«Lime Plaster statues». British Museum. Trustees of the British Museum. Arxivat de l'original el 18 d'octubre de 2015. [Consulta: 21 setembre 2015].
The tallest of the Ayn Ghazal statues reach about 1 m in height, and they are assumed to have been free-standing, anchored in the ground (although they could not stand up unsupported).
Upper Paleolithicfigurines tend to be smaller than 20 cm in height. Taller representations of the human form from the Paleolithic era, such as the Venus of Laussel, are in bas-relief or painted.
McCarter, Susan. Neolithic. Routledge, 12 de novembre de 2012, p. 161–163. ISBN 9781134220397.
G. O. Rollefson in: Ian Kuijt (ed.), Life in Neolithic Farming Communities: Social Organization, Identity, and Differentiation, Springer (2006), p. 153.
McCarter, Susan. Neolithic. Routledge, 12 de novembre de 2012, p. 161–163. ISBN 9781134220397.
G. O. Rollefson in: Ian Kuijt (ed.), Life in Neolithic Farming Communities: Social Organization, Identity, and Differentiation, Springer (2006), p. 153.
«Lime Plaster statues». British Museum. Trustees of the British Museum. Arxivat de l'original el 18 d'octubre de 2015. [Consulta: 21 setembre 2015].
The tallest of the Ayn Ghazal statues reach about 1 m in height, and they are assumed to have been free-standing, anchored in the ground (although they could not stand up unsupported).
Upper Paleolithicfigurines tend to be smaller than 20 cm in height. Taller representations of the human form from the Paleolithic era, such as the Venus of Laussel, are in bas-relief or painted.
