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Actors of the Comédie-Française (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Actors of the Comédie-Française" in English language version.

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  • "Ватто, Антуан. 1684-1721 Актёры итальянской комедии 1711-1712 гг". Коллекции онлайн (in Russian). State Hermitage Museum. Retrieved November 20, 2020.

jstor.org

  • Zolotov 1985, p. 98; Deryabina 1989, pp. 403–404; Eidelberg 2006, p. 431. Zolotov, Yuri, ed. (1985). Antoine Watteau: Paintings and Drawings from Soviet Museums. Translated by Vladimir Pozner. Leningrad: Aurora Publishers. pp. 8, 11, 98–100, ill. 8–11. OCLC 249485317. Deryabina, Ekaterina (1989). "Antoine Watteau, 1684–1721, Actors of the Comédie-Française". In The Hermitage, Leningrad (ed.). Western European Painting of the 13th to the 18th Centuries. Leningrad: Aurora Art Publishers. pp. 403–404, pl. 249–250. ISBN 5-7300-0066-9 – via the Internet Archive. Eidelberg, Martin (Winter 2006). "Philippe Mercier as a Draftsman". Master Drawings. 44 (4): 411–449. JSTOR 20444473.
  • Eidelberg 1985–1986, p. 104. Eidelberg, Martin (1985–1986). "Review: Watteau, 1684–1721". Master Drawings. 23–24 (1): 102–106. JSTOR 1553790.
  • Charensol, Georges (June 15, 1965). "Les musées de Russie a Bordeaux". Revue des Deux Mondes (in French): 607–613. JSTOR 44590025. De la maturité date Le Retour du Bal, où, pense-t-on, Watteau a groupé autour d'un négrillon, quatre acteurs du Théâtre Français.
  • Charensol, Georges (October 15, 1965). "L'Ermitage au Louvre". Revue des Deux Mondes (in French): 610–616. JSTOR 44591522. Une œuvre aussi médiocre n'avait certainement pas sa place à côté du Retour du Bal qui fut reproduit en gravure sous le titre Coquettes qui pour voir galants au Rendez-Vous, ce qui correspond assez mal au sujet qui montre deux ravissantes filles à mi-corps avec un petit nègre, un personnage de comédie et un père noble son vaste chapeau à la main. Watteau a soit peint des acteurs du Théâtre Français, soit déguisé les membres de la famille Bailly à qui il destinait le tableau. Acquis en 1755 par Crozat il fut acheté à la vente de 1772 par la Grande Catherine.
  • Cailleux 1972, p. 734: "[...] His theatre scenes, including the French Comedians (No. 5) are also the theatre of the Court." Cailleux, Jean (October 1972). "'Watteau and his times' at the Hermitage". The Burlington Magazine. 114 (835): 733–734. JSTOR 877114.
  • Opperman 1988, p. 359: "Watteau's approach to the theater changed with such works as Coquettes qui pour voir galants (no. 29) and Les habits sont italiens (lost) that represent, according to the best available but still unsatisfactory interpretation, portraits of his friends dressed up in theatrical costume to no particular end." Opperman, Hal (June 1988). "Watteau 1684-1721 by Margaret Morgan Grasselli, Pierre Rosenberg and Nicole Parmentier". The Art Bulletin. 70 (2): 354–359. JSTOR 3051127.

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  • These include The Island of Cythera (The Embarkation's preceding work, now in the Städel Museum in Frankfurt), The Dreamer (now in the Art Institute of Chicago), The Polish Woman (copy in the National Museum, Warsaw), and the lost La Polonnoise engraved by Michel Aubert [fr].
