References analysis of the Wikipedia article "Sense and Sensibility (film)" in the English version

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Cripps, Charlotte (15 October 2007). "Classical composer aims to score for charity". The Independent. Archived from the original on 29 June 2013. Retrieved 14 April 2013.

Hoggard, Liz (24 July 2008). "Senseless sensibility". The Independent. Archived from the original on 25 January 2013. Retrieved 7 August 2012.

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Flavin 2004, p. 42. Flavin, Louise (2004). Jane Austen in the Classroom: Viewing the Novel/reading the Film. Peter Lang Publishing. ISBN 0-8204-6811-8. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Parrill 2002, pp. 21, 24. Parrill, Sue (2002). Jane Austen on Film and Television: A Critical Study of the Adaptations. McFarland. ISBN 0-7864-1349-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Dole 2001, p. 63. Dole, Carole M (2001). "Austen, Class, and the American Market". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 58–78. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Stempel 2000, p. 249. Stempel, Tom (2000). Framework: A History of Screenwriting in the American Film. Syracuse University Press. ISBN 0-8156-0654-0. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Dobie 2003, p. 249. Dobie, Madeleine (2003). "Gender and the Heritage Film: Popular Feminism Turns to History". In Suzanne Rodin Pucci; James Thompson (eds.). Jane Austen and Co: Remaking the Past in Contemporary Culture. State University of New York Press. pp. 247–260. ISBN 0-7914-5616-1. Archived from the original on 27 July 2014. Retrieved 5 October 2020.

Parrill 2002, p. 6. Parrill, Sue (2002). Jane Austen on Film and Television: A Critical Study of the Adaptations. McFarland. ISBN 0-7864-1349-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Gay 2003, p. 92. Gay, Penny (2003). "Sense and Sensibility in a Post-Feminist world: Sisterhood is Still Powerful". In MacDonald, Gina; MacDonald, Andrew (eds.). Jane Austen on Screen. Cambridge University Press. pp. 90–110. ISBN 0-521-79325-4. Archived from the original on 23 July 2014. Retrieved 5 October 2020.

Mills 2009, p. 67. Mills, Clifford W. (2009). Ang Lee. Chelsea House Publishers. ISBN 978-1-60413-566-4. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Kerr, Sarah (1 April 1996). "Sense and sensitivity". New York. Archived from the original on 19 August 2020. Retrieved 16 August 2011.

Higson 2004, p. 46. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Gay 2003, pp. 97–98. Gay, Penny (2003). "Sense and Sensibility in a Post-Feminist world: Sisterhood is Still Powerful". In MacDonald, Gina; MacDonald, Andrew (eds.). Jane Austen on Screen. Cambridge University Press. pp. 90–110. ISBN 0-521-79325-4. Archived from the original on 23 July 2014. Retrieved 5 October 2020.

Gay 2003, p. 98. Gay, Penny (2003). "Sense and Sensibility in a Post-Feminist world: Sisterhood is Still Powerful". In MacDonald, Gina; MacDonald, Andrew (eds.). Jane Austen on Screen. Cambridge University Press. pp. 90–110. ISBN 0-521-79325-4. Archived from the original on 23 July 2014. Retrieved 5 October 2020.

