New Ancient Strings (English Wikipedia)

Diakité 2018. Diakité, Oumar (12 February 2018). "Réhabilitation du CICB : Le retard de salaires du personnel dû à la lenteur des créanciers du Centre" [Rehabilitation of the CICB: Delays in payment of staff wages are due to the slowness of the Center's creditors]. LeCombat.fr (in French). Bamako. Archived from the original on 16 May 2022. Retrieved 16 May 2022.
Troughton 2014. Troughton, Richie (17 June 2014). "Kora! Kora! Kora! Toumani and Sidiki Diabaté Interviewed". The Quietus. Archived from the original on 17 May 2022. Retrieved 17 May 2022.
Jenkins 1999. Jenkins, Mark (15 August 1999). "Africa Fete Brings Lilting Accents to 9:30 Club". The Washington Post. Archived from the original on 18 May 2022. Retrieved 18 May 2022.
Beauvallet 2007. Beauvallet, Jean-Daniel (23 April 2007). "Björk raconte Volta sur lesinrocks.com" [Björk talks Volta with lesinrocks.com]. Les Inrockuptibles (in French). Archived from the original on 14 May 2022. Retrieved 13 May 2022.
Honigmann 2008. Honigmann, David (1 February 2008). "'We are the memory'". Financial Times. London: The Financial Times Ltd. Archived from the original on 14 May 2022. Retrieved 13 May 2022.
Quarshie 2020. Quarshie, Adam (29 April 2020). "Heal Your Soul: Fatoumata Diawara's Favourite Music". The Quietus. p. 13. Archived from the original on 20 May 2022. Retrieved 19 May 2022.

books.google.com

Morris 1999, p. 16; Renton n.d.. Morris, Chris (3 July 1999). "Hannibal's 'Kulanjan' Unites Bluesman Taj Mahal with Malian Kora Music". Billboard. Vol. 111, no. 27. p. 16. Archived from the original on 11 May 2022. Retrieved 10 May 2022 – via Google Books. Renton, Jamie (n.d.). "Toumani Diabaté – Biography". AllMusic. Archived from the original on 19 May 2022. Retrieved 18 May 2022.
Hendrickson 1999, p. 32. Hendrickson, Tad, ed. (11 October 1999). "New World". CMJ New Music Report. Great Neck, New York: College Media, Inc. p. 32. Archived from the original on 18 May 2022. Retrieved 17 May 2022 – via Google Books.
Christgau 2000, p. 78. Christgau, Robert (2000). "Toumani Diabate with Balaka Sissoko: New Ancient Strings (Rykodisc '99)". Christgau's Consumer Guide: Albums of the '90s. New York: St. Martin's Griffin. p. 78. ISBN 0-312-24560-2 – via Google Books.
Christgau 1999a; Christgau 2000, p. 78. Christgau, Robert (31 August 1999a). "Consumer Guide". The Village Voice. New York. Archived from the original on 1 December 2017. Retrieved 10 May 2022. Christgau, Robert (2000). "Toumani Diabate with Balaka Sissoko: New Ancient Strings (Rykodisc '99)". Christgau's Consumer Guide: Albums of the '90s. New York: St. Martin's Griffin. p. 78. ISBN 0-312-24560-2 – via Google Books.
Christgau 1999b, p. 197. Christgau, Robert (September 1999b). "Salif Keita – Title... Papa Label... Metro Blue / Taj Mahal & Toumani Diabate – Title... Kulanjan Label... Hannibal". Spin. Vol. 15, no. 9. New York: Vibe/Spin Ventures, LLC. p. 197 – via Google Books.
Moon 2008, p. 221. Moon, Tom (2008). "New Ancient Strings". 1,000 Recordings to Hear Before You Die: A Listener's Life List (pbk ed.). New York: Workman Publishing Company. p. 221. ISBN 978-0-7611-3963-8 – via Google Books.

