ت. س. إليوت was rude: As a poet, Mr. Murray is merely a very insignificant follower of the pre-Raphaelite movement. (from Euripides and Professor Murray, an essay in The Sacred Wood (1920)). Swinburne was in fact a youthful enthusiasm of Murray's, and Eliot's identification of it has stuck; but Murray probably preferred Tennyson for content among the Victorians (Mary Berenson reported this in 1903, and it still held good 50 years on, West p.249.) نسخة محفوظة 20 يوليو 2018 على موقع واي باك مشين.
R. F. Foster, W. B. Yeats: A Life I p.334; early 1905. Foster also notes that Yeats and Murray corresponded about the Stage Society. Yeats was being provocative: Oedipus Rex could not be publicly presented on the British stage [3], because the incest was unacceptable to the censors. Foster (II p.338) notes that it was two decades later that the play was actually performed, but by then Yeats had adapted the Murray text, and R. C. Jebb's, and made cuts, for a rather different result. "Oedipus+Rex"+censorship نسخة محفوظة 13 فبراير 2020 على موقع واي باك مشين.
The most famous of his students there was جون بوشان, whom Murray helped to take a further degree at Oxford.[1] Others were H. N. Brailsford and Janet Spens. He left Glasgow because his health broke down. نسخة محفوظة 4 فبراير 2012 على موقع واي باك مشين.
The most famous of his students there was جون بوشان, whom Murray helped to take a further degree at Oxford.[1] Others were H. N. Brailsford and Janet Spens. He left Glasgow because his health broke down. نسخة محفوظة 4 فبراير 2012 على موقع واي باك مشين.
ت. س. إليوت was rude: As a poet, Mr. Murray is merely a very insignificant follower of the pre-Raphaelite movement. (from Euripides and Professor Murray, an essay in The Sacred Wood (1920)). Swinburne was in fact a youthful enthusiasm of Murray's, and Eliot's identification of it has stuck; but Murray probably preferred Tennyson for content among the Victorians (Mary Berenson reported this in 1903, and it still held good 50 years on, West p.249.) نسخة محفوظة 20 يوليو 2018 على موقع واي باك مشين.
R. F. Foster, W. B. Yeats: A Life I p.334; early 1905. Foster also notes that Yeats and Murray corresponded about the Stage Society. Yeats was being provocative: Oedipus Rex could not be publicly presented on the British stage [3], because the incest was unacceptable to the censors. Foster (II p.338) notes that it was two decades later that the play was actually performed, but by then Yeats had adapted the Murray text, and R. C. Jebb's, and made cuts, for a rather different result. "Oedipus+Rex"+censorship نسخة محفوظة 13 فبراير 2020 على موقع واي باك مشين.
First published in: The Athenian Drama, vol. III: Euripides (Euripides: Hippolytus; The Bacchae. Aristophanes: The Frogs. Translated into English rhyming verse), 1902 (6591082); many reprints (together, separate, repackaged).
