تسجيل وإنتاج الأصوات (Arabic Wikipedia)

Analysis of information sources in references of the Wikipedia article "تسجيل وإنتاج الأصوات" in Arabic language version.

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afm.org

  • American Federation of Musicians. Cf. History — 1927, 1928. "1927 — With the release of the first 'talkie', The Jazz Singer, orchestras in movie theaters were displaced. The AFM had its first encounter with wholesale unemployment brought about by technology. Within three years, 22,000 theater jobs for musicians who accompanied silent movies were lost, while only a few hundred jobs for musicians performing on soundtracks were created. 1928 — While continuing to protest the loss of jobs due to the use of 'canned music' with motion pictures, the AFM set minimum wage scales for Vitaphone, Movietone and phonograph record work. Because synchronizing music with pictures for the movies was particularly difficult, the AFM was able to set high prices for this work." [وصلة مكسورة] نسخة محفوظة 23 سبتمبر 2007 على موقع واي باك مشين.

archive.org

coutant.org

doi.org

  • Fowler، Charles B. (أكتوبر 1967)، "The Museum of Music: A History of Mechanical Instruments"، Music Educators Journal، MENC_ The National Association for Music Education، ج. 54، ص. 45–49، DOI:10.2307/3391092، JSTOR:3391092
  • Koetsier، Teun (2001). "On the prehistory of programmable machines: musical automata, looms, calculators". Mechanism and Machine Theory. Elsevier. ج. 36 ع. 5: 589–603. DOI:10.1016/S0094-114X(01)00005-2..

duke.edu

library.duke.edu

  • Canned Music on Trial, 1929 advertisement by the American Federation of Musicians — The statement from this 1929 advertisement in the بيتسبرغ برس, a newspaper, said, in part:

    [picture of a can with a label saying 'Canned Music — Big Noise Brand — Guaranteed to produce no intellectual or emotional reaction whatever' ]
    Canned Music On Trial. This is the case of Art versus Mechanical Music in theatres. The defendant stands accused in front of the American people of attempted corruption of musical appreciation and discouragement of musical education. Theatres in many cities are offering synchronised mechanical music as a substitute for Real Music. If the theatre-going public accepts this vitiation of its entertainment program a deplorable decline in the Art of Music is inevitable. Musical authorities know that the soul of the Art is lost in mechanisation. It cannot be otherwise because the quality of music is dependent on the mood of the artist, upon the human contact, without which the essence of intellectual stimulation and emotional rapture is lost.
    Is Music Worth Saving? No great volume of evidence is required to answer this question. Music is a well-nigh universally beloved art. From the beginning of history, men have turned to musical expression to lighten the burdens of life, to make them happier. Aborigines, lowest in the scale of savagery, chant their song to tribal gods and play upon pipes and shark-skin drums. Musical development has kept pace with good taste and ethics throughout the ages, and has influenced the gentler nature of man more powerfully perhaps than any other factor. Has it remained for the Great Age of Science to snub the Art by setting up in its place a pale and feeble shadow of itself?
    American Federation of Musicians (Comprising 140,000 musicians in the United States and Canada), Joseph N. Weber, President. Broadway, New York City
    ."

    نسخة محفوظة 14 ديسمبر 2009 على موقع واي باك مشين.

espacenet.com

worldwide.espacenet.com

  • GB patent 394325, Alan Dower Blumlein, "Improvements in and relating to Sound-transmission, Sound-recording and Sound-reproducing Systems.", issued 1933-06-14, assigned to Alan Dower Blumlein and Musical Industries, Limited 

firstsounds.org

jstor.org

  • Fowler، Charles B. (أكتوبر 1967)، "The Museum of Music: A History of Mechanical Instruments"، Music Educators Journal، MENC_ The National Association for Music Education، ج. 54، ص. 45–49، DOI:10.2307/3391092، JSTOR:3391092