Mills 2009, p. 68. Mills, Clifford W. (2009). Ang Lee. Chelsea House Publishers. ISBN 978-1-60413-566-4. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Higson 2004, p. 44. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Higson 2004, p. 45. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Mills 2009, p. 70. Mills, Clifford W. (2009). Ang Lee. Chelsea House Publishers. ISBN 978-1-60413-566-4. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Mills 2009, p. 72. Mills, Clifford W. (2009). Ang Lee. Chelsea House Publishers. ISBN 978-1-60413-566-4. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Voigts-Virchow 2004, p. 11. Voigts-Virchow, Eckart (2004). ""Corset Wars": An Introduction to Syncretic Heritage Film Culture Since the Mid-1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 9–34. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Parrill 2002, p. 43. Parrill, Sue (2002). Jane Austen on Film and Television: A Critical Study of the Adaptations. McFarland. ISBN 0-7864-1349-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Flavin 2004, pp. 42–3, 46. Flavin, Louise (2004). Jane Austen in the Classroom: Viewing the Novel/reading the Film. Peter Lang Publishing. ISBN 0-8204-6811-8. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Dole 2001, pp. 51–3. Dole, Carole M (2001). "Austen, Class, and the American Market". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 58–78. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Kohler-Ryan & Palmer 2013, p. 56. Kohler-Ryan, Renee; Palmer, Sydney (2013). "What Do You Know of My Heart?: The Role of Sense and Sensibility in Ang Lee's Sense and Sensibility and Crouching Tiger Hidden Dragon". In Arp, Robert; Barkman, Adam; McRae, James (eds.). The Philosophy of Ang Lee. University Press of Kentucky. pp. 41–63. ISBN 978-0-8131-4166-4. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Parrill 2002, p. 11. Parrill, Sue (2002). Jane Austen on Film and Television: A Critical Study of the Adaptations. McFarland. ISBN 0-7864-1349-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Flavin 2004, p. 44. Flavin, Louise (2004). Jane Austen in the Classroom: Viewing the Novel/reading the Film. Peter Lang Publishing. ISBN 0-8204-6811-8. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Nixon 2001, pp. 36–37. Nixon, Cheryl L (2001). "Balancing the Courtship Hero: Masculine Emotional Display in Film Adaptations of Austen's Novels". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 22–43. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Flavin 2004, pp. 44–45. Flavin, Louise (2004). Jane Austen in the Classroom: Viewing the Novel/reading the Film. Peter Lang Publishing. ISBN 0-8204-6811-8. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Parrill 2002, p. 7. Parrill, Sue (2002). Jane Austen on Film and Television: A Critical Study of the Adaptations. McFarland. ISBN 0-7864-1349-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Flavin 2004, p. 43. Flavin, Louise (2004). Jane Austen in the Classroom: Viewing the Novel/reading the Film. Peter Lang Publishing. ISBN 0-8204-6811-8. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Nixon 2001, pp. 35–36. Nixon, Cheryl L (2001). "Balancing the Courtship Hero: Masculine Emotional Display in Film Adaptations of Austen's Novels". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 22–43. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Kohler-Ryan & Palmer 2013, p. 41. Kohler-Ryan, Renee; Palmer, Sydney (2013). "What Do You Know of My Heart?: The Role of Sense and Sensibility in Ang Lee's Sense and Sensibility and Crouching Tiger Hidden Dragon". In Arp, Robert; Barkman, Adam; McRae, James (eds.). The Philosophy of Ang Lee. University Press of Kentucky. pp. 41–63. ISBN 978-0-8131-4166-4. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Scholz 2013, p. 133. Scholz, Anne-Marie (2013). From Fidelity to History: Film Adaptations as Cultural Events in the Twentieth Century. Berghahn Books. ISBN 978-0-85745-731-8. Archived from the original on 25 July 2014. Retrieved 15 July 2016.

McRae 2013, p. 35. McRae, James (2013). "Conquering the Self: Daoism, Confucianism, and the Price of Freedom in Crouching Tiger, Hidden Dragon". In Arp, Robert; Barkman, Adam; McRae, James (eds.). The Philosophy of Ang Lee. University Press of Kentucky. pp. 19–40. ISBN 978-0-8131-4166-4. Archived from the original on 1 July 2019. Retrieved 5 October 2020.

McRae 2013, p. 36. McRae, James (2013). "Conquering the Self: Daoism, Confucianism, and the Price of Freedom in Crouching Tiger, Hidden Dragon". In Arp, Robert; Barkman, Adam; McRae, James (eds.). The Philosophy of Ang Lee. University Press of Kentucky. pp. 19–40. ISBN 978-0-8131-4166-4. Archived from the original on 1 July 2019. Retrieved 5 October 2020.

