Turan, Kenneth. Chéri review // Los Angeles Times. June 26, 2009. Архивиран от оригинала. Посетен на August 6, 2009. "wordless scenes that catch Léa unawares, with the camera alone seeing the despair and regret that she hides from the world. It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away."
cbr.com
Melrose, Kevin. Michelle Pfeiffer's Catwoman Is Still Batman's Best Movie Villain // Comic Book Resources. Посетен на 19 януари 2021. it's Selina's story that imbues Batman Returns with a depth that lifts it above its predecessor, and establishes Pfeiffer's Catwoman as the Caped Crusader's most compelling movie villain of all time.
Kit, Zorianna. Just Seen It: The Family Movie Review // Huffington Post. Посетен на 19 януари 2021. "De Niro, Pfieffer and Jones all brought 100% to their roles."
Haskell, Robert. Michelle Pfeiffer is Back (as if She Ever Left) // InStyle. Посетен на 19 януари 2021. The Fabulous Baker Boys – in which she gave her most widely lauded performance, as the lounge singer Susie Diamond
Turan, Kenneth. Artful 'Oleander' needs more compelling voice // Los Angeles Times. Tribune Company, October 11, 2002. Посетен на 20 януари 2021. "Ms. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical."
Maslin, Janet. Grease 2 (1982): More Grease // The New York Times. June 11, 1982. Посетен на 19 януари 2021. [A]lthough she is a relative screen newcomer, Miss Pfeiffer manages to look much more insouciant and comfortable than anyone else in the cast
Egan, Tim. Michelle Pfeiffer, Sensuous to Sensible // The New York Times. The New York Times Company, August 6, 1995. Посетен на July 16, 2011. "I needed to learn how to act ... in the meantime, I was playing bimbos and cashing in on my looks."
Holden, Stephen. 'People Like Us,' With Chris Pine // New York Times. June 28, 2012. Посетен на 19 януари 2021. "partly compensate for the holes in a story whose timing is hard to swallow"
Rich, Frank. Review/Theater; Night of Stars, and Also Shakespeare // The New York Times. July 10, 1989. Посетен на 19 януари 2021. Pfeiffer was again demonstrating that she is as subtle and surprising as she is beautiful
Holden, Stephen. Slowly, A Princess Turns Into An Urchin // New York Times. The New York Times Company, October 11, 2002. Посетен на 20 януари 2021. "Ms. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical."
Review: I Could Never Be Your Woman // Reel Views.net. Посетен на 19 януари 2021. Pfeiffer and Rudd to have adequate chemistry to pull off the romance in what he described as an enjoyable romantic comedy that has enough going for it to make it worth a recommendation
rogerebert.com
Ebert, Roger. The Witches of Eastwick // RogerEbert.com. Посетен на 19 януари 2021. "have a delicious good time with their roles"
Ebert, Roger. The Fabulous Baker Boys // Chicago Sun-Times. October 13, 1989. Посетен на 19 януари 2021. "one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star"
rollingstone.com
People Like Us // Rolling Stone. Посетен на 19 януари 2021.
Axmaker, Sean. 'I am Sam' wallows in melodramatic mush // Seattle Post-Intelligencer. Hearst Communications Inc., January 24, 2002. Посетен на May 1, 2011. "Pfeiffer, apparently stymied by the bland clichés that prop up her screechy role, delivers her flattest, phoniest performance ever."
LaSalle, Mick. Penn plays sad 'Sam' / He's full of integrity as retarded father // Seattle Post-Intelligencer. January 25, 2002. Посетен на 20 януари 2021. "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material."
Ebert, Roger. Chéri review // Chicago Sun-Times. June 24, 2009. Архивиран от оригинала на 2013-05-07. Посетен на August 6, 2009. it was fascinating to observe how Pfeiffer controls her face and voice during times of painful hurt
Brown, Mick. Michelle Pfeiffer: interview // The Daily Telegraph. April 20, 2009. Посетен на 19 януари 2021. [A]n actress who for so long has been regarded as the one of Hollywood's great beauties ...