doi.org

Durán 2011, p. 246. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 247. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, pp. 247–248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Birchmeier n.d.; African Business 2005, p. 66; Durán 2011, p. 249; Williamson 2021. Birchmeier, Jason (n.d.). "Ballaké Sissoko Biography". AllMusic. Archived from the original on 18 March 2020. Retrieved 14 May 2022. Anon. (June 2005). "Like fathers, like sons: masters of the kora". African Business (310). London: IC Publications Ltd.: 66. Gale A134274614. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.
Durán 2013, p. 243. Durán, Lucy (2013). "POYI! Bamana jeli music, Mali and the blues" (PDF). Journal of African Cultural Studies. 25 (2). Routledge: 211–246. doi:10.1080/13696815.2013.792725. JSTOR 42005320. S2CID 191563534. Archived (PDF) from the original on 25 November 2017. Retrieved 29 May 2022 – via soas.ac.uk.

exacteditions.com

reader.exacteditions.com

Cowley 1999, p. 51. Cowley, Julian (May 1999). "Toumani Diabate with Ballake Sissoko – New Ancient Strings – Hannibal HN1428 CD". The Wire. No. 183. London. p. 51. Retrieved 10 May 2022.

ft.com

Honigmann 2008. Honigmann, David (1 February 2008). "'We are the memory'". Financial Times. London: The Financial Times Ltd. Archived from the original on 14 May 2022. Retrieved 13 May 2022.

gale.com

go.gale.com

Birchmeier n.d.; African Business 2005, p. 66; Durán 2011, p. 249; Williamson 2021. Birchmeier, Jason (n.d.). "Ballaké Sissoko Biography". AllMusic. Archived from the original on 18 March 2020. Retrieved 14 May 2022. Anon. (June 2005). "Like fathers, like sons: masters of the kora". African Business (310). London: IC Publications Ltd.: 66. Gale A134274614. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.
Church 2003, p. 20. Church, Michael (27 June 2003). "World Music: On top of the world; From Salif Keita (left) to Oum Kalthoum, from Gypsy to fado, Michael Church casts a critical eye over Songlines magazine's list of its 50 must-have world-music albums, as reproduced opposite". London: Independent News & Media. p. 20. Gale A104432199.

giftmusic.de

World Music Charts Europe 1999. Anon. (May 1999). "Mai 1999". GiftMusic.de (in German). Berlin: World Music Charts Europe [de; nl] & Gift Music GmbH. Archived from the original on 3 April 2016. Retrieved 17 May 2022.

jazztimes.com

Woodard 1999. Woodard, Josef (1 November 1999). "Toumani Diabate/Ballake Sissoko: New Ancient Strings". JazzTimes. Archived from the original on 6 November 2020. Retrieved 10 May 2021.

jstor.org

Durán 2013, p. 243. Durán, Lucy (2013). "POYI! Bamana jeli music, Mali and the blues" (PDF). Journal of African Cultural Studies. 25 (2). Routledge: 211–246. doi:10.1080/13696815.2013.792725. JSTOR 42005320. S2CID 191563534. Archived (PDF) from the original on 25 November 2017. Retrieved 29 May 2022 – via soas.ac.uk.

lecombat.fr

Diakité 2018. Diakité, Oumar (12 February 2018). "Réhabilitation du CICB : Le retard de salaires du personnel dû à la lenteur des créanciers du Centre" [Rehabilitation of the CICB: Delays in payment of staff wages are due to the slowness of the Center's creditors]. LeCombat.fr (in French). Bamako. Archived from the original on 16 May 2022. Retrieved 16 May 2022.

lesinrocks.com

Dordor 1998. Dordor, Francis (30 November 1998). "New ancient strings". Les Inrockuptibles (in French). Archived from the original on 11 May 2022. Retrieved 11 May 2022.
Beauvallet 2007. Beauvallet, Jean-Daniel (23 April 2007). "Björk raconte Volta sur lesinrocks.com" [Björk talks Volta with lesinrocks.com]. Les Inrockuptibles (in French). Archived from the original on 14 May 2022. Retrieved 13 May 2022.

nytimes.com

Pareles 2006. Pareles, Jon (2 April 2006). "Sampling the Sounds of Mali Without Leaving Home". The New York Times. Archived from the original on 26 September 2012. Retrieved 13 May 2022.

