35 mm movie film (English Wikipedia)

Belton, John (August 1990). "The Origins of 35mm Film as a Standard". Journal of the Society of Motion Picture and Television Engineers. 99 (8): 652–661. doi:10.5594/J02613. ISSN 0036-1682. Archived from the original on June 5, 2018.
Dickson, W. K. L. (December 1933). "A Brief History of the Kinetograph, the Kinetoscope and the Kineto-Phonograph". Journal of the Society of Motion Picture Engineers. 21 (6): 435–455. doi:10.5594/J12965. Retrieved March 13, 2012.
Cowan, Lester (January 1930). "Camera and Projector Apertures in Relation to Sound on Film Pictures". Journal of the Society of Motion Picture Engineers. 14: 108–121. doi:10.5594/J14828.
ST 139:2003 - SMPTE Standard - For Motion-Picture Film (35-mm) — Perforated KS. SMPTE. November 12, 2003. doi:10.5594/SMPTE.ST139.2003. ISBN 978-1-61482-313-1.
ST 102:2002 - SMPTE Standard - For Motion-Picture Film (35-mm) — Perforated CS-1870. SMPTE. July 26, 2002. doi:10.5594/SMPTE.ST102.2002. ISBN 978-1-61482-304-9.

dpvotheatrical.com

"Home". DVPO Theatrical. Archived from the original on April 7, 2012.

dts.com

"Corporate Milestones". DTS. Archived from the original on June 9, 2010.

dyetracks.org

Hull, Joe. "Committed to Cyan" (PDF). dyetracks.org. Archived from the original (PDF) on September 21, 2006. Retrieved August 11, 2006.

eastman.org

"Enhancing the Illusion: The Process and Origins of Photography". George Eastman House. Archived from the original on January 17, 2008. Retrieved August 12, 2006.

fxguide.com

"Double Negative Breaks Down Batman Begins". FXGuide. July 18, 2005. Archived from the original on October 16, 2006. Retrieved August 11, 2006.

handle.net

hdl.handle.net

Rose, Jay (July 2003). "Reality (sound)bites: Audio tricks from the film and TV studio". International Conference on Auditory Display. hdl:1853/50482.

hollywoodreporter.com

Giardina, Carolyn (February 4, 2015). "Kodak Inks Deals With Studios to Extend Film's Life". The Hollywood Reporter.

ieee.org

ieeexplore.ieee.org

Belton, John (August 1990). "The Origins of 35mm Film as a Standard". Journal of the Society of Motion Picture and Television Engineers. 99 (8): 652–661. doi:10.5594/J02613. ISSN 0036-1682. Archived from the original on June 5, 2018.

jkor.com

Gray, Peter (1997). "Perforations/Sprocket Holes: Peter Gray - Director of Photography". Archived from the original on April 12, 2008. Retrieved March 14, 2012.

kodak.com

motion.kodak.com

"Cyan Dye Tracks Laboratory Guide". Kodak. Archived from the original on November 26, 2009.
"Chronology of Motion Picture Films 1940 to 1959". Kodak. Archived from the original on June 25, 2009. Retrieved August 12, 2009.
"Film Types_and Formats" (PDF). kodak.com. Archived from the original (PDF) on June 1, 2013.
"Perforation Sizes and Shapes" (PDF). Motion Newsletters. Kodak. October 30, 2007. p. 95. Archived (PDF) from the original on January 7, 2011. Retrieved March 14, 2012.
"Why Do Sound Negative Films Use Kodak Standard Perforations?". Technical Information. Kodak. Archived from the original on March 3, 2012. Retrieved March 14, 2012.

kodak.com

"Broadening the Impact of Pictures". Kodak.com. Archived from the original on February 1, 2012. Retrieved August 29, 2016.
"Kodak Vision Color Intermediate Film - Technical Data". Eastman Kodak. Archived from the original on September 5, 2006. Retrieved August 11, 2006.

patents.google.com

U.S. patent 0,589,168

pbs.org

"The Wizard of Photography: The Story of George Eastman and How He Transformed Photography". Timeline PBS American Experience Online. Retrieved July 5, 2006.

sciencemuseumgroup.org.uk

collection.sciencemuseumgroup.org.uk

"'Photo-rotoscope' 35mm projector mechanism". Science Museum Group Collection. Retrieved December 24, 2022.

soc.org

Mitchell, Rick. "The Widescreen Revolution: Expanding Horizons — The Spherical Campaign". Society of Camera Operators Magazine (Summer 1994). Archived from the original on January 3, 2004. Retrieved August 25, 2016.

subclub.org

"Half Frame Cameras". subclub.org. Retrieved August 12, 2006.

