Dies ist die Angabe der meisten Quellen, so etwa: Ruby Cohn: A Beckett canon. The University of Michigan Press: Michigan 2001, S. 290. Andere Quellen geben zum Teil andere Daten oder auch andere Aufführungsorte der Uraufführung an, so zum Beispiel: Gay McAuley: Samuel Beckett's Come and Go In: Educational Theatre Journal 1966: 7. März 1966, Odéon Théâtre de France; Deirdre Bair: Samuel Beckett. A Biography. Simon & Schuster 1991: 28. Februar 1966, Petite Salle, Odéon Théâtre de France;
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Verena June Macdonald Brown: Yesterday’s Deformities: A Discussion of the Role of Memory and Discourse in the Plays of Samuel Beckett. Doktorarbeit an der University of South Africa 2005, S. 223: “And painful though the shock to their sensibilities has been, they have the comforting presence of each other to offset their sadness. They comprise a community, and are therefore not wholly reliant on memory to remedy or sedate. No such comfort is available in the later dramaticules, however, where night after night alienated beings implore their loved ones to make their presence felt.”