  • Grasselli, Rosenberg & Parmantier 1984, pp. 311–312, states that through his sisters Geneviève and Jeanne, Bailly was a brother-in-law to the etcher Simon Philippe Thomassin [fr] and the architect Jean Sylvain Cartaud [fr]. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Du bel âge..., also called Le Concert, is a presumably lost painting that has been published as an etching by Jean Moyreau [fr], announced for sale in the June 1728 issue of Mercure de France; in the Recueil Jullienne, Moyreau's print appears on the same sheet with Benoît Audran the Younger's etching after Les entretiens badins..., a Watteau painting that is also presumed lost. According to Goncourt, Du bel âge... was likely the painting formerly in Vivant Denon's collection, featured on the latter's sale in 1826.[69] According to Dacier and Vuaflart, Du bel âge... and Les entretiens badins... appeared on the market at the Caissotti sale in February 1850; however, it was stated by Eidelberg that the Caissotti painting was a different composition from not likely Du bel âge..., for it featured six figures of commedia dell'arte masks, whilst Du bel âge... has only four.[70][71] Adhémar and Posner dated Du bel âge... c. 1712,[72] while Mathey used a dating not earlier than 1704–1705.[73] Camesasca, who considered Du bel âge... and Les entretiens badins... to be pendants, used a 1710 dating.;[74] translated as Camesasca 1971, p. 100 in the 1980s, Roland Michel dated the lost painting c. 1712–1714, thinking it to be a pendant to The Coquettes.[75][71] Camesasca, Ettore [in Portuguese] (1971). The Complete Paintings of Watteau. Classics of the World's Great Art. New York: Harry N. Abrams. p. 115, cat. no. 162. ISBN 0-8109-5525-3. OCLC 143069 – via the Internet Archive.

de.wikipedia.org

  • Börsch-Supan 2000, p. 47, saying of the composition, states its similarity to these found in Giorgione and Titian's art. Zeri 2000, pp. 26, 45, also mentions the Venetian influence on the half-length representation of figures which, according to Zeri, was unusual to Watteau, bringing out the portrait aspect of the painting. Belova 2006, pp. 58, 60–61 n. 3, defines the composition in what is called "hidden simplicity" of the figures' smooth, circle-based layout, stating that Venetian painting influenced not only the composition of Watteau's painting, but also its later reception; in a footnote, Actors of the Comédie-Française is compared to Titian's painting The Concert, also cited as an example of portrait turned genre painting. Börsch-Supan, Helmut [in German] (2000). Antoine Watteau, 1684-1721. Meister der französischen Kunst (in German). Köln: Könemann. pp. 46–47, ill. 38. ISBN 3-8290-1630-1. OCLC 925262301. Zeri, Federico (2000) [first published in Italian in 1998]. Watteau: The Embarkment for Cythera. One Hundred Paintings. Richmond Hill, Ontario: NDE Pub. pp. 26, 45, 48. ISBN 1-55321-018-2. OCLC 48003550 – via the Internet Archive. Belova, Y. N. (2006). "Аттрибуция изображенных лиц на картине Антуана Ватто "Актёры французского театра" ["Attribution of persons portrayed by Antoine Watteau in his "Actors of Theatre French"]". Экспертиза и атрибуция произведений изобразительного искусства: материалы X научной конференции [Expertise and Attribution of Works of Fine Arts: Materials from the 10th Academic Conference] (in Russian). Moscow: Magnum Ars. pp. 58–63.
  • Zimmermann 1912, p. 186: "Grave par H. S. Thomassin fils (G. 78). Die Zeichnung des Bildes wirkt in der Reproduktion sehr flau. Baron Nikolaus Wrangel von der Ermitage in St. Petersburg war so liebenswürdig, mir mitzuteilen, daß er das Bild für eine Kopie von Mercier halte. Ich selbst konnte das Gemälde nicht untersuchen." Zimmermann, E. Heinrich [in German] (1912). Watteau: des Meisters Werke in 182 Abbildungen. Klassiker der Kunst (in German). Vol. 21. Stuttgart, Leipzig: Deutsche Verlags-Anstalt. Reproduced at p. 122, notes at pp. 190–191. OCLC 561124140 – via the Internet Archive.
  • Börsch-Supan 2000, pp. 46–47. Börsch-Supan, Helmut [in German] (2000). Antoine Watteau, 1684-1721. Meister der französischen Kunst (in German). Köln: Könemann. pp. 46–47, ill. 38. ISBN 3-8290-1630-1. OCLC 925262301.

