Susan Gingell: Lorna Crozier@1@2Vorlage:Toter Link/jetson.unl.edu (Seite nicht mehr abrufbar, festgestellt im April 2019. Suche in Webarchiven) Info: Der Link wurde automatisch als defekt markiert. Bitte prüfe den Link gemäß Anleitung und entferne dann diesen Hinweis. In: Encyclopedia of the Great Plains. University of Nebraska-Lincoln, 2011: „The strength of Crozier's identification with the land is evident in the title of her first collection, Inside Is the Sky (1976), while her kinship with its creatures, which in "Inventing the Hawk" makes her feel the bird's scream rising from her belly to echo in her skull, is sometimes stronger than the connection she feels to humans. Her affection for Prairie people is, nevertheless, palpable in everything from the tall tales of "Spring Storm, 1916" to her description in "Home Town" of a freshman history student who identifies the Holy Land as something like Christ's hometown. The warmth of such feelings does not, however, blind her to the racism, misogyny, and pettiness of some hometown people.“
Susan Gingell: Lorna Crozier@1@2Vorlage:Toter Link/jetson.unl.edu (Seite nicht mehr abrufbar, festgestellt im April 2019. Suche in Webarchiven) Info: Der Link wurde automatisch als defekt markiert. Bitte prüfe den Link gemäß Anleitung und entferne dann diesen Hinweis. In: Encyclopedia of the Great Plains. University of Nebraska-Lincoln, 2011: „The strength of Crozier's identification with the land is evident in the title of her first collection, Inside Is the Sky (1976), while her kinship with its creatures, which in "Inventing the Hawk" makes her feel the bird's scream rising from her belly to echo in her skull, is sometimes stronger than the connection she feels to humans. Her affection for Prairie people is, nevertheless, palpable in everything from the tall tales of "Spring Storm, 1916" to her description in "Home Town" of a freshman history student who identifies the Holy Land as something like Christ's hometown. The warmth of such feelings does not, however, blind her to the racism, misogyny, and pettiness of some hometown people.“
Susan Gingell: Lorna Crozier@1@2Vorlage:Toter Link/jetson.unl.edu (Seite nicht mehr abrufbar, festgestellt im April 2019. Suche in Webarchiven) Info: Der Link wurde automatisch als defekt markiert. Bitte prüfe den Link gemäß Anleitung und entferne dann diesen Hinweis. In: Encyclopedia of the Great Plains. University of Nebraska-Lincoln, 2011: „The strength of Crozier's identification with the land is evident in the title of her first collection, Inside Is the Sky (1976), while her kinship with its creatures, which in "Inventing the Hawk" makes her feel the bird's scream rising from her belly to echo in her skull, is sometimes stronger than the connection she feels to humans. Her affection for Prairie people is, nevertheless, palpable in everything from the tall tales of "Spring Storm, 1916" to her description in "Home Town" of a freshman history student who identifies the Holy Land as something like Christ's hometown. The warmth of such feelings does not, however, blind her to the racism, misogyny, and pettiness of some hometown people.“