To de Shepard (Catalan Wikipedia)

Analysis of information sources in references of the Wikipedia article "To de Shepard" in Catalan language version.

refsWebsite

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6doi.org

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4worldcat.org

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2ucpress.edu

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1bbc.co.uk

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1cdm.link

low place

1web.archive.org

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1hfbk-hamburg.de

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1researchgate.net

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1att.com

6,123^rd place

6,075^th place

1zu.edu.ua

low place

1jstor.com

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1google.cat

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1cambridge.org

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1businessinsider.com

140^th place

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1npr.org

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1latimes.com

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1vox.com

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1telegraph.co.uk

30^th place

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att.com

techchannel.att.com

Shepard, Roger N.; Zajac, Edward E. A Pair of Paradoxes. AT&T Bell Laboratories, 1867.

bbc.co.uk

«Clip from Series 4, Episode 6». . Bang Goes the Theory (BBC), 18-04-2011. « It's like a barber's pole of sound.»

businessinsider.com

Guerrasio, Jason. «Christopher Nolan explains the biggest challenges in making his latest movie 'Dunkirk' into an 'intimate epic'». [Consulta: 14 novembre 2020].

cambridge.org

Hutchinson, Mark «STAIRWAYS IN THE DARK: SOUND, SYNTAX AND THE SUBLIME IN HAAS'S IN VAIN». Tempo, 73, 288, 4-2019, pàg. 7–25. DOI: 10.1017/S0040298218000943. ISSN: 0040-2982.

cdm.link

«Jean-Claude Risset, who reimagined digital synthesis, has died - CDM Create Digital Music». CDM Create Digital Music, 22-11-2016 [Consulta: 30 desembre 2019]. «The sound for which Risset is best known is perhaps the most emblematic of his contributions. Creating a sonic illusion much like M.C. Escher’s optical ones, the Shepherd-Risset glissando / Risset scale, in its present form invented by the French composer, seems to ascend forever.»

doi.org

dx.doi.org

Shepard, Roger N. «Circularity in Judgements of Relative Pitch». Journal of the Acoustical Society of America, 36, 12, 12-1964, pàg. 2346–53. DOI: 10.1121/1.1919362.
Shepard, Roger N. «Circularity in Judgements of Relative Pitch». Journal of the Acoustical Society of America, 36, 12, 12-1964, pàg. 2346–53. DOI: 10.1121/1.1919362.
Deutsch, Diana «A Musical Paradox». Music Perception, 3, 3, 01-04-1986, pàg. 275–280. DOI: 10.2307/40285337. ISSN: 0730-7829.
«Some new pitch paradoxes and their implications». Philosophical Transactions of the Royal Society of London. Series B: Biological Sciences, 336, 1278, 29-06-1992, pàg. 391–397. DOI: 10.1098/rstb.1992.0073. ISSN: 0962-8436.
Hutchinson, Mark «STAIRWAYS IN THE DARK: SOUND, SYNTAX AND THE SUBLIME IN HAAS'S IN VAIN». Tempo, 73, 288, 4-2019, pàg. 7–25. DOI: 10.1017/S0040298218000943. ISSN: 0040-2982.
Gemünden, Gerd; Spitta, Silvia «“I Was Never Afraid,” An Interview with Lucrecia Martel». Film Quarterly, 71, 4, 01-06-2018, pàg. 33–40. DOI: 10.1525/fq.2018.71.4.33. ISSN: 0015-1386.

google.cat

books.google.cat

Phillips, Winifred. A Composer's Guide to Game Music. MIT Press, 2014-02-14. ISBN 978-0-262-02664-2.

hfbk-hamburg.de

swiki.hfbk-hamburg.de

«Risset rhythm». Arxivat de l'original el 2018-06-19. [Consulta: 12 novembre 2020].

jstor.com

Braus, I. «Retracing one's steps: An overview of pitch circularity and Shepard tones in European music, 1550–1990» p. 323-351., 1995.

latimes.com

articles.latimes.com

King, Richard «'The Dark Knight' sound effects». Los Angeles Times, 04-02-2009.

npr.org

Stephin Merritt: Two Days, 'A Million Faces' (video). NPR. 2007-11-04. «It turns out I was thinking about a Shepard tone, the illusion of ever-ascending pitches.»

researchgate.net

Patricio, Pedro. From the Shepard tone to the perpetual melody auditory illusion. Proceedings of the 9th Sound and Music Computing Conference, SMC 2012. 5-10, 2012.

telegraph.co.uk

McCormick, Neil. «Franz Ferdinand are still operating on an elevated plateau – Always Ascending, review», 09-02-2018.

ucpress.edu

online.ucpress.edu

Deutsch, Diana «A Musical Paradox». Music Perception, 3, 3, 01-04-1986, pàg. 275–280. DOI: 10.2307/40285337. ISSN: 0730-7829.
Gemünden, Gerd; Spitta, Silvia «“I Was Never Afraid,” An Interview with Lucrecia Martel». Film Quarterly, 71, 4, 01-06-2018, pàg. 33–40. DOI: 10.1525/fq.2018.71.4.33. ISSN: 0015-1386.

vox.com

Haubursin, Christopher. «The sound illusion that makes Dunkirk so intense», 26-07-2017.

web.archive.org

«Risset rhythm». Arxivat de l'original el 2018-06-19. [Consulta: 12 novembre 2020].

worldcat.org

Deutsch, Diana «A Musical Paradox». Music Perception, 3, 3, 01-04-1986, pàg. 275–280. DOI: 10.2307/40285337. ISSN: 0730-7829.
«Some new pitch paradoxes and their implications». Philosophical Transactions of the Royal Society of London. Series B: Biological Sciences, 336, 1278, 29-06-1992, pàg. 391–397. DOI: 10.1098/rstb.1992.0073. ISSN: 0962-8436.
Hutchinson, Mark «STAIRWAYS IN THE DARK: SOUND, SYNTAX AND THE SUBLIME IN HAAS'S IN VAIN». Tempo, 73, 288, 4-2019, pàg. 7–25. DOI: 10.1017/S0040298218000943. ISSN: 0040-2982.
Gemünden, Gerd; Spitta, Silvia «“I Was Never Afraid,” An Interview with Lucrecia Martel». Film Quarterly, 71, 4, 01-06-2018, pàg. 33–40. DOI: 10.1525/fq.2018.71.4.33. ISSN: 0015-1386.

zu.edu.ua

eprints.zu.edu.ua

Hurskiy, S. «Auditory illusions in modern film industry and music.», 2018. [Consulta: 25 setembre 2020].