worldcat.org

search.worldcat.org

  • Zolotov 1973, p. 138, translated into English as Zolotov 1985, p. 98 and Zolotov 1996, p. 88, refers to the owner as N. Bolz which, according to Eidelberg 2019, may be an error in transcription from French to Russian.[49] Zolotov, Y. K., ed. (1973). Антуан Ватто [Antoine Watteau] (album and catalogue) (in Russian). Leningrad: Aurora. pp. 138–140, cat. no. 6. OCLC 46947007. Zolotov, Yuri, ed. (1985). Antoine Watteau: Paintings and Drawings from Soviet Museums. Translated by Vladimir Pozner. Leningrad: Aurora Publishers. pp. 8, 11, 98–100, ill. 8–11. OCLC 249485317. Zolotov, Yuri, ed. (1996). Antoine Watteau: The Master of "Les Fêtes Galantes". Great Painters. Translated by Josephine Bacon. Bournemouth, St. Petersburg: Parkstone Press, Aurora Art Publishers. pp. 86–95, cat. no. 3. ISBN 1-85995-183-X. OCLC 37478254. Eidelberg, Martin (January 2019). "Coquettes qui pour voir". A Watteau Abecedario. Archived from the original on January 31, 2021. Retrieved August 18, 2020.
  • Grasselli, Rosenberg & Parmantier 1984, pp. 311–312, states that through his sisters Geneviève and Jeanne, Bailly was a brother-in-law to the etcher Simon Philippe Thomassin [fr] and the architect Jean Sylvain Cartaud [fr]. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Hermitage Museum 1958, p. 270, and Nemilova 1964, p. 182, date The Coquettes c. 1712. Nemilova 1970, p. 156, Hermitage Museum 1976, p. 189, and subsequent iterations of Nemilova's research (Zolotov 1973, pp. 139–140, translated into English as Zolotov 1985, p. 100 and Zolotov 1996, p. 88; Nemilova 1982, p. 133, cat. no. 45, reiterated as Nemilova 1985b, p. 445, cat. no. 348; Nemilova 1985a, p. 222), maintain a c. 1711–1712 dating. Claims of Nemilova's other or changed datings, notably claimed by Camesasca, and later during the Bordeaux exhibition of 1980,[67] are considered to be incorrect.[68] Hermitage Museum, Leningrad (1958). Отдел западноевропейского искусства: Каталог живописи: в 2 т. Vol. 1. Leningrad, Moscow: Iskusstvo Publishing House. p. 270. OCLC 50467017. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342. Nemilova, I. S. (1970). "Картина Ватто «Актёры французской комедии» и проблема портрета в творчестве художника [Watteau's painting Actors of the Comédie-Française and the matter of portrait in the artist's work]". In Izergina, A. N.; Nikulin, N. N. (eds.). Западноевропейское искусство [Western European Art] (in Russian). Leningrad: Aurora. pp. 145–157. OCLC 837241769. Hermitage Museum, Leningrad (1976). Западноевропейская живопись: в 2 т. Vol. 1. Leningrad: Aurora. p. 189. OCLC 995091183. Zolotov, Y. K., ed. (1973). Антуан Ватто [Antoine Watteau] (album and catalogue) (in Russian). Leningrad: Aurora. pp. 138–140, cat. no. 6. OCLC 46947007. Zolotov, Yuri, ed. (1985). Antoine Watteau: Paintings and Drawings from Soviet Museums. Translated by Vladimir Pozner. Leningrad: Aurora Publishers. pp. 8, 11, 98–100, ill. 8–11. OCLC 249485317. Zolotov, Yuri, ed. (1996). Antoine Watteau: The Master of "Les Fêtes Galantes". Great Painters. Translated by Josephine Bacon. Bournemouth, St. Petersburg: Parkstone Press, Aurora Art Publishers. pp. 86–95, cat. no. 3. ISBN 1-85995-183-X. OCLC 37478254. Nemilova, I. S. (1982). Французская живопись XVIII века в Эрмитаже (La peinture française du XVIIIe siècle, Musée de L'Ermitage: catalogue raisonné) [French Painting of the 18th centrty in the Hermitage Museum: Scientific Catalogue]. Leningrad: Iskusstvo. pp. 130–134, cat. no. 45. OCLC 63466759. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528. Nemilova, I. S. (1985a). Французская живопись XVIII века [French Painting of the 18th Century]. Государственный Эрмитаж. Собрание живописи (in Russian). Moscow: Izobrazitel'noe iskusstvo. pp. 242–243, ill. 35. OCLC 878889718.
