Indiana Jones and the Fate of Atlantis (German Wikipedia)

Analysis of information sources in references of the Wikipedia article "Indiana Jones and the Fate of Atlantis" in German language version.

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  • Boris Schneider-Johne, Heinrich Lenhardt, Jörg Langer, Winnie Forster, Anatol Locker: Spieleveteranen-Podcast #49: Mit Knut geht’s gut. Länge 1:13:39. Hrsg.: Spieleveteranen. 25. März 2013 (spieleveteranen.de): „Boris Schneider-Johne: [… Bei] Fate of Atlantis war ich ja schon halb draußen damals. Das habe ich ja dann nur noch so aus Halbentfernung mitgekriegt, das heißt, habe ich nur noch die Texte übersetzt, aber nichts mehr gemastert und so weiter und sofort. Ich habe auch dunkel in Erinnerung, dass diese Amiga-Version wehleidig von LucasArts für den europäischen Markt dann noch halbherzig produziert wurde, aber dass da nicht mehr viel Energie drinsteckte, weil die Musik spielte weltweit zu dem Zeitpunkt ja schon auf MS-DOS. Aber sie waren glaube ich vertraglich verpflichtet, noch eine Amiga-Version abzuliefern und da saßen dann nicht mehr ihre Top-Leute dran.“

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theinspiracy.com

  • Noah Falstein: Past Projects. The Inspiracy, 2012, abgerufen am 9. März 2020 (englisch).

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  • Clint Bajakian, Michael Z. Land: Clint Bajakian and Michael Land. Länge 10:38, [Video]. Hrsg.: San Francisco Conservatory of Music. 23. Oktober 2015 (englisch, youtube.com [abgerufen am 15. August 2019]): “Michael Z. Land: The licensed products, mainly […] Star Wars and Indiana Jones, they brought with them a whole musical […] storytelling tradition […]. […] Certainly, […] the John Williams scores […] gave us an incredible departure point. […] So, we basically just worked really hard to learn his style so that we could derive things from it, spin things out and still keep it at least […] a clear shot close to what he did. […] Clint Bajakian: [… When] in the early 90s, we had so few resources in terms of voices for example, […] how do you do a […] 105-piece orchestra with nine voices? […] You would have to distill down an entire orchestra’s worth of content to whatever the most prominent gesture was. [… If] you listen to John Williams, […] there’s always some prominent foreground gesture at any one time. And I would say that John Williams’ […] reverence of leitmotif and themes is what we took our cue from […].”

zdb-katalog.de

  • Eugenio Caponetti, Armetta Francesco, Delia Chillura Martino, Maria Luisa Saladino, Stefano Ridolfi, Gabriella Chirco, Mario Berrettoni, Paolo Conti, Nicolò Bruno, Sebastiano Tusa: First discovery of orichalcum ingots from the remains of a 6th century BC shipwreck near Gela (Sicily) seabed. In: Mediterranean Archaeology and Archaeometry. Band 17, Nr. 2, April 2017, ISSN 1108-9628, S. 11–18, doi:10.5281/zenodo.581716.
  • Hartley Lesser, Patricia Lesser, Kirk Lesser: The Role of Computers. In: Dragon Magazine. Nr. 193. TSR, Mai 1993, ISSN 0279-6848, S. 60–61 (archive.org).