Peeping Tom is a Belgian theatre company founded by Argentinian choreographer Gabriela Carrizo and French choreographer Franck Chartier in 2000. The pair met while working at several other Belgian companies, including Les Ballets C de la B. In 1999, they created a first location project that was set in a trailer home, titled Caravana, with future long-time collaborator Eurudike De Beul. This location project was followed by the film Une Vie Inutile (2000). Peeping Tom's style includes elements of dance, theatre, opera and performance. Their works start out from a hyperrealist aesthetic in a concrete set, like a garden (Le Jardin, 2002), a living room (Le Salon, 2004), two trailer homes in a snow-covered landscape (32 Rue Vandenbranden, 2009), a retirement home (Vader, 2014) or a forest (Kind, 2019). Then, the directors break open this realism and create an unstable universe that defies the logic of time and space. As suggested by the companies' name, the audience bears witness to the things that usually go unsaid and unseen. Isolation leads to a subconscious world of nightmares, fears and desires, which the creators use to shed light on the dark side of a character or a community. The huis clos of family situations remains a major source of creativity for Peeping Tom. More information...
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