  • Du bel âge..., also called Le Concert, is a presumably lost painting that has been published as an etching by Jean Moyreau [fr], announced for sale in the June 1728 issue of Mercure de France; in the Recueil Jullienne, Moyreau's print appears on the same sheet with Benoît Audran the Younger's etching after Les entretiens badins..., a Watteau painting that is also presumed lost. According to Goncourt, Du bel âge... was likely the painting formerly in Vivant Denon's collection, featured on the latter's sale in 1826.[69] According to Dacier and Vuaflart, Du bel âge... and Les entretiens badins... appeared on the market at the Caissotti sale in February 1850; however, it was stated by Eidelberg that the Caissotti painting was a different composition from not likely Du bel âge..., for it featured six figures of commedia dell'arte masks, whilst Du bel âge... has only four.[70][71] Adhémar and Posner dated Du bel âge... c. 1712,[72] while Mathey used a dating not earlier than 1704–1705.[73] Camesasca, who considered Du bel âge... and Les entretiens badins... to be pendants, used a 1710 dating.;[74] translated as Camesasca 1971, p. 100 in the 1980s, Roland Michel dated the lost painting c. 1712–1714, thinking it to be a pendant to The Coquettes.[75][71] Camesasca, Ettore [in Portuguese] (1971). The Complete Paintings of Watteau. Classics of the World's Great Art. New York: Harry N. Abrams. p. 115, cat. no. 162. ISBN 0-8109-5525-3. OCLC 143069 – via the Internet Archive.
  • Nemilova 1985b, p. 444. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528.
  • Zolotov 1985, p. 98; Deryabina 1989, pp. 403–404; Eidelberg 2006, p. 431. Zolotov, Yuri, ed. (1985). Antoine Watteau: Paintings and Drawings from Soviet Museums. Translated by Vladimir Pozner. Leningrad: Aurora Publishers. pp. 8, 11, 98–100, ill. 8–11. OCLC 249485317. Deryabina, Ekaterina (1989). "Antoine Watteau, 1684–1721, Actors of the Comédie-Française". In The Hermitage, Leningrad (ed.). Western European Painting of the 13th to the 18th Centuries. Leningrad: Aurora Art Publishers. pp. 403–404, pl. 249–250. ISBN 5-7300-0066-9 – via the Internet Archive. Eidelberg, Martin (Winter 2006). "Philippe Mercier as a Draftsman". Master Drawings. 44 (4): 411–449. JSTOR 20444473.
  • Nemilova 1964, p. 181; Grasselli, Rosenberg & Parmantier 1984, p. 311. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Börsch-Supan 2000, p. 47, saying of the composition, states its similarity to these found in Giorgione and Titian's art. Zeri 2000, pp. 26, 45, also mentions the Venetian influence on the half-length representation of figures which, according to Zeri, was unusual to Watteau, bringing out the portrait aspect of the painting. Belova 2006, pp. 58, 60–61 n. 3, defines the composition in what is called "hidden simplicity" of the figures' smooth, circle-based layout, stating that Venetian painting influenced not only the composition of Watteau's painting, but also its later reception; in a footnote, Actors of the Comédie-Française is compared to Titian's painting The Concert, also cited as an example of portrait turned genre painting. Börsch-Supan, Helmut [in German] (2000). Antoine Watteau, 1684-1721. Meister der französischen Kunst (in German). Köln: Könemann. pp. 46–47, ill. 38. ISBN 3-8290-1630-1. OCLC 925262301. Zeri, Federico (2000) [first published in Italian in 1998]. Watteau: The Embarkment for Cythera. One Hundred Paintings. Richmond Hill, Ontario: NDE Pub. pp. 26, 45, 48. ISBN 1-55321-018-2. OCLC 48003550 – via the Internet Archive. Belova, Y. N. (2006). "Аттрибуция изображенных лиц на картине Антуана Ватто "Актёры французского театра" ["Attribution of persons portrayed by Antoine Watteau in his "Actors of Theatre French"]". Экспертиза и атрибуция произведений изобразительного искусства: материалы X научной конференции [Expertise and Attribution of Works of Fine Arts: Materials from the 10th Academic Conference] (in Russian). Moscow: Magnum Ars. pp. 58–63.
