Susan Hayward. Cinema Studies: The Key Concepts. ISBN 978-0415227391. «He goes on to explain that montage, however used, imposes its interpretation on the spectator and takes away from realism.(...)For Bazin, deep focus made a greater objective realism possible. Since deep focus, contrary to fast editing style of montage, usually implies long takes and less editing from shot to shot, this style of shooting is one that draws least attention to itself and, therefore, allows for a more open reading»
