Analysis of information sources in references of the Wikipedia article "ماكانيون" in Arabic language version.
macao Japanese women.
{{استشهاد بكتاب}}: |عمل= تُجوهل (مساعدة)To be a Macanese is fundamentally to be from Macao with Portuguese ancestors, but not necessarily to be of Sino-Portuguese descent. The local community was born from Portuguese men. ... but in the beginning the woman was Goanese, Siamese, Indo-Chinese, Malay – they came to Macao in our boats. Sporadically it was a Chinese woman.
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة){{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة){{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)I was personally told of people that, to this day, continue to hide the fact that their mothers had been lower-class Chinese women - often even tanka (fishing folk) women who had relations with Portuguese sailors and soldiers.
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)In fact, in those days, the matrimonial context of production was usually constituted by Chinese women of low socio-economic status who were married to or concubies of Portuguese or Macanese men. Very rarely did Chinese women of higher status agree to marry a Westerner. As Deolinda argues in one of her short stories,"8 should they have wanted to do so out of romantic infatuation, they would not be allowed to
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)Henrique de Senna Fernandes, another Macanese author, wrote a short story about a tanka girl who has an affair with a Portuguese sailor. In the end, the man returns to his native country and takes their little girl with him, leaving the mother abandoned and broken-hearted. As her sailorman picks up the child, A-Chan's words are: 'Cuidadinho ... cuidadinho' ('Careful ... careful'). She resigns herself to her fate, much as she may never have recovered from the blow (1978).
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)Her slave-like submissiveness is her only attraction to him. A-Chan thus becomes his slave/mistress, an outlet for suppressed sexual urges. The story is an archetypical tragedy of miscegenation. Just as the Tanka community despises A-Chan's cohabitation with a foreign barbarian, Manuel's colleagues mock his 'bad taste' ('gosto degenerado') (Senna Fernandes, 1978: 15) in having a tryst with a boat girl.
As such, the Tanka girl is nonchalantly reified and dehumanized as a thing ( coisa). Manuel reduces human relations to mere consumption not even of her physical beauty (which has been denied in the description of A-Chan), but her 'Orientalness' of being slave-like and submissive.
We can trace this fleeting and shallow relationship in Henrique de Senna Fernandes' short story, A-Chan, A Tancareira, (Ah Chan, the Tanka Girl) (1978). Senna Fernandes (1923-), a Macanese, had written a series of novels set against the context of Macau and some of which were made into films.
{{استشهاد بكتاب}}: |عمل= تُجوهل (مساعدة)To be a Macanese is fundamentally to be from Macao with Portuguese ancestors, but not necessarily to be of Sino-Portuguese descent. The local community was born from Portuguese men. ... but in the beginning the woman was Goanese, Siamese, Indo-Chinese, Malay – they came to Macao in our boats. Sporadically it was a Chinese woman.
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)macao Japanese women.
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة){{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)I was personally told of people that, to this day, continue to hide the fact that their mothers had been lower-class Chinese women - often even tanka (fishing folk) women who had relations with Portuguese sailors and soldiers.
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)In fact, in those days, the matrimonial context of production was usually constituted by Chinese women of low socio-economic status who were married to or concubies of Portuguese or Macanese men. Very rarely did Chinese women of higher status agree to marry a Westerner. As Deolinda argues in one of her short stories,"8 should they have wanted to do so out of romantic infatuation, they would not be allowed to
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)Henrique de Senna Fernandes, another Macanese author, wrote a short story about a tanka girl who has an affair with a Portuguese sailor. In the end, the man returns to his native country and takes their little girl with him, leaving the mother abandoned and broken-hearted. As her sailorman picks up the child, A-Chan's words are: 'Cuidadinho ... cuidadinho' ('Careful ... careful'). She resigns herself to her fate, much as she may never have recovered from the blow (1978).
{{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)Her slave-like submissiveness is her only attraction to him. A-Chan thus becomes his slave/mistress, an outlet for suppressed sexual urges. The story is an archetypical tragedy of miscegenation. Just as the Tanka community despises A-Chan's cohabitation with a foreign barbarian, Manuel's colleagues mock his 'bad taste' ('gosto degenerado') (Senna Fernandes, 1978: 15) in having a tryst with a boat girl.
As such, the Tanka girl is nonchalantly reified and dehumanized as a thing ( coisa). Manuel reduces human relations to mere consumption not even of her physical beauty (which has been denied in the description of A-Chan), but her 'Orientalness' of being slave-like and submissive.
We can trace this fleeting and shallow relationship in Henrique de Senna Fernandes' short story, A-Chan, A Tancareira, (Ah Chan, the Tanka Girl) (1978). Senna Fernandes (1923-), a Macanese, had written a series of novels set against the context of Macau and some of which were made into films.