Guerino Mazzola, Moreno Andreatta: Diagrams, gestures and formulae in music. In: Journal of Mathematics and Music. Band1, Nr.1, 1. März 2007, ISSN1745-9737, S.23–46, doi:10.1080/17459730601137716.
Martin Clayton: Time, Gesture and Attention in a Khyāl Performance. In: Asian Music. Band38, Nr.2, 13. August 2007, ISSN1553-5630, S.71–96, doi:10.1353/amu.2007.0032 (jhu.edu [abgerufen am 8. Mai 2017]).
Richard Widdess: Musicking Bodies: Gesture and Voice in Hindustani Music. In: Ethnomusicology Forum. Band22, Nr.3, 1. Dezember 2013, ISSN1741-1912, S.377–379, doi:10.1080/17411912.2013.837778.
jhu.edu
muse.jhu.edu
Martin Clayton: Time, Gesture and Attention in a Khyāl Performance. In: Asian Music. Band38, Nr.2, 13. August 2007, ISSN1553-5630, S.71–96, doi:10.1353/amu.2007.0032 (jhu.edu [abgerufen am 8. Mai 2017]).
Guerino Mazzola, Moreno Andreatta: Diagrams, gestures and formulae in music. In: Journal of Mathematics and Music. Band1, Nr.1, 1. März 2007, ISSN1745-9737, S.23–46, doi:10.1080/17459730601137716.
Martin Clayton: Time, Gesture and Attention in a Khyāl Performance. In: Asian Music. Band38, Nr.2, 13. August 2007, ISSN1553-5630, S.71–96, doi:10.1353/amu.2007.0032 (jhu.edu [abgerufen am 8. Mai 2017]).
Richard Widdess: Musicking Bodies: Gesture and Voice in Hindustani Music. In: Ethnomusicology Forum. Band22, Nr.3, 1. Dezember 2013, ISSN1741-1912, S.377–379, doi:10.1080/17411912.2013.837778.