  • Grasselli, Rosenberg & Parmantier 1984, p. 313: "Through the strange hairstyles, ruffs, and costumes, painted with little touches in the style of Le Nain, Watteau holds our attention." Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Barker 1939, pp. 133–134, names The Coquettes among works that "are all more or less influenced by Gillot, some of whose figures Watteau has introduced unchanged into his pictures." Barker, G. W. (1939). Antoine Watteau. London: Duckworth. pp. 133–34. OCLC 556817570.
  • Grasselli, Rosenberg & Parmantier 1984, p. 312; Shvartsman 2013, p. 26. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive. Shvartsman, N. A. (2013). Грёзы и миражи в садах Версаля [Dreams and Mirages in the Gardens of Versailles] (in Russian). Moscow: Belyi gorod. ISBN 978-5-7793-4400-5.
  • Parker & Mathey 1957–1958, p. 11, vol. 1, cat. no. 64; Rosenberg & Prat 1996, p. 120, vol. 1, cat. no. 75. Parker, Karl T. & Mathey, Jacques (1957–1958). Antoine Watteau: catalogue complet de son oeuvre dessiné. Paris: F. de Nobèle. OCLC 2039948. Rosenberg, Pierre; Prat, Louis-Antoine (1996). Antoine Watteau: catalogue raisonné des dessins (in French). Paris: Gallimard-Electa. ISBN 2-07-015043-7. OCLC 463981169.
  • Nemilova 1989, p. 146; Eidelberg 2019. Nemilova, I. S. (1989) [1973]. Загадки старых картин [Enigmas of Old Masters] (in Russian) (3rd ed.). Moscow: Izobrazitel'noe iskusstvo. ISBN 5-85200-017-5. OCLC 909190011. Eidelberg, Martin (January 2019). "Coquettes qui pour voir". A Watteau Abecedario. Archived from the original on January 31, 2021. Retrieved August 18, 2020.
  • Grasselli, Rosenberg & Parmantier 1984, pp. 89, 313. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Nemilova 1989, pp. 142, 144; Shvartsman 2013, p. 46; Eidelberg 2019. Nemilova, I. S. (1989) [1973]. Загадки старых картин [Enigmas of Old Masters] (in Russian) (3rd ed.). Moscow: Izobrazitel'noe iskusstvo. ISBN 5-85200-017-5. OCLC 909190011. Shvartsman, N. A. (2013). Грёзы и миражи в садах Версаля [Dreams and Mirages in the Gardens of Versailles] (in Russian). Moscow: Belyi gorod. ISBN 978-5-7793-4400-5. Eidelberg, Martin (January 2019). "Coquettes qui pour voir". A Watteau Abecedario. Archived from the original on January 31, 2021. Retrieved August 18, 2020.
  • Zolotov 1968, p. 30; Zolotov 1984, p. 65. Zolotov, Y. K. [in Russian] (1968). Французский портрет XVIII века [French Portrait in the Eighteenth Century]. Moscow: Iskusstvo. pp. 28, 30. OCLC 567935709. Zolotov, Yuri (November 1984). "Ватто: художественная традиция и творческая индивидуальность". Iskusstvo (in Russian). pp. 58–66. ISSN 0130-2523.
  • Nemilova 1964, p. 181; Nemilova 1985b, p. 444. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528.
  • Parker & Mathey 1957–1958, p. 309, cat. no. 541. Parker, Karl T. & Mathey, Jacques (1957–1958). Antoine Watteau: catalogue complet de son oeuvre dessiné. Paris: F. de Nobèle. OCLC 2039948.
  • Rosenberg & Prat 1996, p. 1308, vol. 3, cat. no. R591. Rosenberg, Pierre; Prat, Louis-Antoine (1996). Antoine Watteau: catalogue raisonné des dessins (in French). Paris: Gallimard-Electa. ISBN 2-07-015043-7. OCLC 463981169.
