Supermen (Azerbaijani Wikipedia)

Analysis of information sources in references of the Wikipedia article "Supermen" in Azerbaijani language version.

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  • Ian Gordon "Nostalgia, Myth, and Ideology: Visions of Superman at the End of the 'American Century"in Michael Ryan, ' 'Cultural Studies: An Anthology' '(2007). Blackwell ISBN 978-1-4051-4577-0 [1].

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  • "Superman Movies at the Box Office". Box Office Mojo. August 26, 2014 tarixində arxivləşdirilib. İstifadə tarixi: 16 oktyabr 2017.

    Superman (1978) made $134,218,018 in North American theaters, which is about $ when adjusted for inflation. By comparison, Batman v Superman (2016) made only $330,360,194.

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  • "Mike's Amazing World of Comics: Action Comics #1 (1938)". 2017-06-22 tarixində orijinalından arxivləşdirilib. İstifadə tarixi: 2017-09-25.

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  • "Comic Book Success Stories". The Museum of Comic Book Advertising. 2022-06-06 tarixində arxivləşdirilib. İstifadə tarixi: 2005-06-17. By the middle of the decade, Captain Marvel had received a self-titled comic book, Captain Marvel's Adventures [sic], which had a circulation that reached 1.3 million copies per month. Captain Marvel's circulation numbers exceeded National's Superman title and the rivalry between the companies led National to sue Fawcett for plagiarism.

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  • Dubner, Stephen J; Levitt, Steven D. "Hoodwinked?". The New York Times Magazine. January 8, 2006. səh. F26. April 7, 2012 tarixində arxivləşdirilib. İstifadə tarixi: January 28, 2007.

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  • Lloyd L. Rich. "Protection of Graphic Characters". Publishing Law Center. 1998. September 4, 2015 tarixində orijinalından arxivləşdirilib. İstifadə tarixi: December 3, 2011. the court found that the character Superman was infringed in a competing comic book publication featuring the character Wonderman

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  • Ricca, 2014. səh. 92, says, "It was the night of Sunday, June 18, 1933". Siegel says only "early 1933" Andrae, 1983. Other sources, including court records, list the year as 1934. Ricca, Brad. Super Boys: The Amazing Adventures of Jerry Siegel and Joe Shuster – the Creators of Superman. St. Martin's Griffin. 2014. ISBN 978-1250049681. Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • Andrae, 1983, Siegel is quoted as saying: "Obviously, having him a hero would be infinitely more commercial than having him a villain. I understand that the comic strip Dr. Fu Manchu ran into all sorts of difficulties because the main character was a villain. And with the example before us of Tarzan and other action heroes of fiction who were very successful, mainly because people admired them and looked up to them, it seemed the sensible thing to do to make The Superman a hero. The first piece was a short story, and that's one thing; but creating a successful comic strip with a character you'll hope will continue for many years, it would definitely be going in the wrong direction to make him a villain." Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • Andrae, 1983, Shuster is quoted as saying: "It wasn't really Superman: that was before he evolved into a costumed figure. He was simply wearing a T-shirt and pants…" Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • In an interview with Andrae, 1983, Shuster said he destroyed their 1933 Superman comic as a reaction to Humor Publishing's rejection letter, which contradicts Siegel's account in Siegel's unpublished memoir. Tye, 2012 argues that the account from the memoir is the truth, and that Shuster lied in the interview to avoid tension. Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19. Tye, Larry. Superman: The High-Flying History of America's Most Enduring Hero. Random House New York. 2012. ISBN 978-1-58836-918-5.
  • Over the years, Siegel and Shuster made contradictory statements regarding when they developed Superman's familiar costume. They occasionally claimed to have developed it immediately in 1933, but Daniels, 1998 writes: "… usually [Shuster] and Siegel agreed that no special costume was in evidence [in 1933], and the surviving artwork bears them out." The cover art for their 1933 proposal to Humor Publishing shows a shirtless, cape-less Superman. Siegel's collaboration with Russell Keaton in 1934 contains no description or illustration of Superman in costume. Tye, 2012 writes that Siegel and Shuster developed the costume shortly after they resumed working together. In an interview with Andrae, 1983, Siegel said:

