Macbeth (Catalan Wikipedia)

Analysis of information sources in references of the Wikipedia article "Macbeth" in Catalan language version.

Last modified: 04:06:15, 13 August 2026 (UTC)

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6962doi.org

2^nd place

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3726archive.org

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1815worldcat.org

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1512jstor.org

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22web.archive.org

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22pretallez.com

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11zenodo.org

737^th place

1,207^th place

11umich.edu

429^th place

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11bernews.com

low place

11rsc.org.uk

low place

11filmaffinity.com

901^st place

192^nd place

11austinchronicle.com

1,588^th place

2,217^th place

archive.org (Global: 6^th place; Catalan: 15^th place)

Per la primera funció el 1607, vegeu Gurr 2009, p. 293, Thomson 1992, p. 64, i Wickham 1969, p. 231. Per la data de composició, vegeu Brooke 2008, p. 1 i Clark & Mason 2015, p. 13 Gurr, Andrew. The Shakespearean Stage 1574–1642. 4th. Cambridge: Cambridge University Press, 2009. DOI 10.1017/CBO9780511819520. ISBN 978-0-511-81952-0. Thomson, Peter. Shakespeare's Theatre. 2nd. Londres: Routledge, 1992. ISBN 0-415-05148-7. Wickham, Glynne. Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge, 1969. Shakespeare, William; 0. Macbeth. Oxford: Oxford University Press, 2008. ISBN 978-0-19-953583-5. Shakespeare, William; 0. Macbeth. Londres: Bloomsbury Publishing, 2015. ISBN 978-1-904271-40-6.
Muir, 1984, p. xxxvi. Shakespeare, William; 0. Macbeth. 11th. The Arden Shakespeare, second series, 1984. ISBN 978-1-903436-48-6.
Coursen, 1997, p. 11–13. Coursen, Herbert R. Macbeth: A Guide to the Play. Greenwood Press, 1997. ISBN 0-313-30047-X.
Coursen, 1997, p. 15–21. Coursen, Herbert R. Macbeth: A Guide to the Play. Greenwood Press, 1997. ISBN 0-313-30047-X.
Thrasher, 2002, p. 37. Thrasher, Thomas. Understanding Macbeth. 1nd. San Diego: Lucent Books, 2002. ISBN 1-56006-998-8.
Coursen, 1997, p. 17. Coursen, Herbert R. Macbeth: A Guide to the Play. Greenwood Press, 1997. ISBN 0-313-30047-X.
Thrasher, 2002, p. 42. Thrasher, Thomas. Understanding Macbeth. 1nd. San Diego: Lucent Books, 2002. ISBN 1-56006-998-8.
Thrasher, 2002, p. 38–39. Thrasher, Thomas. Understanding Macbeth. 1nd. San Diego: Lucent Books, 2002. ISBN 1-56006-998-8.
Thrasher, 2002, p. 38. Thrasher, Thomas. Understanding Macbeth. 1nd. San Diego: Lucent Books, 2002. ISBN 1-56006-998-8.
Wells i Taylor, 2005, p. 909, 1153. Shakespeare, William; 0. The Complete Works. 2nd. Oxford University Press, 2005. ISBN 978-0-19-926718-7.