proquest.com

search.proquest.com

Robert 2021. Robert, Arnaud (24 April 2021). "Ballaké Sissoko, Kora Corps: Le griot malien publie un album de duos où Camille, Feu! Chatterton ou Oxmo Puccino s'invitent dans des joutes inouïes" [Ballaké Sissoko, Kora Corps: The Malian griot publishes an album of duets, wherein Camille, Feu! Chatterton or Oxmo Puccino invite themselves to take part in incredible jousts]. Le Temps (in French). Geneva. p. 26. ProQuest 2517080657.
Levesque 1999, p. C4. Levesque, Roger (17 July 1999). "Dip into African-origin discs for authentic roots reflections". Edmonton Journal. ProQuest 252645574.

rykodisc.com

Rykodisc 1999. Anon. (1999). "New Releases from Rykodisc/Hannibal/Gramavision". Rykodisc.com. Rykodisc. Archived from the original on 6 January 2000. Retrieved 14 May 2022.

semanticscholar.org

api.semanticscholar.org

Durán 2011, p. 246. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 247. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, pp. 247–248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Birchmeier n.d.; African Business 2005, p. 66; Durán 2011, p. 249; Williamson 2021. Birchmeier, Jason (n.d.). "Ballaké Sissoko Biography". AllMusic. Archived from the original on 18 March 2020. Retrieved 14 May 2022. Anon. (June 2005). "Like fathers, like sons: masters of the kora". African Business (310). London: IC Publications Ltd.: 66. Gale A134274614. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.
Durán 2013, p. 243. Durán, Lucy (2013). "POYI! Bamana jeli music, Mali and the blues" (PDF). Journal of African Cultural Studies. 25 (2). Routledge: 211–246. doi:10.1080/13696815.2013.792725. JSTOR 42005320. S2CID 191563534. Archived (PDF) from the original on 25 November 2017. Retrieved 29 May 2022 – via soas.ac.uk.

soas.ac.uk

eprints.soas.ac.uk

Durán 2011, p. 246. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 247. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, pp. 247–248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Birchmeier n.d.; African Business 2005, p. 66; Durán 2011, p. 249; Williamson 2021. Birchmeier, Jason (n.d.). "Ballaké Sissoko Biography". AllMusic. Archived from the original on 18 March 2020. Retrieved 14 May 2022. Anon. (June 2005). "Like fathers, like sons: masters of the kora". African Business (310). London: IC Publications Ltd.: 66. Gale A134274614. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.
Durán 2014, p. 32. Durán, Lucy (June 2014). "Reviving Ancient Strings" (PDF). Songlines (100): 30–34. Archived (PDF) from the original on 20 May 2022. Retrieved 19 May 2022.
Durán 2013, p. 243. Durán, Lucy (2013). "POYI! Bamana jeli music, Mali and the blues" (PDF). Journal of African Cultural Studies. 25 (2). Routledge: 211–246. doi:10.1080/13696815.2013.792725. JSTOR 42005320. S2CID 191563534. Archived (PDF) from the original on 25 November 2017. Retrieved 29 May 2022 – via soas.ac.uk.

songlines.co.uk

Broughton 2021. Broughton, Simon (24 August 2021). "Kora Albums | The Essential 10". Songlines. Archived from the original on 15 March 2021. Retrieved 19 May 2022.

theafricareport.com

Pajon 2021. Pajon, Léo (9 April 2021). "Mali: Ballaké Sissoko, the kora's discreet champion". The Africa Report. Paris: Jeune Afrique Media Group. Archived from the original on 9 April 2021. Retrieved 16 May 2022.

theguardian.com

Sawa 2021. Sawa, Dale Berning (7 April 2021). "Ballaké Sissoko: picking up the pieces after US customs broke his kora". The Guardian. London. Archived from the original on 9 January 2015. Retrieved 10 May 2022.
Maal & Hudson 2005. Maal, Baaba; Hudson, Mark (24 April 2005). "How to buy: African music". The Observer. London: Guardian Media Group. Archived from the original on 11 May 2022. Retrieved 10 May 2022.
Birrell 2013. Birrell, Ian; et al. (18 January 2013). "Mali's magical music". The Guardian. London. Archived from the original on 9 January 2015. Retrieved 10 May 2022.

thequietus.com

Troughton 2014. Troughton, Richie (17 June 2014). "Kora! Kora! Kora! Toumani and Sidiki Diabaté Interviewed". The Quietus. Archived from the original on 17 May 2022. Retrieved 17 May 2022.
Quarshie 2020. Quarshie, Adam (29 April 2020). "Heal Your Soul: Fatoumata Diawara's Favourite Music". The Quietus. p. 13. Archived from the original on 20 May 2022. Retrieved 19 May 2022.