technicolor.com

"Entertainment Services". Technicolor. Archived from the original on October 24, 2011. Retrieved August 29, 2016.

variety.com

Barraclough, Leo (June 23, 2013). "Digital Cinema Conversion Nears End Game". Variety. Retrieved August 29, 2016.

web.archive.org

Belton, John (August 1990). "The Origins of 35mm Film as a Standard". Journal of the Society of Motion Picture and Television Engineers. 99 (8): 652–661. doi:10.5594/J02613. ISSN 0036-1682. Archived from the original on June 5, 2018.
"Enhancing the Illusion: The Process and Origins of Photography". George Eastman House. Archived from the original on January 17, 2008. Retrieved August 12, 2006.
"Corporate Milestones". DTS. Archived from the original on June 9, 2010.
Hull, Joe. "Committed to Cyan" (PDF). dyetracks.org. Archived from the original (PDF) on September 21, 2006. Retrieved August 11, 2006.
"Cyan Dye Tracks Laboratory Guide". Kodak. Archived from the original on November 26, 2009.
"Entertainment Services". Technicolor. Archived from the original on October 24, 2011. Retrieved August 29, 2016.
"Home". DVPO Theatrical. Archived from the original on April 7, 2012.
"Chronology of Motion Picture Films 1940 to 1959". Kodak. Archived from the original on June 25, 2009. Retrieved August 12, 2009.
"Broadening the Impact of Pictures". Kodak.com. Archived from the original on February 1, 2012. Retrieved August 29, 2016.
Mitchell, Rick. "The Widescreen Revolution: Expanding Horizons — The Spherical Campaign". Society of Camera Operators Magazine (Summer 1994). Archived from the original on January 3, 2004. Retrieved August 25, 2016.
"3 perf: The future of 35mm filmmaking". Aaton. Archived from the original on July 13, 2006. Retrieved August 10, 2006.
"Film Types_and Formats" (PDF). kodak.com. Archived from the original (PDF) on June 1, 2013.
"Double Negative Breaks Down Batman Begins". FXGuide. July 18, 2005. Archived from the original on October 16, 2006. Retrieved August 11, 2006.
"Perforation Sizes and Shapes" (PDF). Motion Newsletters. Kodak. October 30, 2007. p. 95. Archived (PDF) from the original on January 7, 2011. Retrieved March 14, 2012.
"Technical Glossary of Common Audiovisual Terms: Perforations". ScreenSound Australia. Archived from the original on October 31, 2007. Retrieved August 11, 2006.
Gray, Peter (1997). "Perforations/Sprocket Holes: Peter Gray - Director of Photography". Archived from the original on April 12, 2008. Retrieved March 14, 2012.
"Why Do Sound Negative Films Use Kodak Standard Perforations?". Technical Information. Kodak. Archived from the original on March 3, 2012. Retrieved March 14, 2012.
"Kodak Vision Color Intermediate Film - Technical Data". Eastman Kodak. Archived from the original on September 5, 2006. Retrieved August 11, 2006.

widescreenmuseum.com

Hart, Martin (1998). "Kinemacolor: The First Successful Color System". Widescreen Museum. Retrieved July 8, 2006.
Hart, Martin (May 20, 2004). "Kinemacolor to Eastmancolor: Faithfully Capturing an Old Technology with a Modern One". Widescreen Museum. Retrieved July 8, 2006.
Hart, Martin (2003). "The History of Technicolor". Widescreen Museum. Retrieved July 7, 2006.
Hart, Martin (2000). "Of Apertures and Aspect Ratios". Widescreen Museum. Retrieved August 10, 2006.
Hart, Martin (2000). "Cinemascope Wing 1". Widescreen Museum. Retrieved August 10, 2006.
Hart, Martin (2000). "Early Evolution from Academy to Wide Screen Ratios". Widescreen Museum. Retrieved August 10, 2006.

wired.com

Alfred, Randy (May 2, 2011). "May 2, 1887: Celluloid-Film Patent Ignites Long Legal Battle". Wired. Retrieved August 29, 2017.

worldcat.org

search.worldcat.org

Belton, John (August 1990). "The Origins of 35mm Film as a Standard". Journal of the Society of Motion Picture and Television Engineers. 99 (8): 652–661. doi:10.5594/J02613. ISSN 0036-1682. Archived from the original on June 5, 2018.
Howell, A.S. (April 1932). "Change in 355 Mm. Film Perforations". Journal of the Society of Motion Picture Engineers. XVIII (4). OCLC 1951231.
"Committee Activities, Report of the Standards and Nomenclature Committee, Wide Film". Journal of the Society of Motion Picture Engineers. XVII (3). New York, NY: The Society: 431–436. September 1931. OCLC 1951231.