Franco Mormando, 'Just as your lips approach the lips of your brothers: （页面存档备份，存于互联网档案馆） Judas Iscariot and the Kiss of Betrayal' in F. Mormando, ed., Saints and Sinners: Caravaggio and the Baroque Image (Chicago: Distrib. by University of Chicago Press, 1999), p. 183. Mormando's essay gives an overview of contemporary commentary on the scene of the betrayal of Judas in the most popular spiritual literature available to Caravaggio as he prepared to depict this scene.
humphrysfamilytree.com
Humphrys, Mark. Dr. Nora Stack. HumphrysFamilyTree.com. [6 February 2009]. （原始内容存档于2023-02-14）.
irishletter.com
Walsh, Elaine. A Picture Of Mystery. irishletter.com. [2023-02-14]. （原始内容存档于2013-02-04）. For Fr. Barber's own first-person account of the events that led up to the rediscovery, see his essay, "The Murder Behind the Discovery," in Franco Mormando, ed., Saints and Sinners: Caravaggio and the Baroque Image, exhibition catalogue (Chestnut Hill, MA: McMullen Museum of Boston College, 1999), pp. 11-13.
jstor.org
Herrmann Fiore, Kristina. Caravaggio's 'Taking of Christ' and Dürer's Woodcut of 1509. The Burlington Magazine. January 1995, 137 (112): 24–27. JSTOR 886401.
Franco Mormando, 'Just as your lips approach the lips of your brothers: （页面存档备份，存于互联网档案馆） Judas Iscariot and the Kiss of Betrayal' in F. Mormando, ed., Saints and Sinners: Caravaggio and the Baroque Image (Chicago: Distrib. by University of Chicago Press, 1999), p. 183. Mormando's essay gives an overview of contemporary commentary on the scene of the betrayal of Judas in the most popular spiritual literature available to Caravaggio as he prepared to depict this scene.
Humphrys, Mark. Dr. Nora Stack. HumphrysFamilyTree.com. [6 February 2009]. （原始内容存档于2023-02-14）.
Walsh, Elaine. A Picture Of Mystery. irishletter.com. [2023-02-14]. （原始内容存档于2013-02-04）. For Fr. Barber's own first-person account of the events that led up to the rediscovery, see his essay, "The Murder Behind the Discovery," in Franco Mormando, ed., Saints and Sinners: Caravaggio and the Baroque Image, exhibition catalogue (Chestnut Hill, MA: McMullen Museum of Boston College, 1999), pp. 11-13.