uncut.co.uk

Birchmeier n.d.; African Business 2005, p. 66; Durán 2011, p. 249; Williamson 2021. Birchmeier, Jason (n.d.). "Ballaké Sissoko Biography". AllMusic. Archived from the original on 18 March 2020. Retrieved 14 May 2022. Anon. (June 2005). "Like fathers, like sons: masters of the kora". African Business (310). London: IC Publications Ltd.: 66. Gale A134274614. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.
Williamson 2021. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.

villagevoice.com

Christgau 1999a; Christgau 2000, p. 78. Christgau, Robert (31 August 1999a). "Consumer Guide". The Village Voice. New York. Archived from the original on 1 December 2017. Retrieved 10 May 2022. Christgau, Robert (2000). "Toumani Diabate with Balaka Sissoko: New Ancient Strings (Rykodisc '99)". Christgau's Consumer Guide: Albums of the '90s. New York: St. Martin's Griffin. p. 78. ISBN 0-312-24560-2 – via Google Books.

vulture.com

Kiefer 2020. Kiefer, Halle (6 November 2020). "Finally, Some Donald Tweets You Can Actually Feel Good About". Vulture. Archived from the original on 6 November 2020. Retrieved 10 May 2022.

washingtonpost.com

Jenkins 1999. Jenkins, Mark (15 August 1999). "Africa Fete Brings Lilting Accents to 9:30 Club". The Washington Post. Archived from the original on 18 May 2022. Retrieved 18 May 2022.

web.archive.org

Sawa 2021. Sawa, Dale Berning (7 April 2021). "Ballaké Sissoko: picking up the pieces after US customs broke his kora". The Guardian. London. Archived from the original on 9 January 2015. Retrieved 10 May 2022.
Pareles 2006. Pareles, Jon (2 April 2006). "Sampling the Sounds of Mali Without Leaving Home". The New York Times. Archived from the original on 26 September 2012. Retrieved 13 May 2022.
Durán 2011, p. 246. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 247. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Broughton 2021. Broughton, Simon (24 August 2021). "Kora Albums | The Essential 10". Songlines. Archived from the original on 15 March 2021. Retrieved 19 May 2022.
Dordor 1998. Dordor, Francis (30 November 1998). "New ancient strings". Les Inrockuptibles (in French). Archived from the original on 11 May 2022. Retrieved 11 May 2022.
Rykodisc 1999. Anon. (1999). "New Releases from Rykodisc/Hannibal/Gramavision". Rykodisc.com. Rykodisc. Archived from the original on 6 January 2000. Retrieved 14 May 2022.
Morris 1999, p. 16; Renton n.d.. Morris, Chris (3 July 1999). "Hannibal's 'Kulanjan' Unites Bluesman Taj Mahal with Malian Kora Music". Billboard. Vol. 111, no. 27. p. 16. Archived from the original on 11 May 2022. Retrieved 10 May 2022 – via Google Books. Renton, Jamie (n.d.). "Toumani Diabaté – Biography". AllMusic. Archived from the original on 19 May 2022. Retrieved 18 May 2022.
World Music Charts Europe 1999. Anon. (May 1999). "Mai 1999". GiftMusic.de (in German). Berlin: World Music Charts Europe [de; nl] & Gift Music GmbH. Archived from the original on 3 April 2016. Retrieved 17 May 2022.
Hendrickson 1999, p. 32. Hendrickson, Tad, ed. (11 October 1999). "New World". CMJ New Music Report. Great Neck, New York: College Media, Inc. p. 32. Archived from the original on 18 May 2022. Retrieved 17 May 2022 – via Google Books.
Phares n.d. Phares, Heather (n.d.). "New Ancient Strings – Toumani Diabaté, Ballaké Sissoko". AllMusic. Archived from the original on 20 September 2012. Retrieved 10 May 2022.
Woodard 1999. Woodard, Josef (1 November 1999). "Toumani Diabate/Ballake Sissoko: New Ancient Strings". JazzTimes. Archived from the original on 6 November 2020. Retrieved 10 May 2021.
Christgau 1999a; Christgau 2000, p. 78. Christgau, Robert (31 August 1999a). "Consumer Guide". The Village Voice. New York. Archived from the original on 1 December 2017. Retrieved 10 May 2022. Christgau, Robert (2000). "Toumani Diabate with Balaka Sissoko: New Ancient Strings (Rykodisc '99)". Christgau's Consumer Guide: Albums of the '90s. New York: St. Martin's Griffin. p. 78. ISBN 0-312-24560-2 – via Google Books.
Durán 2011, pp. 247–248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Birchmeier n.d.; African Business 2005, p. 66; Durán 2011, p. 249; Williamson 2021. Birchmeier, Jason (n.d.). "Ballaké Sissoko Biography". AllMusic. Archived from the original on 18 March 2020. Retrieved 14 May 2022. Anon. (June 2005). "Like fathers, like sons: masters of the kora". African Business (310). London: IC Publications Ltd.: 66. Gale A134274614. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.
Williamson 2021. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.
Pajon 2021. Pajon, Léo (9 April 2021). "Mali: Ballaké Sissoko, the kora's discreet champion". The Africa Report. Paris: Jeune Afrique Media Group. Archived from the original on 9 April 2021. Retrieved 16 May 2022.
Durán 2014, p. 32. Durán, Lucy (June 2014). "Reviving Ancient Strings" (PDF). Songlines (100): 30–34. Archived (PDF) from the original on 20 May 2022. Retrieved 19 May 2022.
Maal & Hudson 2005. Maal, Baaba; Hudson, Mark (24 April 2005). "How to buy: African music". The Observer. London: Guardian Media Group. Archived from the original on 11 May 2022. Retrieved 10 May 2022.
Birrell 2013. Birrell, Ian; et al. (18 January 2013). "Mali's magical music". The Guardian. London. Archived from the original on 9 January 2015. Retrieved 10 May 2022.
Kiefer 2020. Kiefer, Halle (6 November 2020). "Finally, Some Donald Tweets You Can Actually Feel Good About". Vulture. Archived from the original on 6 November 2020. Retrieved 10 May 2022.
Durán 2013, p. 243. Durán, Lucy (2013). "POYI! Bamana jeli music, Mali and the blues" (PDF). Journal of African Cultural Studies. 25 (2). Routledge: 211–246. doi:10.1080/13696815.2013.792725. JSTOR 42005320. S2CID 191563534. Archived (PDF) from the original on 25 November 2017. Retrieved 29 May 2022 – via soas.ac.uk.

