Myrone 2011, p. 47. Myrone, Martin (2011). "'Something too Academical': The Problem with Etty". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 47–60. ISBN978-0-85667-701-4. OCLC800599710.
Green 2011, p. 61. Green, Richard (2011). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 61–74. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 31. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 118. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011c, p. 198. Burnage, Sarah (2011c). "The Life Class". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 198–227. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 32. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, pp. 32–33. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 42. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 132. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Edwards 2011, p. 93. Edwards, Jason (2011). "Queer and Now: On Etty's 'Autobiography' (1849) and 'Male Nude with Arms Up-Stretched' (c. 1830)". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 91–100. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011a, p. 174. Burnage, Sarah (2011a). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 154–97. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 33. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 24. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 243. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 133. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.