David J. Roxburgh (неопр.). Архивировано 28 октября 2021 года., Muqarnas, Vol.12, 1995, 127; «Ghaybi al-Hafiz al-Maraghi, the Persian musician and musical theorist who attended the court of Shahrukh after 1405..».
Encyclopedia Iranica. Azerbaijan. Music of Azerbaijan. (неопр.)Архивировано 3 февраля 2011 года.«The art music of Azerbaijan is connected with the Irano-Arabo-Turkish art of the maqām, of which the great theoreticians were notably Ṣafī-al-dīn Ormavī (d. 693/1294) and ʿAbd-al-Qāder b. Ḡaybī Marāḡī (d. 838/1435), who were originally from Urmia and Marāḡa in Azerbaijan.»
Encyclopedia Iranica. ČOḠŪR. (неопр.)Архивировано 1 декабря 2010 года.«ČOḠŪR (also čoḡor, čogūr, more commonly called sāz in former Soviet Azerbaijan), is the typical pyriform lute of the ʿāšeq (q.v.), the professional minstrel of Azerbaijan. The ancestor of this instrument was probably the ṭanbūr of Šīrvān, described by ʿAbd-al-Qāder b. Ḡaybī Marāḡī (p. 200) in 809/1405, which was very popular in Tabrīz.»
lesartsturcs.org
Bulent Aksoy, Bosphorus University. Istanbul: Center Of Middle-Eastern Classical Music. (неопр.)Архивировано 24 декабря 2009 года.«Nakaavetu’l-Edvar by Abdulkadir Meragi’s son Abdulaziz, Fethullah es-Sirvani’s Mecelle fi’l-Musiki, dedicated to Mehmed II, in the fifteenth century are clear indications showing the musical preference of the state and that classical Islamic sources have been evaluated for the formation of Ottoman musical culture…
The leading representative of this genre was the Azerbaijani composer Abdulkadir Meragi, who also had sung in the Timurid courts. This tradition was introduced firsthand to Istanbul by Abdulaziz, his youngest son. He was active as a composer, performer, and a writer on music during the reign of Mehmed II (1451—1481). He was followed by his son, Mahmud, who was still active in the court of Suleyman I (1520—1566). Mahmud’s absence marks a definite break within the flow of the pre-Ottoman Islamic tradition.»
David J. Roxburgh (неопр.). Архивировано 28 октября 2021 года., Muqarnas, Vol.12, 1995, 127; «Ghaybi al-Hafiz al-Maraghi, the Persian musician and musical theorist who attended the court of Shahrukh after 1405..».
Encyclopedia Iranica. Azerbaijan. Music of Azerbaijan. (неопр.)Архивировано 3 февраля 2011 года.«The art music of Azerbaijan is connected with the Irano-Arabo-Turkish art of the maqām, of which the great theoreticians were notably Ṣafī-al-dīn Ormavī (d. 693/1294) and ʿAbd-al-Qāder b. Ḡaybī Marāḡī (d. 838/1435), who were originally from Urmia and Marāḡa in Azerbaijan.»
Encyclopedia Iranica. ČOḠŪR. (неопр.)Архивировано 1 декабря 2010 года.«ČOḠŪR (also čoḡor, čogūr, more commonly called sāz in former Soviet Azerbaijan), is the typical pyriform lute of the ʿāšeq (q.v.), the professional minstrel of Azerbaijan. The ancestor of this instrument was probably the ṭanbūr of Šīrvān, described by ʿAbd-al-Qāder b. Ḡaybī Marāḡī (p. 200) in 809/1405, which was very popular in Tabrīz.»
Bulent Aksoy, Bosphorus University. Istanbul: Center Of Middle-Eastern Classical Music. (неопр.)Архивировано 24 декабря 2009 года.«Nakaavetu’l-Edvar by Abdulkadir Meragi’s son Abdulaziz, Fethullah es-Sirvani’s Mecelle fi’l-Musiki, dedicated to Mehmed II, in the fifteenth century are clear indications showing the musical preference of the state and that classical Islamic sources have been evaluated for the formation of Ottoman musical culture…
The leading representative of this genre was the Azerbaijani composer Abdulkadir Meragi, who also had sung in the Timurid courts. This tradition was introduced firsthand to Istanbul by Abdulaziz, his youngest son. He was active as a composer, performer, and a writer on music during the reign of Mehmed II (1451—1481). He was followed by his son, Mahmud, who was still active in the court of Suleyman I (1520—1566). Mahmud’s absence marks a definite break within the flow of the pre-Ottoman Islamic tradition.»
