Analysis of information sources in references of the Wikipedia article "بطل رومانسي" in Arabic language version.
Both Marlowe and Flanagan are knightly heroes in their way. The emblematic image of the knight--romantic hero if there ever was one--appears on page one of Chandler's first novel about Marlowe, The Big Sleep. The author refers to him in "The Simple Art of Murder" in a famous passage that evokes the image of a modern knight errant: "[D]own these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. . . . The story is his adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure" (Chandler, Later 992).
Indeed, René has been identified as the text that created and popularised the superior but melancholic romantic hero suffering from profound disillusionment.
In 1774 he published his first major work, the self-revelatory novel The Sorrows of Young Werther, in which he created the prototype of the Romantic hero, and instigated a European fashion.
It was the year 1809 and Byron had already defined the myth that was to survive him to become one of the most reproduced tropes in our culture: the Romantic hero. Through the Romantic hero that Childe Harold embodies, Byron will attempt to recover from the sufferings of exile.
Both Marlowe and Flanagan are knightly heroes in their way. The emblematic image of the knight--romantic hero if there ever was one--appears on page one of Chandler's first novel about Marlowe, The Big Sleep. The author refers to him in "The Simple Art of Murder" in a famous passage that evokes the image of a modern knight errant: "[D]own these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. . . . The story is his adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure" (Chandler, Later 992).
Indeed, René has been identified as the text that created and popularised the superior but melancholic romantic hero suffering from profound disillusionment.
It was the year 1809 and Byron had already defined the myth that was to survive him to become one of the most reproduced tropes in our culture: the Romantic hero. Through the Romantic hero that Childe Harold embodies, Byron will attempt to recover from the sufferings of exile.