Braunmuller, 1997, p. 2–3. Shakespeare, William; 0. Macbeth. Cambridge: Cambridge University Press, 1997. ISBN 978-0-521-29455-3.
Muir, 1985, p. 48. Muir, Kenneth. Shakespeare: Contrasts and Controversies. University of Oklahoma Press, 1985. ISBN 978-0-8061-1940-3.
Kermode, 1974, p. 1308. Shakespeare, William; 0. Macbeth. Boston: Houghton Mifflin, 1974. ISBN 0-395-04402-2.
Braunmuller, 1997, p. 5–8. Shakespeare, William; 0. Macbeth. Cambridge: Cambridge University Press, 1997. ISBN 978-0-521-29455-3.
Zagorin, 1996. Zagorin, Perez «The Historical Significance of Lying and Dissimulation». Social Research. The New School, 63, 3, Truth–Telling, Lying And Self–Deception, 1996, p. 863–912. ISSN: 0037-783X. JSTOR: 40972318.
Rogers, 1965, p. 44–45. Rogers, H. L. «An English Tailor and Father Garnet's Straw». The Review of English Studies. Oxford University Press, 16, 61, 1965, p. 44–49. DOI: 10.1093/res/XVI.61.44. ISSN: 0034-6551. JSTOR: 513543.
Rogers, 1965, p. 45–47. Rogers, H. L. «An English Tailor and Father Garnet's Straw». The Review of English Studies. Oxford University Press, 16, 61, 1965, p. 44–49. DOI: 10.1093/res/XVI.61.44. ISSN: 0034-6551. JSTOR: 513543.
Harris, 2007, p. 473–474. Harris, Jonathan Gil «The Smell of Macbeth». Shakespeare Quarterly. Folger Shakespeare Library, 58, 4, 2007, p. 465–486. DOI: 10.1353/shq.2007.0062. ISSN: 0037-3222. JSTOR: 4625011.
Whitted, 2012. Whitted, Brent E. «Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607». Early Theatre, 15, 2, 2012, p. 111–130. ISSN: 1206-9078. JSTOR: 43499628.
Muir, 1984, p. xlviii. Shakespeare, William; 0. Macbeth. 11th. The Arden Shakespeare, second series, 1984. ISBN 978-1-903436-48-6.
Stoll, 1943, p. 26. Stoll, E. E. «Source and Motive in Macbeth and Othello». The Review of English Studies. Oxford University Press, 19, 73, 1943, p. 25–32. DOI: 10.1093/res/os-XIX.73.25. ISSN: 0034-6551. JSTOR: 510055.
Muir, 1984, p. xlvi. Shakespeare, William; 0. Macbeth. 11th. The Arden Shakespeare, second series, 1984. ISBN 978-1-903436-48-6.
Pasternak, 1959, p. 150–152. Pasternak, Boris. I Remember: Sketch for an Autobiography. Nova York: Pantheon Books, 1959.
Coddon, 1989, p. 491. Coddon, Karin S. «'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth». ELH. Johns Hopkins University Press, 56, 3, 1989, p. 485–501. DOI: 10.2307/2873194. ISSN: 0013-8304. JSTOR: 2873194.
Frye, 1987. Frye, Roland Mushat «Launching the Tragedy of Macbeth: Temptation, Deliberation, and Consent in Act I». Huntington Library Quarterly. University of Pennsylvania Press, 50, 3, 1987, p. 249–261. DOI: 10.2307/3817399. ISSN: 0018-7895. JSTOR: 3817399.
Bryant, 1961, p. 153. Bryant Jr., J. A.. Hippolyta's View: Some Christian Aspects of Shakespeare's Plays. University of Kentucky Press, 1961.

