Academic art (English Wikipedia)

Accademia delle Arti del Disegno (in Italian). Ministero dei beni e delle attività culturali e del turismo: Direzione Generale per le Biblioteche, gli Istituti Culturali e il Diritto d'Autore. Accessed October 2014.

bnf.fr (Global: 124^th place; English: 544^th place)

gallica.bnf.fr

Testelin 1853, p. 22–36. Testelin, Henri (1853). Mémoires pour servir à l'histoire de l'Académie royale de peinture et de sculpture, depuis 1648 jusqu'en 1664 [Memories to serve in the history of the Royal Academy of Painting and Sculpture from 1648 until 1664] (in French). Vol. I. Paris: P. Jannet.{{cite book}}: CS1 maint: ref duplicates default (link)
Dussieux et al. 1854, p. 216. Dussieux, Louis Etienne; Soulié, Eudore; Mantz, Paul; Montaiglon, Anatole de (1854). Mémoires inédits sur la vie et les ouvrages des membres de l'Académie royale de peinture et de sculpture : publiés d'après les manuscrits conservés à l'Ecole impériale des beaux-arts [Unpublished memoirs on the life and works of members of the Royal Academy of Painting and Sculpture: published from the manuscripts kept at the Imperial School of Fine Arts] (in French). Vol. I. Paris: J.-B. Dumoulin. (Vol. 1 and 2 at Internet Archive, Vol. 1 and 2 at Gallica.)

books.google.com (Global: 3^rd place; English: 3^rd place)

Claudio Strinati, Annibale Carracci (in Italian), Firenze, Giunti Editore, 2001 ISBN 88-09-02051-0
Barasch, Moshe. Theories of Art: From Plato to Winckelmann. Routledge, 2000. p. 330–333
Driskel, Michael Paul. Representing belief: religion, art, and society in nineteenth-century France, Volume 1991. Pennsylvania State University Press, 1992. p. 47–49
Kemp, Martín. The Oxford history of Western art. Oxford University Press US, 2000, p. 218–219
Lavin, Sylvia. Quatremère de Quincy and the invention of a modern language of architecture. Massachusetts Institute of Technology Press, 1992. p. 159–167
Barasch, Moshe. Theories of Art: From Plato to Winckelmann. Routledge, 2000. p. 333–334
Rosenblum, Robert. Transformations in late eighteenth century art. Princeton University Press, 1970. p. 102–103
Doy, Gen. Hidden from Histories: women history painters in the early ninetheenth-century France. In Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. p. 71–85
Fyfe, Gordon. Auditing the RA: official discourse and the ninetheenth-century Royal Academy. in Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. p. 117–128
Barlow, Paul. Fear and loathing of the academic, or just what is it that makes the avant-garde so different, so appealing? in Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century]. Manchester University Press, 2000. p. 17
Vaugham, William. Cultivation and Control: the "Masterclass" and the Düsseldorf Academy in the nineteenth century. Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. p. 150–152
Carmel-Arthur, Judith. Canova and Scarpa in Possagno. In Bryant, Richard; Carmel-Arthur, Judith & Scarpa, Carlo (eds). Carlo Scarpa: Museo Canoviano, Possagno. Volume 22 de Opus Series. Axel Menges, 2002. p. 6–12
Cicognara, conde Leopoldo. Biographical Memoir. In Bohn, Henry G. (ed). The Works of Antonio Canova, in Sculpture and Modelling, engraved in Outline by Henry Moses; with Descriptions by Countess Albrizzi, and a Biographical Memoir by Count Cicognara. London: Henry G. Bohn, 1823. Vol. I, pp. i-vi
Scott, William B. & Rutkoff, Peter M. New York Modern: The Arts and the City. Johns Hopkins University Press, 2001. p. 8–9
Delia Gaze. Concise Dictionary of Women Artists. Routledge; 3 April 2013. ISBN 978-1-136-59901-9. p. 665
Germaine Greer. The Obstacle Race: The Fortunes of Women Painters and Their Work. Tauris Parke Paperbacks; 2 June 2001. ISBN 978-1-86064-677-5. p. 36–37
Pascal Bonafoux, Dictionnaire de la peinture par les peintres (in French), p. 238–239, Perrin, Paris, 2012 ISBN 978-2-262-032784 (read online).
Denis, Rafael Cardoso & Trodd, Colin. Introduction: academic narratives. In Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. p. 2–3
Greenberg, Clement & John O'Brian (editor). The Collected Essays and Criticism: Modernism with a vengeance, 1957-1969. University of Chicago Press, 1995. p. 299
Barlow, Paul. Fear and loathing of the academic, or just what is it that makes the avant-garde so different, so appealing? in Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century]. Manchester University Press, 2000. p. 18
De Duve, Thierry. When Form Has Become Attitude - And Beyond. In Kocur, Zoya & Leung, Simon. Theory in contemporary art since 1985. Wiley-Blackwell, 2005. p. 20–21
Thompson, James Matheson. Twentieth century theories of art. McGill-Queen's Press, 1990. p. 101–102
Denis, Rafael & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. p. 9
Kulka, Tomáš. Kitsch and art. Pennsylvania State University Press, 1996. p. 60
Barlow, Paul. Fear and loathing of the academic, or just what is it that makes the avant-garde so different, so appealing? in Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century]. Manchester University Press, 2000. p. 16–17
Rosenblum, Robert. Transformations in late eighteenth century art. Princeton University Press, 1970. p. 102–107

britannica.com (Global: 40^th place; English: 58^th place)

"Prix de Rome". Encyclopædia Britannica. 7 November 2023.

concordia.ca (Global: 8,706^th place; English: 5,167^th place)

art-history.concordia.ca

Nochlin, Linda. "Why Have There Been No Great Women Artists?" (PDF). Department of Art History, University of Concordia.

galerijamaticesrpske.rs (Global: low place; English: low place)

"Academism of the 19th Century". www.galerijamaticesrpske.rs. Archived from the original on 21 September 2019. Retrieved 15 August 2019.

metmuseum.org (Global: 983^rd place; English: 751^st place)

Jaffee, David. Art and Identity in the British North American Colonies, 1700–1776. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Jaffee, David. Post-Revolutionary America: 1800–1840. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000.
Avery, Kevin J. The Hudson River School. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000.
Tolles, Thayer. American Neoclassical Sculptors Abroad. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Tolles, Thayer. American Bronze Casting. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Peck, Amelia. American Revival Styles, 1840–1876. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Myers, Nicole (September 2008). "Women Artists in Nineteenth–Century France". Metropolitan Museum of Art.

royalcollection.org.uk (Global: 6,979^th place; English: 5,085^th place)

Zoffany, Johan (1771–1772). "The Royal Academicians". The Royal Collection. Retrieved 20 March 2007.

thenational.ae (Global: 1,154^th place; English: 752^nd place)

Kino, Carol (4 March 2004). "Returning the gaze". The National (Abu Dhabi). Archived from the original on 4 March 2016. Retrieved 26 April 2024.

visual-arts-cork.com (Global: low place; English: low place)

Hierarchy of the Genres. Encyclopedia of Irish and World Art

web.archive.org (Global: 1^st place; English: 1^st place)

Kino, Carol (4 March 2004). "Returning the gaze". The National (Abu Dhabi). Archived from the original on 4 March 2016. Retrieved 26 April 2024.
"Academism of the 19th Century". www.galerijamaticesrpske.rs. Archived from the original on 21 September 2019. Retrieved 15 August 2019.

Academic art (English Wikipedia)

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