justia.com

supreme.justia.com

mainspringpress.com

nytimes.com

sandiego.edu

history.sandiego.edu

uspto.gov

patimg1.uspto.gov

vinylrecordscollector.co.uk

waybackmachine.org

replay.waybackmachine.org

web.archive.org

  • "Sound recording and reproduction". Wikipedia (بالإنجليزية). 6 Mar 2022. Archived from the original on 2022-03-16.
  • Jody Rosen (27 مارس 2008). "Researchers Play Tune Recorded Before Edison". New York Times. مؤرشف من الأصل في 2018-01-30.
  • http://www.firstsounds.org Complete information about the recordings and their resurrection direct from the source. Careless reporting and errors abound in many of the secondary and nth-generation accounts. نسخة محفوظة 2020-10-06 على موقع واي باك مشين.
  • Publication Images نسخة محفوظة 30 أكتوبر 2017 على موقع واي باك مشين.
  • http://www.mainspringpress.com/marsh_electric.html نسخة محفوظة 3 مارس 2016 على موقع واي باك مشين. "When Did Marsh Laboratories Begin to Make Electrical Recordings?" (an online article by Allan Sutton)
  • http://www.coutant.org/ecwente.html A brief summary of E. C. Wente's development of the condenser microphone and of the Western Electric sound recording project as a whole, originally published in IEEE Transactions on Education, Vol. 35, No. 4, November 1992 نسخة محفوظة 2020-10-06 على موقع واي باك مشين.
  • American Federation of Musicians. Cf. History — 1927, 1928. "1927 — With the release of the first 'talkie', The Jazz Singer, orchestras in movie theaters were displaced. The AFM had its first encounter with wholesale unemployment brought about by technology. Within three years, 22,000 theater jobs for musicians who accompanied silent movies were lost, while only a few hundred jobs for musicians performing on soundtracks were created. 1928 — While continuing to protest the loss of jobs due to the use of 'canned music' with motion pictures, the AFM set minimum wage scales for Vitaphone, Movietone and phonograph record work. Because synchronizing music with pictures for the movies was particularly difficult, the AFM was able to set high prices for this work." [وصلة مكسورة] نسخة محفوظة 23 سبتمبر 2007 على موقع واي باك مشين.
  • Canned Music on Trial, 1929 advertisement by the American Federation of Musicians — The statement from this 1929 advertisement in the بيتسبرغ برس, a newspaper, said, in part:

    [picture of a can with a label saying 'Canned Music — Big Noise Brand — Guaranteed to produce no intellectual or emotional reaction whatever' ]
    Canned Music On Trial. This is the case of Art versus Mechanical Music in theatres. The defendant stands accused in front of the American people of attempted corruption of musical appreciation and discouragement of musical education. Theatres in many cities are offering synchronised mechanical music as a substitute for Real Music. If the theatre-going public accepts this vitiation of its entertainment program a deplorable decline in the Art of Music is inevitable. Musical authorities know that the soul of the Art is lost in mechanisation. It cannot be otherwise because the quality of music is dependent on the mood of the artist, upon the human contact, without which the essence of intellectual stimulation and emotional rapture is lost.
    Is Music Worth Saving? No great volume of evidence is required to answer this question. Music is a well-nigh universally beloved art. From the beginning of history, men have turned to musical expression to lighten the burdens of life, to make them happier. Aborigines, lowest in the scale of savagery, chant their song to tribal gods and play upon pipes and shark-skin drums. Musical development has kept pace with good taste and ethics throughout the ages, and has influenced the gentler nature of man more powerfully perhaps than any other factor. Has it remained for the Great Age of Science to snub the Art by setting up in its place a pale and feeble shadow of itself?
    American Federation of Musicians (Comprising 140,000 musicians in the United States and Canada), Joseph N. Weber, President. Broadway, New York City
    ."

    نسخة محفوظة 14 ديسمبر 2009 على موقع واي باك مشين.
  • "Decca Developed FFRR Frequency Series" — History of Vinyl نسخة محفوظة 15 نوفمبر 2016 على موقع واي باك مشين. [وصلة مكسورة]

wikidata.org

wikipedia.org

en.wikipedia.org