Orrin Keepnews (German Wikipedia)

Analysis of information sources in references of the Wikipedia article "Orrin Keepnews" in German language version.

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allaboutjazz.com

cannonball-adderley.com

  • Orrin Keepnews: Cannonball was my friend. In: Cannonball Complete Jazz Fake Book (online auf cannonball-adderley.com). Abgerufen am 1. Juli 2007.

    “An interesting verbal commitment: a non-existent band would be promptly recorded someplace on the road by a still very shoestring company that had never sent its staff producer, me, to work any further than a subway ride away from home. But it turned out to be one of the neatest examples of good results of bread-cast-upon the-waters since the Bible.”

  • Orrin Keepnews: Cannonball was my friend. In: Cannonball Complete Jazz Fake Book (online auf cannonball-adderley.com). Abgerufen am 1. Juli 2007.

grammy.com

insidebayarea.com

jazzpages.com

nytimes.com

nytimes.com

query.nytimes.com

redirecter.toolforge.org

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “If you were big enough to walk into a bar and put down 75 cents or dollar for a drink, nobody asked if you were old enough.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “I enrolled in graduate school for the express purpose of making myself feel literate again, I wasn’t looking for a master’s degree. I figured I’d go to Columbia for however long it took me to feel, 'Hey, I’m now capable of going back into the world I wanted to be in.' and then I’d look for a job, which was pretty much what happened.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “Monk was not about to show any mercy. He had his standards. I probably learned as much about living from him as I did about music.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “We were fans who became record companies. If you had your own company and said you were a producer, who was going to say you weren’t?”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “Our goal wasn’t to sell a lot of records and get rich. Our goal was to sell enough records to make the next one.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “I’ve always thought of myself as more of a catalyst than anything else, I never played an instrument, and I finally figured out that is one of my strengths as a producer. I’ve never felt that I was competing with the musicians or that I could play that solo better. My job became to provide the best possible environment in which the musicians could express themselves. It’s not easy, and it’s never dull.”

web.archive.org

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “If you were big enough to walk into a bar and put down 75 cents or dollar for a drink, nobody asked if you were old enough.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “I enrolled in graduate school for the express purpose of making myself feel literate again, I wasn’t looking for a master’s degree. I figured I’d go to Columbia for however long it took me to feel, 'Hey, I’m now capable of going back into the world I wanted to be in.' and then I’d look for a job, which was pretty much what happened.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “Monk was not about to show any mercy. He had his standards. I probably learned as much about living from him as I did about music.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “We were fans who became record companies. If you had your own company and said you were a producer, who was going to say you weren’t?”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “Our goal wasn’t to sell a lot of records and get rich. Our goal was to sell enough records to make the next one.”

  • Jesse Hamlin: A Life in Jazz. In: Columbia College Today (online auf Columbia.edu). November 2004, archiviert vom Original (nicht mehr online verfügbar) am 10. Juni 2007; abgerufen am 30. Juni 2007.

    “I’ve always thought of myself as more of a catalyst than anything else, I never played an instrument, and I finally figured out that is one of my strengths as a producer. I’ve never felt that I was competing with the musicians or that I could play that solo better. My job became to provide the best possible environment in which the musicians could express themselves. It’s not easy, and it’s never dull.”

youtube.com