Post-disco (French Wikipedia)

Analysis of information sources in references of the Wikipedia article "Post-disco" in French language version.

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allmusic.com

(en) « Explore music…Genre: Post-disco », AllMusic (consulté le 11 avril 2009).
(en) Kellman, Andy. Unlimited Touch artist biography, consulté le 2 avril 2010.
(en) Material. Rovi Corporation, AllMusic, consulté le 2 octobre 2014.
(en) ESG. Rovi Corporation, AllMusic, consulté le 2 octobre 2014.
(en) [https://www.allmusic.com/explore/style/d10# AllMusic - explore music...] House : House music grew out of the post-disco dance club culture of the early '80s., consulté le 27 décembre 2009.

(en) Various terms to describe the sound of what seemed to be post-disco were introduced, such as, but not limited to, "dance, " "club music, " "R&B, " and "disco." The last however become undesirable to associate with mostly from social and commercial reasons hence the increasing use of "dance". Nile Rodgers, Le Freak : An Upside Down Story of Family, Disco, and Destiny, Random House LLC, 2011, 336 p. (ISBN 978-0-679-64403-3 et 0-679-64403-2, lire en ligne), By now “dance” was a loaded word for me. The Disco Sucks backlash had given me a post-traumatic-stress–like disorder, and I'd vowed not to write any songs with that word in them for a long time. I was shamed out of using a word—“dance.“
(en) George E. Haggerty, Gay Histories and Cultures : An Encyclopedia, New York/Londres, Taylor & Francis, 2000, 986 p. (ISBN 0-8153-1880-4, lire en ligne), House music is a form of post-disco dance music made popular in the mid-1980s in Chicago clubs...".
Michael Campbell, Popular Music in America : And The Beat Goes On, Cengage Learning, 2008, 384 p. (ISBN 978-0-495-50530-3 et 0-495-50530-7, lire en ligne), Glossary : techno – post-disco dance music in which most or all of the sounds are electronically generated.

(en) Parliament/Funkadelic. (2009). In Student's Encyclopædia « Copie archivée » (version du 21 avril 2009 sur Internet Archive): Combining funk rhythms, psychedelic guitar, and group harmonies with jazzed-up horns, Clinton and his ever-evolving bands set the tone for many post-disco and post-punk groups of the 1980s and 1990s., consulté le 29 août 2009, Britannica Student Encyclopædia.

Joanna Demers, « Dancing Machines: Dance Dance Revolution, Cybernetic Dance, and Musical Taste », Popular Music, Cambridge University Press, vol. 25, n^o 3,‎ 2006, p. 25, 401–414 (DOI 10.1017/S0261143006001012).

(en) Riley, Marcus & Trotter, Lee Ann (1^er avril 2014) Chicago House Music Legend Frankie Knuckles Dead at 59, WMAQ-TV. NBCUniversal, consulté le 24 avril 2014.

(en) Slant Magazine | Music | 100 Greatest Dance Songs, consulté le 2 février 2009.

(en) Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX), consulté le 2 février 2009.

(en) Parliament/Funkadelic. (2009). In Student's Encyclopædia « Copie archivée » (version du 21 avril 2009 sur Internet Archive): Combining funk rhythms, psychedelic guitar, and group harmonies with jazzed-up horns, Clinton and his ever-evolving bands set the tone for many post-disco and post-punk groups of the 1980s and 1990s., consulté le 29 août 2009, Britannica Student Encyclopædia.