handbook. Newnes. ISBN 9780750678445.
  • Malik, Norbert R. (January 1995). Electronic Circuits: Analysis, Simulation, and Design. Prentice Hall. ISBN 9780023749100.
  • Partha Pratim Sahu (2013). "§8.2 Partitioning". VLSI Design. McGraw Hill Education. p. 253. ISBN 9781259029844. dividing a circuit into smaller parts ...[so]...the number of connections between parts is minimized
  • Gaetano Palumbo; Salvatore Pennisi (2002). Feedback Amplifiers: Theory and Design. Springer Science & Business Media. ISBN 9780792376439. In real cases, unfortunately, blocks...cannot be assumed to be unidirectional.
  • Wai-Kai Chen (2009). "§1.2 Methods of analysis". Feedback, Nonlinear, and Distributed Circuits. CRC Press. pp. 1–3. ISBN 9781420058826.
  • Donald O. Pederson; Kartikeya Mayaram (2007). "§5.2 Feedback for a general amplifier". Analog Integrated Circuits for Communication: Principles, Simulation and Design. Springer Science & Business Media. pp. 105 ff. ISBN 9780387680309.
  • Gaetano Palumbo & Salvatore Pennisi (2002). Feedback amplifiers: theory and design. Springer Science & Business Media. p. 66. ISBN 9780792376439.
  • For an introduction, see Rahul Sarpeshkar (2010). "Chapter 10: Return ratio analysis". Ultra Low Power Bioelectronics: Fundamentals, Biomedical Applications, and Bio-Inspired Systems. Cambridge University Press. pp. 240 ff. ISBN 9781139485234.
  • Wai-Kai Chen (2005). "§11.2 Methods of analysis". Circuit Analysis and Feedback Amplifier Theory. CRC Press. pp. 11–2 ff. ISBN 9781420037272.
  • Gaetano Palumbo; Salvatore Pennisi (2002). "§3.3 The Rosenstark Method and §3.4 The Choma Method". Feedback Amplifiers: Theory and Design. Springer Science & Business Media. pp. 69 ff. ISBN 9780792376439.
  • Gaetano Palumbo; Salvatore Pennisi (2002). Feedback Amplifiers: Theory and Design. Springer Science & Business Media. p. 66. ISBN 9780792376439.

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  • Putzeys, Bruno. "Negative feedback in audio amplifiers: Why there is no such thing as too much (Part 2)". EDN. Retrieved 2016-04-18. Of course this experiment gives the impression that more feedback is worse. You have to get past that bump. Hardly anybody who has ever tried it like this has actually heard the inevitable (and frankly magical) improvement that happens once you do get beyond, say 20 or 30dB. From there on you get an unambiguous net improvement that goes on forever.

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  • Pass, Nelson (2008-11-01). "Audio distortion and feedback - Passlabs". passlabs.com. Retrieved 2016-04-18. Here we see that as low feedback figures are applied to a single gain stage the 2nd harmonic declines linearly with feedback, but increased amounts of higher order harmonics are created. As feedback increases above about 15 dB or so, all these forms of distortion [decline] in proportion to increased feedback.

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