A Late Quartet (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "A Late Quartet" in English language version.

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bbfc.co.uk

  • "A Late Quartet (15)". British Board of Film Classification. March 6, 2013. Retrieved March 7, 2013.

cello.org

  • Piatigorsky, Gregor (1965). Cellist (1st ed.). Archived from the original on September 23, 2015. Retrieved July 7, 2013. The greater was my shame and delight when, a few years later, I met Casals in Paris. We had dinner together and played duets for two cellos, and I played for him until late at night. Spurred by his great warmth, and happy, I confessed what I had thought of his praising me in Berlin. He reacted with sudden anger. He rushed to the cello. 'Listen!' He played a phrase from the Beethoven sonata. 'Didn't you play this fingering? Ah, you did! It was novel to me... it was good... and here, didn't you attack that passage with up-bow, like this?' He demonstrated. He went through Schumann and Bach, always emphasizing all he liked that I had done. 'And for the rest,' he said passionately, 'leave it to the ignorant and stupid who judge by counting only the faults. I can be grateful, and so must you be, for even one note, one wonderful phrase.' I left with the feeling of having been with a great artist and a friend.

comingsoon.net

imdb.com

metacritic.com

mongrelmedia.com

nytimes.com

rogerebert.com

rollingstone.com

  • Travers, Peter (November 1, 2012). "A Late Quartet". Rolling Stone. Retrieved 2016-09-24.

rottentomatoes.com

the-numbers.com

web.archive.org

  • "A Late Quartet (2012)" Archived 2014-02-19 at the Wayback Machine. ComingSoon.net. Retrieved February 2, 2014.
  • "A Late Quartet Press Kit" (PDF). mongrelmedia.com. Archived from the original (PDF) on 2016-09-24.
  • Piatigorsky, Gregor (1965). Cellist (1st ed.). Archived from the original on September 23, 2015. Retrieved July 7, 2013. The greater was my shame and delight when, a few years later, I met Casals in Paris. We had dinner together and played duets for two cellos, and I played for him until late at night. Spurred by his great warmth, and happy, I confessed what I had thought of his praising me in Berlin. He reacted with sudden anger. He rushed to the cello. 'Listen!' He played a phrase from the Beethoven sonata. 'Didn't you play this fingering? Ah, you did! It was novel to me... it was good... and here, didn't you attack that passage with up-bow, like this?' He demonstrated. He went through Schumann and Bach, always emphasizing all he liked that I had done. 'And for the rest,' he said passionately, 'leave it to the ignorant and stupid who judge by counting only the faults. I can be grateful, and so must you be, for even one note, one wonderful phrase.' I left with the feeling of having been with a great artist and a friend.

worldcat.org

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