شاعر فلسفي (Arabic Wikipedia)

Analysis of information sources in references of the Wikipedia article "شاعر فلسفي" in Arabic language version.

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archive.org

  • مجدي وهبة؛ كامل المهندس (1984)، معجم المصطلحات العربية في اللغة والأدب (ط. 2)، بيروت: مكتبة لبنان ناشرون، ص. 214، OCLC:14998502، QID:Q114811596

doi.org

  • Zink، Sidney (1945). "Poetry and Truth". The Philosophical Review. ج. 54 ع. 2: 132–154. DOI:10.2307/2181532. JSTOR:2181532. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. Poetry, more specifically metaphor, discloses that it is possible to apply symbols to an object...as a predication or qualification of a particular object. ... to penetrate more and more deeply into its qualitative nature—to enrich contemplation. ... to juxtapose [objects]...to evoke the quality which they share. ... [T]he poem [is] an individual object of contemplation, not a set of general propositions claiming truth...[but] qualities which constitute and organize.
  • Zink، Sidney (1945). "Poetry and Truth". The Philosophical Review. ج. 54 ع. 2: 132–154. DOI:10.2307/2181532. JSTOR:2181532. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. The categories of truth and existence are irrelevant to poetry. ... The poem does, nevertheless, contain certain features essential to truth ... [T]he poem can be described as true only metaphorically[.]

jstor.org

  • DICKINSON، COLBY (2012). "The Poetic Atheology of Giorgio Agamben: Defining the Scission Between Poetry and Philosophy". Mosaic: An Interdisciplinary Critical Journal. ج. 45 ع. 1: 203–217. JSTOR:44029793. مؤرشف من الأصل في 2023-04-07. اطلع عليه بتاريخ 2022-01-23. [T]he philosophical experience of language that seeks to understand the origins of language itself, and which proceeds from the opposite direction, provides a fitting complement to the poetic experience.
  • Zink، Sidney (1945). "Poetry and Truth". The Philosophical Review. ج. 54 ع. 2: 132–154. DOI:10.2307/2181532. JSTOR:2181532. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. Poetry, more specifically metaphor, discloses that it is possible to apply symbols to an object...as a predication or qualification of a particular object. ... to penetrate more and more deeply into its qualitative nature—to enrich contemplation. ... to juxtapose [objects]...to evoke the quality which they share. ... [T]he poem [is] an individual object of contemplation, not a set of general propositions claiming truth...[but] qualities which constitute and organize.
  • Perricone، Christopher (1994). "Poetic Philosophy: The Santayana-Eliot Connection". Transactions of the Charles S. Peirce Society. ج. 30 ع. 3: 637–665. JSTOR:40320489. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. [L]ike poetry, philosophy, too, must idealize, but it cannot idealize itself out of this world and remain philosophy; it is the poetic, the word, the bodily word which helps to maintain philosophy's human scale[.]
  • PERRICONE، CHRISTOPHER (1996). "Poetic Philosophy: The Bergson-Whitman Connection". The Journal of Speculative Philosophy. ج. 10 ع. 1: 41–61. JSTOR:25670170. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. Recall for Bergson that the intellect can deal only with the immobile, and its knowledge is incomplete. Intuition, however, grows out of instinct and sympathy, and the reason intuition is a knowledge that is absolute and complete is that it is a knowledge through and of the body[.]
  • Zink، Sidney (1945). "Poetry and Truth". The Philosophical Review. ج. 54 ع. 2: 132–154. DOI:10.2307/2181532. JSTOR:2181532. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. The categories of truth and existence are irrelevant to poetry. ... The poem does, nevertheless, contain certain features essential to truth ... [T]he poem can be described as true only metaphorically[.]

web.archive.org

  • DICKINSON، COLBY (2012). "The Poetic Atheology of Giorgio Agamben: Defining the Scission Between Poetry and Philosophy". Mosaic: An Interdisciplinary Critical Journal. ج. 45 ع. 1: 203–217. JSTOR:44029793. مؤرشف من الأصل في 2023-04-07. اطلع عليه بتاريخ 2022-01-23. [T]he philosophical experience of language that seeks to understand the origins of language itself, and which proceeds from the opposite direction, provides a fitting complement to the poetic experience.
  • Zink، Sidney (1945). "Poetry and Truth". The Philosophical Review. ج. 54 ع. 2: 132–154. DOI:10.2307/2181532. JSTOR:2181532. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. Poetry, more specifically metaphor, discloses that it is possible to apply symbols to an object...as a predication or qualification of a particular object. ... to penetrate more and more deeply into its qualitative nature—to enrich contemplation. ... to juxtapose [objects]...to evoke the quality which they share. ... [T]he poem [is] an individual object of contemplation, not a set of general propositions claiming truth...[but] qualities which constitute and organize.
  • Perricone، Christopher (1994). "Poetic Philosophy: The Santayana-Eliot Connection". Transactions of the Charles S. Peirce Society. ج. 30 ع. 3: 637–665. JSTOR:40320489. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. [L]ike poetry, philosophy, too, must idealize, but it cannot idealize itself out of this world and remain philosophy; it is the poetic, the word, the bodily word which helps to maintain philosophy's human scale[.]
  • PERRICONE، CHRISTOPHER (1996). "Poetic Philosophy: The Bergson-Whitman Connection". The Journal of Speculative Philosophy. ج. 10 ع. 1: 41–61. JSTOR:25670170. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. Recall for Bergson that the intellect can deal only with the immobile, and its knowledge is incomplete. Intuition, however, grows out of instinct and sympathy, and the reason intuition is a knowledge that is absolute and complete is that it is a knowledge through and of the body[.]
  • Zink، Sidney (1945). "Poetry and Truth". The Philosophical Review. ج. 54 ع. 2: 132–154. DOI:10.2307/2181532. JSTOR:2181532. مؤرشف من الأصل في 2023-04-09. اطلع عليه بتاريخ 2022-01-23. The categories of truth and existence are irrelevant to poetry. ... The poem does, nevertheless, contain certain features essential to truth ... [T]he poem can be described as true only metaphorically[.]

wikidata.org

  • مجدي وهبة؛ كامل المهندس (1984)، معجم المصطلحات العربية في اللغة والأدب (ط. 2)، بيروت: مكتبة لبنان ناشرون، ص. 214، OCLC:14998502، QID:Q114811596

worldcat.org

  • مجدي وهبة؛ كامل المهندس (1984)، معجم المصطلحات العربية في اللغة والأدب (ط. 2)، بيروت: مكتبة لبنان ناشرون، ص. 214، OCLC:14998502، QID:Q114811596