Brown, Mick. Michelle Pfeiffer: interview // The Daily Telegraph. April 20, 2009. Посетен на April 22, 2017. [A]n actress who for so long has been regarded as the one of Hollywood's great beauties ...
Diu, Nisha Lilia. Interview: Michelle Pfeiffer, 'I was in a cult' // The Daily Telegraph. November 5, 2013. Посетен на 19 януари 2021. "It's not that she looks younger than she is ... it's the symmetry of her bone structure, the flashing aquamarine eyes and those lips, the top one so much fuller than the bottom. It's the kind of beauty you find yourself involuntarily taking a moment to marvel at mid-conversation."
Pfeiffer personally identified with the topic of our obsession with youth and the ludicrous degrees to which women will go to reclaim it depicted both films.
the-numbers.com
What Lies Beneath // The Numbers.com. Nash Information Services, LLC. Посетен на 20 януари 2021.
Kaye, Elizabeth. The Stacks: Why It's So Hard to Be Michelle Pfeiffer // The Daily Beast. April 2, 2016. Посетен на 19 януари 2021. by grafting the sensibility of a modern woman onto the glamour of a '30s icon
Dalton, Stephen. Chéri review // The Times. London, February 11, 2009. Посетен на March 1, 2009. a steady flow of dry quips and acerbic one-liners and Pfeiffer's performance as magnetic and subtle, her worldly nonchalance a mask for vulnerability and heartache.
tiscali.co.uk
Michelle Pfeiffer Biography // Talk Talk. Tiscali UK Limited trading. Посетен на October 23, 2008. Michelle, renowned as the most beautiful actress in the world ...
Michelle Pfeiffer is the MVP of Mother! // Посетен на 19 януари 2021. "There's a gravity to Pfeiffer's performance that allows her to succeed where the other main actors fail, save for brief spurts – she straddles the boundaries between embodying a symbol and granting the character enough interiority to feel like a flesh and blood woman, too."
Dangerous Liaisons // The Washington Post. January 13, 1989. Посетен на 19 януари 2021. "the least obvious and the most difficult. Nothing is harder to play than virtue, and Pfeiffer is smart enough not to try. Instead, she embodies it. Her porcelain-skinned beauty, in this regard, is a great asset, and the way it's used makes it seem an aspect of her spirituality."
Howe, Desson. 'The Deep End of the Ocean' (PG-13) // The Washington Post. The Washington Post Company, March 12, 1999. Посетен на May 1, 2011.
"The Best and Worst Batman Villains". Premiere Magazine. Hachette Filipacchi Media U.S., Inc.
Arguably the outstanding villain of the Tim Burton era, Michelle Pfeiffer's deadly kitten with a whip brought sex to the normally neutered franchise. Her stitched-together, black patent leather costume, based on a sketch of Burton's, remains the character's most iconic look. And Michelle Pfeiffer overcomes Batman Returns' heavy-handed feminist dialogue to deliver a growling, fierce performance.
Ebert, Roger. Chéri review // Chicago Sun-Times. June 24, 2009. Архивиран от оригинала на 2013-05-07. Посетен на August 6, 2009. it was fascinating to observe how Pfeiffer controls her face and voice during times of painful hurt
Turan, Kenneth. Chéri review // Los Angeles Times. June 26, 2009. Архивиран от оригинала. Посетен на August 6, 2009. "wordless scenes that catch Léa unawares, with the camera alone seeing the despair and regret that she hides from the world. It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away."
Munzenrieder, Kyle. From Laura Dern to Michelle Pfeiffer, 2017 Was the Year of the Comeback // W. Посетен на 19 януари 2021. September's mother! may have been the most divisive movie of the year, but it seems the one thing we all could agree on was, 'You know, it's really nice to have Michelle Pfeiffer back.'
