Право на тиражиране (Bulgarian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Право на тиражиране" in Bulgarian language version.

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4web.archive.org

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3books.google.com

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1oxforddictionaries.com

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1merriam-webster.com

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1digital-law-online.info

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1universityofcalifornia.edu

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1worldcopyrightlaw.com

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1copyrighthistory.com

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1digitalcitizensalliance.org

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1copyrightuser.org

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bitlaw.com

Daniel A. Tysver. "Works Unprotected by Copyright Law". Bitlaw.

books.google.com

Blackshaw, Ian S. (20 October 2011). Sports Marketing Agreements: Legal, Fiscal and Practical Aspects. Springer Science & Business Media. ISBN 978-90-6704-793-7 – via Google Books.
Kaufman, Roy (16 July 2008). Publishing Forms and Contracts. Oxford University Press. ISBN 978-0-19-045126-4
Ronan, Deazley (2006). Rethinking copyright: history, theory, language. Edward Elgar Publishing. p. 13. ISBN 978-1-84542-282-0 – via Google Books

copyright.gov

"Copyright Basics" (PDF). www.copyright.gov. U.S. Copyright Office
"International Copyright Relations of the United States", U.S. Copyright Office Circular No. 38a, August 2003
"Subject Matter and Scope of Copyright" (PDF). copyright.gov.
"Copyright in General (FAQ)". U.S Copyright Office.
Виж US copyright law
"U.S. Copyright Office – Information Circular" (PDF).
"authors, attribution, and integrity: examining moral rights in the united states" (PDF). U.S. Copyright Office.

copyright.ht

165 Parties to the Berne Convention for the Protection of Literary and Artistic Works

copyrighthistory.com

"Statute of Anne". Copyrighthistory.com.

copyrightuser.org

"THE MUTILATED WORK" (PDF). Copyright User.

cornell.edu

law.cornell.edu

17 U.S.C.§ 401(d)

digital-law-online.info

Lee A. Hollaar. "Legal Protection of Digital Information". p. Chapter 1: An Overview of Copyright, Section II.E. Ideas Versus Expression.

digitalcitizensalliance.org

"Advertising Fuels $1.34 Billion Illegal Piracy Market, Report by Digital Citizens Alliance and White Bullet Finds". Digital Citizens Alliance.

google.com

MacQueen, Hector L; Charlotte Waelde; Graeme T Laurie (2007). Contemporary Intellectual Property: Law and Policy. Oxford University Press. p. 39. ISBN 978-0-19-926339-4 – via Google Books.
Simon, Stokes (2001). Art and copyright. Hart Publishing. pp. 48–49. ISBN 978-1-84113-225-9 – via Google Books.

harvard.edu

cyber.law.harvard.edu

Виж Harvard Law School, Module 3: The Scope of Copyright Law. Виж също Tyler T. Ochoa, Copyright, Derivative Works and Fixation: Is Galoob a Mirage, or Does the Form(GEN) of the Alleged Derivative Work Matter?, 20 Santa Clara High Tech. L.J. 991, 999–1002 (2003) ("Thus, both the text of the Act and its legislative history demonstrate that Congress intended that a derivative work does not need to be fixed in order to infringe."). The legislative history of the 1976 Copyright Act says this difference was intended to address transitory works such as ballets, pantomimes, improvised performances, dumb shows, mime performances, and dancing.

ipo.gov.uk

"Copyright Registers" Архив на оригинала от 2013-10-05 в Wayback Machine. United Kingdom Intellectual Property Office
"Automatic right", United Kingdom Intellectual Property Office

jetlaw.org

"Journal Conventions – Vanderbilt Journal of Entertainment & Technology Law".

merriam-webster.com

"Definition of Copyright". Merriam-Webster.

