John Wray, "Minister of Fear", New York Times, September 23, 2007. "... a new group of Francophone filmmakers has come to prominence in Europe, one less bedazzled by the Hollywood genre films that so influenced the New Wave directors than by the work of French auteurs like Jean Renoir and Robert Bresson. The Belgian-born Dardenne brothers, for example, favor dark, naturalistic studies of working-class life, while Bruno Dumont, a former professor of philosophy, makes violent and sexually explicit films that tend toward parable. But both share a preference for long, intricately composed shots, a resolutely anti-Hollywood aesthetic and a Bressonian aversion for spelling things out. Haneke feels at home in their company..."