  • Montagni 1968, p. 113, translated as Camesasca 1971, p. 115: "[...] Nor does it reveal Watteau's swiftness of execution. But this may be a result of too drastic cleaning or restoration;" Zeri 2000, p. 26: "Similar to many other Watteau paintings, this one has undergone repaintings which have altered their quality;" Eidelberg 2019: "Despite losses and restorations, it is in remarkably good condition." Montagni, E. C. (1968). L'opera completa di Watteau. Classici dell'arte (in Italian). Vol. 21. Milano: Rizzoli. p. 113; cat. no. 162; colorpl. XXIV. OCLC 1006284992. For the English edition, see Camesasca 1971. Camesasca, Ettore [in Portuguese] (1971). The Complete Paintings of Watteau. Classics of the World's Great Art. New York: Harry N. Abrams. p. 115, cat. no. 162. ISBN 0-8109-5525-3. OCLC 143069 – via the Internet Archive. Zeri, Federico (2000) [first published in Italian in 1998]. Watteau: The Embarkment for Cythera. One Hundred Paintings. Richmond Hill, Ontario: NDE Pub. pp. 26, 45, 48. ISBN 1-55321-018-2. OCLC 48003550 – via the Internet Archive. Eidelberg, Martin (January 2019). "Coquettes qui pour voir". A Watteau Abecedario. Archived from the original on January 31, 2021. Retrieved August 18, 2020.
  • Nemilova 1964, p. 181. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342.
  • Nemilova 1985b, p. 444; Zolotov 1985, p. 98. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528. Zolotov, Yuri, ed. (1985). Antoine Watteau: Paintings and Drawings from Soviet Museums. Translated by Vladimir Pozner. Leningrad: Aurora Publishers. pp. 8, 11, 98–100, ill. 8–11. OCLC 249485317.
  • Dacier & Vuaflart 1922b, p. 23. Dacier, Émile; Vuaflart, Albert (1922b). "Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. III. Catalogue". Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle (in French). Paris: M. Rousseau. pp. 23, 66, 134; cat. nos. 36, 333. doi:10.11588/DIGLIT.41977. OCLC 1039156495.
  • Montagni 1968, p. 113, translated as Camesasca 1971, p. 115. Montagni, E. C. (1968). L'opera completa di Watteau. Classici dell'arte (in Italian). Vol. 21. Milano: Rizzoli. p. 113; cat. no. 162; colorpl. XXIV. OCLC 1006284992. For the English edition, see Camesasca 1971. Camesasca, Ettore [in Portuguese] (1971). The Complete Paintings of Watteau. Classics of the World's Great Art. New York: Harry N. Abrams. p. 115, cat. no. 162. ISBN 0-8109-5525-3. OCLC 143069 – via the Internet Archive.
  • Nemilova 1964, pp. 81, 181; Nemilova 1970, pp. 145–146; Nemilova 1989, p. 133. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342. Nemilova, I. S. (1970). "Картина Ватто «Актёры французской комедии» и проблема портрета в творчестве художника [Watteau's painting Actors of the Comédie-Française and the matter of portrait in the artist's work]". In Izergina, A. N.; Nikulin, N. N. (eds.). Западноевропейское искусство [Western European Art] (in Russian). Leningrad: Aurora. pp. 145–157. OCLC 837241769. Nemilova, I. S. (1989) [1973]. Загадки старых картин [Enigmas of Old Masters] (in Russian) (3rd ed.). Moscow: Izobrazitel'noe iskusstvo. ISBN 5-85200-017-5. OCLC 909190011.
  • Hédouin, P. (November 30, 1845). "Watteau: catalogue de son oeuvre". L'Artiste. pp. 78–80 – via Gallica. See also Hédouin 1856, p. 97, cat. no. 30 Hédouin, Pierre (1856). Mosaïque. Peintres, musiciens, littérateurs, artistes dramatiques à partir du 15e siècle jusqu'à nos jours. Paris: Heugel. p. 97, cat. no. 30. OCLC 1157159285 – via the Internet Archive.
  • Grasselli, Rosenberg & Parmantier 1984, pp. 312–313; Eidelberg 2019: "Beginning with Edmond de Goncourt, it has become customary to assign the painting the awkward name of Coquettes qui pour voir, the opening words of the two quatrains that appears under the Thomassin engraving." Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive. Eidelberg, Martin (January 2019). "Coquettes qui pour voir". A Watteau Abecedario. Archived from the original on January 31, 2021. Retrieved August 18, 2020.
