Mike Bracken: Deep Red aka Profundo Rosso. In: CultureCartel.com. 21. Januar 2002, archiviert vom Original (nicht mehr online verfügbar) am 1. März 2012; abgerufen am 10. April 2009: „a film widely regarded by hardcore Argentophiles as his masterpiece […] a transitional film in Argento’s body of work. It mirrors the earlier gialli he had made […] while at the same time opening the door on the themes he would explore more deeply in subsequent films […] Deep Red marks the birth of Argento, the visual stylist“Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.@1@2Vorlage:Webachiv/IABot/www.culturecartel.com
Jeffrey M. Anderson: Deep Red (1975) – 'Red' Poets Society. In: Combustible Celluloid. 25. Juni 2008, abgerufen am 9. April 2009: „Argento tosses in several meaningless shots […] although I want to add that he owes everything to his lesser-known predecessor, Mario Bava“
culturecartel.com
Mike Bracken: Deep Red aka Profundo Rosso. In: CultureCartel.com. 21. Januar 2002, archiviert vom Original (nicht mehr online verfügbar) am 1. März 2012; abgerufen am 10. April 2009: „a film widely regarded by hardcore Argentophiles as his masterpiece […] a transitional film in Argento’s body of work. It mirrors the earlier gialli he had made […] while at the same time opening the door on the themes he would explore more deeply in subsequent films […] Deep Red marks the birth of Argento, the visual stylist“Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.@1@2Vorlage:Webachiv/IABot/www.culturecartel.com
Shane M. Dallmann: Deep Red. In: Images #9. 2000, abgerufen am 9. April 2009 (englisch): „just enough outlandishness to keep viewers off balance without throwing them completely out of the realm of reality. […] Though the supernatural is never directly invoked […], the characters live not in the recognizable world of the viewer, but in a world that seems to exist only by dictates of the creative arts.“
jigsawlounge.co.uk
Neil Young: Deep Red. In: Neil Young's Film Lounge. 24. Juli 2001, abgerufen am 9. April 2009: „While the results are often messy not just in terms of onscreen bloodshed […] to the edge of parody […] It’s hard to laugh when we’ve just watched a man’s head bashed in on the corners of a desk […] Argento doesn’t need to strain for comic effects – he’s amusing enough when he’s being ostensibly ‘serious.’ […] at the paranormal display, a professor notes telepathy is common among “butterflies, termites, zebras…” Zebras?! […] It’s always best to give Argento the benefit of the doubt, however, and he does know exactly what he’s doing“
landofwhimsy.com
whiggles.landofwhimsy.com
Michael Mackenzie: Points of View: The camera and subjectivity in Profondo Rosso. In: whiggles.landofwhimsy.com. Abgerufen am 10. April 2009 (englisch): „´we´ are the camera: we are placed inside the film. Argento's camera has adopted an extremely loose set of rules with regard to subjectivity. […] What is remarkable, though, is the sense that the camera itself is playing tricks on us. On certain occasions, it deliberately withholds information […] At other times, meanwhile, we are "fed information that the characters within the film are not […]" the camera itself is active as something of an independent entity […] Indeed, the central mystery […] is not one that the audience can actually solve, given the distinct lack of logical clues […] the viewer is, at the same time, kept ´at arm's length´“
Mike Bracken: Deep Red aka Profundo Rosso. In: CultureCartel.com. 21. Januar 2002, archiviert vom Original (nicht mehr online verfügbar) am 1. März 2012; abgerufen am 10. April 2009: „a film widely regarded by hardcore Argentophiles as his masterpiece […] a transitional film in Argento’s body of work. It mirrors the earlier gialli he had made […] while at the same time opening the door on the themes he would explore more deeply in subsequent films […] Deep Red marks the birth of Argento, the visual stylist“Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.@1@2Vorlage:Webachiv/IABot/www.culturecartel.com
Mike Bracken: Deep Red aka Profundo Rosso. In: CultureCartel.com. 21. Januar 2002, archiviert vom Original (nicht mehr online verfügbar) am 1. März 2012; abgerufen am 10. April 2009: „a film widely regarded by hardcore Argentophiles as his masterpiece […] a transitional film in Argento’s body of work. It mirrors the earlier gialli he had made […] while at the same time opening the door on the themes he would explore more deeply in subsequent films […] Deep Red marks the birth of Argento, the visual stylist“Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.@1@2Vorlage:Webachiv/IABot/www.culturecartel.com