nber.org

Giorcelli, Michela; Moser, Petra (1 March 2020). "Copyright and Creativity. Evidence from Italian Opera During the Napoleonic Age". doi:10.3386/w26885

nbr.org

"IP Commission Report" (PDF). NBR.org

oxforddictionaries.com

en.oxforddictionaries.com

"Definition of copyright" Архив на оригинала от 2016-09-29 в Wayback Machine.. Oxford Dictionaries.

scu.edu

digitalcommons.law.scu.edu

Виж Harvard Law School, Module 3: The Scope of Copyright Law. Виж също Tyler T. Ochoa, Copyright, Derivative Works and Fixation: Is Galoob a Mirage, or Does the Form(GEN) of the Alleged Derivative Work Matter?, 20 Santa Clara High Tech. L.J. 991, 999–1002 (2003) ("Thus, both the text of the Act and its legislative history demonstrate that Congress intended that a derivative work does not need to be fixed in order to infringe."). The legislative history of the 1976 Copyright Act says this difference was intended to address transitory works such as ballets, pantomimes, improvised performances, dumb shows, mime performances, and dancing.

spiegel.de

Thadeusz, Frank (18 August 2010). "No Copyright Law: The Real Reason for Germany's Industrial Expansion?". Spiegel Online
Frank Thadeusz. "No Copyright Law: The Real Reason for Germany's Industrial Expansion?". Der Spiegel.

stanford.edu

fairuse.stanford.edu

Stim, Rich (27 March 2013). "Copyright Basics FAQ". The Center for Internet and Society Fair Use Project. Stanford University.
Stim, Rich (27 March 2013). "Copyright Ownership: Who Owns What?". The Center for Internet and Society Fair Use Project. Stanford University.

unesco.org

Parties to the Geneva Act of the Universal Copyright Convention

universityofcalifornia.edu

copyright.universityofcalifornia.edu

Copyright, University of California, 2014

uslaw.link

Pub.L. 94–553: Copyright Act of 1976, 90 Stat. 2541, § 401(a) (19 October 1976)
Pub.L. 100–568: The Berne Convention Implementation Act of 1988 (BCIA), 102 Stat. 2853, 2857. One of the changes introduced by the BCIA was to section 401, which governs copyright notices on published copies, specifying that notices "may be placed on" such copies; prior to the BCIA, the statute read that notices "shall be placed on all" such copies. An analogous change was made in section 402, dealing with copyright notices on phonorecords.

web.archive.org

"Definition of copyright" Архив на оригинала от 2016-09-29 в Wayback Machine.. Oxford Dictionaries.
"Berne Convention for the Protection of Literary and Artistic Works Article 5 Архив на оригинала от 2012-09-11 в Wayback Machine.. World Intellectual Property Organization.
"Copyright Registers" Архив на оригинала от 2013-10-05 в Wayback Machine. United Kingdom Intellectual Property Office
"Urheberrechtsverletzungen im Internet: Der bestehende rechtliche Rahmen genügt". Ejpd.admin.ch.

wikipedia.org

en.m.wikipedia.org

Garfinkle, Ann M; Fries, Janet; Lopez, Daniel; Possessky, Laura (1997). "Art conservation and the legal obligation to preserve artistic intent". JAIC 36 (2): 165–179.
Community for Creative Non-Violence v. Reid
Pub.L. 94–553: Copyright Act of 1976, 90 Stat. 2541, § 401(a) (19 October 1976)
17 U.S.C.§ 401(d)

wipo.int

"Understanding Copyright and Related Rights" (PDF). www.wipo.int. p. 4.
"Berne Convention for the Protection of Literary and Artistic Works Article 5 Архив на оригинала от 2012-09-11 в Wayback Machine.. World Intellectual Property Organization.
World Intellectual Property Organization (2016). Understanding Copyright and Related Rights (PDF). WIPO. p. 8. doi:10.34667/tind.36289. ISBN 978-92-805-2804-6.
"World Intellectual Property Organisation (WIPO)" (PDF).

worldcopyrightlaw.com

"International Copyright Law Survey". Mincov Law Corporation.