wikipedia.org

de.wikipedia.org

World Music Charts Europe 1999. Anon. (May 1999). "Mai 1999". GiftMusic.de (in German). Berlin: World Music Charts Europe [de; nl] & Gift Music GmbH. Archived from the original on 3 April 2016. Retrieved 17 May 2022.

nl.wikipedia.org

World Music Charts Europe 1999. Anon. (May 1999). "Mai 1999". GiftMusic.de (in German). Berlin: World Music Charts Europe [de; nl] & Gift Music GmbH. Archived from the original on 3 April 2016. Retrieved 17 May 2022.

worldcat.org

search.worldcat.org

Durán 2011, p. 246. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 247. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, pp. 247–248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Durán 2011, p. 248. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk.
Birchmeier n.d.; African Business 2005, p. 66; Durán 2011, p. 249; Williamson 2021. Birchmeier, Jason (n.d.). "Ballaké Sissoko Biography". AllMusic. Archived from the original on 18 March 2020. Retrieved 14 May 2022. Anon. (June 2005). "Like fathers, like sons: masters of the kora". African Business (310). London: IC Publications Ltd.: 66. Gale A134274614. Durán, Lucy (August 2011). "Music Production as a Tool of Research, and Impact" (PDF). Ethnomusicology Forum. 20 (2). Taylor & Francis on behalf of the British Forum for Ethnomusicology: 245–253. doi:10.1080/17411912.2011.596653. ISSN 1741-1920. S2CID 53986537. Archived (PDF) from the original on 8 May 2021. Retrieved 16 May 2022 – via soas.ac.uk. Williamson, Nigel (April 2021). "Ballaké Sissoko – Djourou". Uncut. No. 287. London: BandLab Technologies. Archived from the original on 9 April 2021. Retrieved 10 May 2021.