Interview mit Tichenor von Dezember 2005, Website abgerufen am 21. Juni 2010. (The first month was really difficult, seeing the work she’d done, all her selections and knowing her thinking behind it. Soon, it got to be cathartic and good to spend this time with her— I found myself thinking about her all the time through this process and it was a gift to me in that way. I think that our two styles complement each other’s. I don’t think you’ll be able to discern which cuts are hers and which are mine.)
Interview mit Tichenor von Dezember 2005, Website abgerufen am 21. Juni 2010 (It’s very rewarding to work with someone who is clear on telling a story. There are a lot of filmmakers who don’t really know how to tell a story — they know how to make a pretty shot or slam you in your seat with a big music cue, but that doesn’t have much to do with storytelling. One thing I come away with having worked with these guys, the common denominator is that they all know or have different ways of keeping on point in telling a story by having a point of view. It can be literally a character’s POV or a general cohesiveness to the tone and approach in the storytelling. In film, that’s an extremely important thing and it’s really difficult to keep track of. — If I have a style or philosophy it’s that I’m really drawn to true moments. I like to structure things so that there is a moment where things come together, where the ideas you’re working on resonate.)