austinchronicle.com (Global: 1,588^th place; Catalan: 2,217^th place)

Faires, Robert; Fri.; Oct. 13. «The Curse of the Play» (en anglès). [Consulta: 20 març 2021].

bernews.com (Global: low place; Catalan: low place)

Bernews, 2013. «'Scottish Curse' Struck Heston in Bermuda», 7 abril 2013. [Consulta: 30 gener 2018].

doi.org (Global: 2^nd place; Catalan: 4^th place)

dx.doi.org

Per la primera funció el 1607, vegeu Gurr 2009, p. 293, Thomson 1992, p. 64, i Wickham 1969, p. 231. Per la data de composició, vegeu Brooke 2008, p. 1 i Clark & Mason 2015, p. 13 Gurr, Andrew. The Shakespearean Stage 1574–1642. 4th. Cambridge: Cambridge University Press, 2009. DOI 10.1017/CBO9780511819520. ISBN 978-0-511-81952-0. Thomson, Peter. Shakespeare's Theatre. 2nd. Londres: Routledge, 1992. ISBN 0-415-05148-7. Wickham, Glynne. Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge, 1969. Shakespeare, William; 0. Macbeth. Oxford: Oxford University Press, 2008. ISBN 978-0-19-953583-5. Shakespeare, William; 0. Macbeth. Londres: Bloomsbury Publishing, 2015. ISBN 978-1-904271-40-6.
Nagarajan, 1956. Nagarajan, S. «A Note on Banquo». Shakespeare Quarterly. Folger Shakespeare Library, 7, 4, 1956, p. 371–376. DOI: 10.2307/2866356. ISSN: 0037-3222. JSTOR: 2866356.
Palmer, 1886. Palmer, J. Foster «The Celt in Power: Tudor and Cromwell». Transactions of the Royal Historical Society. Royal Historical Society, 3, 3, 1886, p. 343–370. DOI: 10.2307/3677851. ISSN: 0080-4401. JSTOR: 3677851.
Maskell, 1971. Maskell, D. W. «The Transformation of History into Epic: The Stuartide (1611) of Jean de Schelandre». The Modern Language Review. Modern Humanities Research Association, 66, 1, 1971, p. 53–65. DOI: 10.2307/3722467. ISSN: 0026-7937. JSTOR: 3722467.
Rogers, 1965, p. 44–45. Rogers, H. L. «An English Tailor and Father Garnet's Straw». The Review of English Studies. Oxford University Press, 16, 61, 1965, p. 44–49. DOI: 10.1093/res/XVI.61.44. ISSN: 0034-6551. JSTOR: 513543.
Rogers, 1965, p. 45–47. Rogers, H. L. «An English Tailor and Father Garnet's Straw». The Review of English Studies. Oxford University Press, 16, 61, 1965, p. 44–49. DOI: 10.1093/res/XVI.61.44. ISSN: 0034-6551. JSTOR: 513543.
Harris, 2007, p. 473–474. Harris, Jonathan Gil «The Smell of Macbeth». Shakespeare Quarterly. Folger Shakespeare Library, 58, 4, 2007, p. 465–486. DOI: 10.1353/shq.2007.0062. ISSN: 0037-3222. JSTOR: 4625011.
Loomis, 1956. Loomis, Edward Alleyn «Master of the Tiger». Shakespeare Quarterly. Folger Shakespeare Library, 7, 4, 1956, p. 457. DOI: 10.2307/2866386. ISSN: 0037-3222. JSTOR: 2866386.
Smith, 2012. Smith, Joshua S. «Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle». Studies in Philology. The University of North Carolina Press, 109, 4, 2012, p. 474–495. DOI: 10.1353/sip.2012.0027. ISSN: 1543-0383.
Spurgeon, 1935, p. 324–327. Spurgeon, Caroline F. E.. Shakespeare's Imagery and What it Tells Us. Cambridge: Cambridge University Press, 1935. DOI 10.1017/CBO9780511620393. ISBN 978-0-511-62039-3.
Stoll, 1943, p. 26. Stoll, E. E. «Source and Motive in Macbeth and Othello». The Review of English Studies. Oxford University Press, 19, 73, 1943, p. 25–32. DOI: 10.1093/res/os-XIX.73.25. ISSN: 0034-6551. JSTOR: 510055.
Coddon, 1989, p. 491. Coddon, Karin S. «'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth». ELH. Johns Hopkins University Press, 56, 3, 1989, p. 485–501. DOI: 10.2307/2873194. ISSN: 0013-8304. JSTOR: 2873194.
Frye, 1987. Frye, Roland Mushat «Launching the Tragedy of Macbeth: Temptation, Deliberation, and Consent in Act I». Huntington Library Quarterly. University of Pennsylvania Press, 50, 3, 1987, p. 249–261. DOI: 10.2307/3817399. ISSN: 0018-7895. JSTOR: 3817399.
Taylor, 2002, p. 2. Taylor, Gary. «Shakespeare plays on Renaissance stages». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 1–20. DOI 10.1017/CCOL0521792959.001. ISBN 978-0-511-99957-4.
Williams, 2002, p. 119. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Marsden, 2002, p. 21. Marsden, Jean I. «Improving Shakespeare: from the Restoration to Garrick». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 21–36. DOI 10.1017/CCOL0521792959.002. ISBN 978-0-511-99957-4.
Morrison, 2002, p. 231–232. Morrison, Michael A. «Shakespeare in North America». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 230–258. DOI 10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4.
Potter, 2001, p. 188. Potter, Lois. «Shakespeare in the theatre, 1660–1900». A: The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press, 2001, p. 183–198. DOI 10.1017/CCOL0521650941.012. ISBN 978-1-139-00010-9.
Gay, 2002, p. 158. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Williams, 2002, p. 124. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Williams, 2002, p. 125. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Williams, 2002, p. 124–125. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Potter, 2001, p. 189. Potter, Lois. «Shakespeare in the theatre, 1660–1900». A: The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press, 2001, p. 183–198. DOI 10.1017/CCOL0521650941.012. ISBN 978-1-139-00010-9.
Williams, 2002, p. 125–126. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Moody, 2002, p. 43. Moody, Jane. «Romantic Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 37–57. DOI 10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4.