Dole 2001, pp. 59–63. Dole, Carole M (2001). "Austen, Class, and the American Market". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 58–78. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Flavin 2004, p. 49. Flavin, Louise (2004). Jane Austen in the Classroom: Viewing the Novel/reading the Film. Peter Lang Publishing. ISBN 0-8204-6811-8. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Thompson 2003, pp. 24–5. Thompson, James (2003). "How to Do Things with Austen". In Suzanne Rodin Pucci; James Thompson (eds.). Jane Austen and Co: Remaking the Past in Contemporary Culture. State University of New York Press. pp. 13–33. ISBN 0-7914-5616-1. Archived from the original on 27 July 2014. Retrieved 5 October 2020.

McCreadie 2006, p. 75. McCreadie, Marsha (2006). Women Screenwriters Today: Their Lives and Words. Praeger Publishers. ISBN 0-275-98542-3.

Gay 2003, pp. 92–3. Gay, Penny (2003). "Sense and Sensibility in a Post-Feminist world: Sisterhood is Still Powerful". In MacDonald, Gina; MacDonald, Andrew (eds.). Jane Austen on Screen. Cambridge University Press. pp. 90–110. ISBN 0-521-79325-4. Archived from the original on 23 July 2014. Retrieved 5 October 2020.

Dole 2001, pp. 55–6. Dole, Carole M (2001). "Austen, Class, and the American Market". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 58–78. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Gay 2003, p. 93. Gay, Penny (2003). "Sense and Sensibility in a Post-Feminist world: Sisterhood is Still Powerful". In MacDonald, Gina; MacDonald, Andrew (eds.). Jane Austen on Screen. Cambridge University Press. pp. 90–110. ISBN 0-521-79325-4. Archived from the original on 23 July 2014. Retrieved 5 October 2020.

Pidduck 2000, p. 123. Pidduck, Julianne (2000). "Of Windows and Country Walks: Frames of Space and Movement in 1990s Austen Adaptations". In You-Me Park; Rajeswari Sunder Rajan (eds.). The Postcolonial Jane Austen. Routledge. pp. 123–146. ISBN 0-415-23290-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Higson 2004, p. 65. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Brownstein 2001, p. 17. Brownstein, Rachel M (2001). "Out of the Drawing Room, Into the Lawn". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 13–21. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Higson 2004, pp. 40–41. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Thompson 2003, p. 13. Thompson, James (2003). "How to Do Things with Austen". In Suzanne Rodin Pucci; James Thompson (eds.). Jane Austen and Co: Remaking the Past in Contemporary Culture. State University of New York Press. pp. 13–33. ISBN 0-7914-5616-1. Archived from the original on 27 July 2014. Retrieved 5 October 2020.

Higson 2004, p. 35. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Parrill 2002, p. 4. Parrill, Sue (2002). Jane Austen on Film and Television: A Critical Study of the Adaptations. McFarland. ISBN 0-7864-1349-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Shih 2007, p. 57. Shih, Shu-mei (2007). Visuality and Identity: Sinophone Articulations Across the Pacific. University of California Press. ISBN 978-0-520-22451-3. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Shih 2007, p. 59. Shih, Shu-mei (2007). Visuality and Identity: Sinophone Articulations Across the Pacific. University of California Press. ISBN 978-0-520-22451-3. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Parrill 2002, p. 5. Parrill, Sue (2002). Jane Austen on Film and Television: A Critical Study of the Adaptations. McFarland. ISBN 0-7864-1349-2. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Higson 2004, p. 38. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Greenfield & Troost 2001, p. 1. Greenfield, Sayre N.; Troost, Linda V. (2001). "Watching Ourselves Watching". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 1–12. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

Higson 2004, p. 42. Higson, Andrew (2004). "English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s". In Voigts-Virchow, Eckart (ed.). Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen. pp. 35–50. ISBN 3-8233-6096-5. Archived from the original on 19 October 2021. Retrieved 5 October 2020.

Greenfield & Troost 2001, p. 2. Greenfield, Sayre N.; Troost, Linda V. (2001). "Watching Ourselves Watching". In Troost, Linda; Greenfield, Sayre N (eds.). Jane Austen in Hollywood. University Press of Kentucky. pp. 1–12. ISBN 978-0-8131-9006-8. Archived from the original on 26 July 2014. Retrieved 5 October 2020.

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