    "NEMO: When you first conceived Superman, did you have the dual-identity theme in mind? Siegel: That occurred to me in late 1934, when I decided that I'd like to do Superman as a newspaper strip. I approached Joe about it, and he was enthusiastic about the possibility. I was up late one night, and more and more ideas kept coming to me, and I kept writing out several weeks of syndicate strips for the proposed newspaper strip. When morning came, I had written several weeks of material, and I dashed over to Joe's place and showed it to him. (This was the story that appeared in Action Comics #1, June, 1938, the first published appearance of Superman.) […] Of course, Joe had worked on that earlier version of Superman, and when I came to him with this new version of it, he was immediately sold." Daniels, Les. Superman: The Complete History (1st). Titan Books. 1998. ISBN 1-85286-988-7. Tye, Larry. Superman: The High-Flying History of America's Most Enduring Hero. Random House New York. 2012. ISBN 978-1-58836-918-5. Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • Siegel's unpublished memoir, The Story Behind Superman Arxivləşdirilib 2016-09-13 at the Wayback Machine, as well as an interview in Nemo #2 in 1983, corroborate each other that Clark Kent's timid-journalist persona and Lois Lane were developed in 1934.
  • Andrae, 1983: "…when I did the version in 1934, (which years later, in 1938, was published, in revised form, in Action Comics #1) the John Carter stories did influence me. Carter was able to leap great distances because the planet Mars was smaller that [sic] the planet Earth; and he had great strength. I visualized the planet Krypton as a huge planet, much larger than Earth; so whoever came to Earth from that planet would be able to leap great distances and lift great weights." Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • Andrae, 1983 Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • Andrae, 1983: "… I was inspired by the movies. In the silent films, my hero was Douglas Fairbanks Senior, who was very agile and athletic. So I think he might have been an inspiration to us, even in his attitude. He had a stance which I often used in drawing Superman. You'll see in many of his roles—including Robin Hood—that he always stood with his hands on his hips and his feet spread apart, laughing—taking nothing seriously." Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • Andrae, 1983: Siegel: "As a high school student, I thought that some day I might become a reporter, and I had crushes on several attractive girls who either didn't know I existed or didn't care I existed. […] It occurred to me: What if I was real terrific? What if I had something special going for me, like jumping over buildings or throwing cars around or something like that? Then maybe they would notice me." Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • Andrae, 1983: "I also had classical heroes and strongmen in mind, and this shows in the footwear. In the third version Superman wore sandals laced halfway up the calf. You can still see this on the cover of Action #1, though they were covered over in red to look like boots when the comic was printed." Andrae, Thomas. "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. August 1983. 6–19.
  • This term was spelled out in an October 19, 2001 letter Arxivləşdirilib fevral 15, 2016, at the Wayback Machine from the lawyer representing the Siegel heirs.

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  • Jacobson, Howard. "Up, Up and Oy Vey!". The Times. UK. March 5, 2005. səh. 5. November 14, 2016 tarixində arxivləşdirilib. İstifadə tarixi: September 28, 2017.: "If Siegel and Shuster knew of Nietzsche's Ubermensch, they didn't say…"

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  • "Steven Seagle Talks It's a Bird". ugo.com. December 13, 2006 tarixində orijinalından arxivləşdirilib. İstifadə tarixi: 16 oktyabr 2017. the semi-autobiographical tale of Steven being given the chance to write a Superman comic, but stumbling when he can't figure out how to relate to the character. Through the course of the story, Seagle finds his way into Superman by looking at it through the lens of his own mortality.

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  • Siegel: "We especially loved some of those movies in which Harold Lloyd would start off as a sort of momma's boy being pushed around, kicked around, thrown around, and then suddenly would turn into a fighting whirlwind."

    Shuster: "I was kind of mild-manned and wore glasses so I really identified with it"

    Anthony Wall. "Superman – The Comic Strip Hero" (Television production). BBC. 1981. Event occurs at 00:04:50. December 28, 2015 tarixində arxivləşdirilib.

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