Gay, 2002, p. 159. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Williams, 2002, p. 126. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Gay, 2002, p. 167. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Holland, 2007, p. 38–39. Holland, Peter. «Shakespeare abbreviated». A: The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007, p. 26–45. DOI 10.1017/CCOL9780521844291.003. ISBN 978-1-139-00152-6.
Moody, 2002, p. 38–39. Moody, Jane. «Romantic Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 37–57. DOI 10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4.
Williams, 2002, p. 126–127. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Moody, 2002, p. 38. Moody, Jane. «Romantic Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 37–57. DOI 10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4.
Schoch, 2002, p. 58–59. Schoch, Richard W. «Pictorial Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 58–75. DOI 10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4.
Williams, 2002, p. 128. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Schoch, 2002, p. 61–62. Schoch, Richard W. «Pictorial Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 58–75. DOI 10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4.
Gay, 2002, p. 163–164. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Schoch, 2002, p. 64. Schoch, Richard W. «Pictorial Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 58–75. DOI 10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4.
Morrison, 2002, p. 237. Morrison, Michael A. «Shakespeare in North America». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 230–258. DOI 10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4.
Holland, 2002, p. 202. Holland, Peter. «Touring Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 194–211. DOI 10.1017/CCOL0521792959.011. ISBN 978-0-511-99957-4.
Morrison, 2002, p. 238. Morrison, Michael A. «Shakespeare in North America». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 230–258. DOI 10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4.
Morrison, 2002, p. 239. Morrison, Michael A. «Shakespeare in North America». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 230–258. DOI 10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4.
Gay, 2002, p. 162. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Gay, 2002, p. 161–162. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Gay, 2002, p. 164. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Williams, 2002, p. 129. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Williams, 2002, p. 129–130. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Gay, 2002, p. 166–167. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Williams, 2002, p. 130. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Williams, 2002, p. 130–131. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Smallwood, 2002, p. 102. Smallwood, Robert. «Twentieth-century performance: the Stratford and London companies». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 98–117. DOI 10.1017/CCOL0521792959.006. ISBN 978-0-511-99957-4.
Forsyth, 2007, p. 284. Forsyth, Neil. «Shakespeare the illusionist: filming the supernatural». A: The Cambridge Companion to Shakespeare on Film. 2nd. Cambridge: Cambridge University Press, 2007, p. 280–302. DOI 10.1017/CCOL0521866006.017. ISBN 978-1-139-00143-4.
Williams, 2002, p. 131. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Gay, 2002, p. 169. Gay, Penny. «Women and Shakespearean performance». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 155–173. DOI 10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4.
Williams, 2002, p. 132–134. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Williams, 2002, p. 134. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Holland, 2007, p. 40. Holland, Peter. «Shakespeare abbreviated». A: The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007, p. 26–45. DOI 10.1017/CCOL9780521844291.003. ISBN 978-1-139-00152-6.
Williams, 2002, p. 134–135. Williams, Simon. «The tragic actor and Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 118–136. DOI 10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4.
Holland, 2002, p. 207. Holland, Peter. «Touring Shakespeare». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 194–211. DOI 10.1017/CCOL0521792959.011. ISBN 978-0-511-99957-4.
Gillies et al., 2002, p. 268. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam. «Shakespeare on the stages of Asia». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 259–283. DOI 10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4.
Gillies et al., 2002, p. 270. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam. «Shakespeare on the stages of Asia». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 259–283. DOI 10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4.
Gillies et al., 2002, p. 276–278. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam. «Shakespeare on the stages of Asia». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 259–283. DOI 10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4.
Gillies et al., 2002, p. 278–279. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam. «Shakespeare on the stages of Asia». A: The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002, p. 259–283. DOI 10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4.

