Hamburger Bahnhof – Museum für Gegenwart: Cory Arcangel. Here Comes Everybody. Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz, abgerufen am 27. April 2012.
Roberta Smith: A Muse in the Machine: Click. Create. The New York Times, 26. Mai 2011, abgerufen am 1. Mai 2012 (englisch): „The pieces on view are full of savvy echoes of early video art and structuralist film; kinetic, Conceptual and Pop art and their current derivatives; abstract painting; and, above all, appropriation art — all of it often updated by his generation’s democratic attitude toward information sharing.“