filmaffinity.com (Global: 901^st place; Catalan: 192^nd place)

«Grupo: Shakespeare: Macbeth» (en castellà). [Consulta: 26 març 2021].

jstor.org (Global: 23^rd place; Catalan: 44^th place)

Nagarajan, 1956. Nagarajan, S. «A Note on Banquo». Shakespeare Quarterly. Folger Shakespeare Library, 7, 4, 1956, p. 371–376. DOI: 10.2307/2866356. ISSN: 0037-3222. JSTOR: 2866356.
Palmer, 1886. Palmer, J. Foster «The Celt in Power: Tudor and Cromwell». Transactions of the Royal Historical Society. Royal Historical Society, 3, 3, 1886, p. 343–370. DOI: 10.2307/3677851. ISSN: 0080-4401. JSTOR: 3677851.
Maskell, 1971. Maskell, D. W. «The Transformation of History into Epic: The Stuartide (1611) of Jean de Schelandre». The Modern Language Review. Modern Humanities Research Association, 66, 1, 1971, p. 53–65. DOI: 10.2307/3722467. ISSN: 0026-7937. JSTOR: 3722467.
Zagorin, 1996. Zagorin, Perez «The Historical Significance of Lying and Dissimulation». Social Research. The New School, 63, 3, Truth–Telling, Lying And Self–Deception, 1996, p. 863–912. ISSN: 0037-783X. JSTOR: 40972318.
Rogers, 1965, p. 44–45. Rogers, H. L. «An English Tailor and Father Garnet's Straw». The Review of English Studies. Oxford University Press, 16, 61, 1965, p. 44–49. DOI: 10.1093/res/XVI.61.44. ISSN: 0034-6551. JSTOR: 513543.
Rogers, 1965, p. 45–47. Rogers, H. L. «An English Tailor and Father Garnet's Straw». The Review of English Studies. Oxford University Press, 16, 61, 1965, p. 44–49. DOI: 10.1093/res/XVI.61.44. ISSN: 0034-6551. JSTOR: 513543.
Harris, 2007, p. 473–474. Harris, Jonathan Gil «The Smell of Macbeth». Shakespeare Quarterly. Folger Shakespeare Library, 58, 4, 2007, p. 465–486. DOI: 10.1353/shq.2007.0062. ISSN: 0037-3222. JSTOR: 4625011.
Loomis, 1956. Loomis, Edward Alleyn «Master of the Tiger». Shakespeare Quarterly. Folger Shakespeare Library, 7, 4, 1956, p. 457. DOI: 10.2307/2866386. ISSN: 0037-3222. JSTOR: 2866386.
Whitted, 2012. Whitted, Brent E. «Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607». Early Theatre, 15, 2, 2012, p. 111–130. ISSN: 1206-9078. JSTOR: 43499628.
Stoll, 1943, p. 26. Stoll, E. E. «Source and Motive in Macbeth and Othello». The Review of English Studies. Oxford University Press, 19, 73, 1943, p. 25–32. DOI: 10.1093/res/os-XIX.73.25. ISSN: 0034-6551. JSTOR: 510055.
Coddon, 1989, p. 491. Coddon, Karin S. «'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth». ELH. Johns Hopkins University Press, 56, 3, 1989, p. 485–501. DOI: 10.2307/2873194. ISSN: 0013-8304. JSTOR: 2873194.
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Coddon, 1989, p. 491. Coddon, Karin S. «'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth». ELH. Johns Hopkins University Press, 56, 3, 1989, p. 485–501. DOI: 10.2307/2873194. ISSN: 0013-8304. JSTOR: 2873194.
Frye, 1987. Frye, Roland Mushat «Launching the Tragedy of Macbeth: Temptation, Deliberation, and Consent in Act I». Huntington Library Quarterly. University of Pennsylvania Press, 50, 3, 1987, p. 249–261. DOI: 10.2307/3817399. ISSN: 0018-7895. JSTOR: 3817399.

zenodo.org (Global: 737^th place; Catalan: 1,207^th place)

Palmer, 1886. Palmer, J. Foster «The Celt in Power: Tudor and Cromwell». Transactions of the Royal Historical Society. Royal Historical Society, 3, 3, 1886, p. 343–370. DOI: 10.2307/3677851. ISSN: 0080-4401. JSTOR: 3677851.

Macbeth (Catalan Wikipedia)

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