  • Grasselli, Rosenberg & Parmantier 1984, p. 477. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Nemilova 1970, p. 156; Nemilova 1989, p. 152. Nemilova, I. S. (1970). "Картина Ватто «Актёры французской комедии» и проблема портрета в творчестве художника [Watteau's painting Actors of the Comédie-Française and the matter of portrait in the artist's work]". In Izergina, A. N.; Nikulin, N. N. (eds.). Западноевропейское искусство [Western European Art] (in Russian). Leningrad: Aurora. pp. 145–157. OCLC 837241769. Nemilova, I. S. (1989) [1973]. Загадки старых картин [Enigmas of Old Masters] (in Russian) (3rd ed.). Moscow: Izobrazitel'noe iskusstvo. ISBN 5-85200-017-5. OCLC 909190011.
  • Josz 1903, pp. 329–330; Josz 1904, p. 146. Josz, Virgile (1903). Watteau. Moeurs du XVIIIe siècle (in French). Paris: Société du Mercure de France. OCLC 900757508 – via Google Books. Josz, Virgile (1904). Antoine Watteau (in French). Paris: H. Piazza et cie. pp. 117 (reproduction of Thomassin's print), 146, 222. OCLC 963518006 – via the Internet Archive.
  • Benois 1908, p. 729; translated into French as Benois 1910, p. 114: "D'un tout autre genre est un petit tableau de Watteau connu dans la gravure sous le nom «Les Coquettes». Le coloris n'en est pas recherché, mais les characters d'Isabelle la rusée, du stupide Pantalon, de la gaie Rosaure et du fourbe Scapin sont rendus avec amour et une grande finessee." Benois, A. N. (November–December 1908). "Живопись эпохи барокко и рококо" [Painting of the Age of Baroque and Rococo]. 1908: Выставка картин. Старые годы (in Russian). pp. 720–734 – via the Internet Archive. Benois, Alexandre (1910). "La Peinture Française, Italienne et Anglaise aux xviie et xviiie siècles". In Weiner, P. P. [in Russian] (ed.). Les Anciennes écoles de peinture dans les palais et collections privées russes, représentées à l'exposition organisée à St.- Pétersbourg en 1909 par la revue d'art ancien "Staryé gody". Bruxelles: G. van Oest. pp. 105–119. OCLC 697960157 – via the Internet Archive.
  • Miller 1923, p. 59 Miller, V. F. (1923). "Французская живопись XVII-го и XVIII-го в.в. в новых залах Эрмитажа". Город (in Russian). No. 1. pp. 52–78. OCLC 32361994.
  • Hermitage Museum 1958, p. 270. Hermitage Museum, Leningrad (1958). Отдел западноевропейского искусства: Каталог живописи: в 2 т. Vol. 1. Leningrad, Moscow: Iskusstvo Publishing House. p. 270. OCLC 50467017.
  • Baldini 1970, p. 109: "Antoine Watteau: The Comedians. Wood. 20 × 25 cm. This group of theatrical actors, a work that originates from the Crozat Collection, excels by reason of the individuality of the portraits it contains. Here, in contrast to his imaginary theatre scenes, the artist's intention is to achieve true likenesses of these actors of the commedia dell'arte who are obviously still full of the roles they have played. The technical accomplishmment underlines the liveliness of the figures and has all the freshness of a sketch done from life." Baldini, Umberto (1970) [first published in Italian in 1966]. The Hermitage, Leningrad. Great Galleries of the World. Translated by James Brockway. New York: Newsweek. p. 109. OCLC 92662 – via the Internet Archive.
  • Nemilova 1964, pp. 81, 181; Grasselli, Rosenberg & Parmantier 1984, p. 312; Nemilova 1989, p. 133. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive. Nemilova, I. S. (1989) [1973]. Загадки старых картин [Enigmas of Old Masters] (in Russian) (3rd ed.). Moscow: Izobrazitel'noe iskusstvo. ISBN 5-85200-017-5. OCLC 909190011.
  • Adhémar 1950, p. 119: "[...] tandis que Mlle Desmares, coiffée d'un grand bonnet d'orientale, figure dans les Coquettes; elle aurait prête aussi ses traits à la figure centrale de L'Embarkment." Adhémar, Hélène (1950). Watteau; sa vie, son oeuvre (in French). Paris: P. Tisné. pp. 119, 220, cat. no. 154, pl. 84. OCLC 853537.
  • Mongrédien, Georges (1972) [1961]. Dictionnaire biographique des comédiens français du XVIIe siècle (in French). Paris: Centre national de la recherche scientifique. pp. 107–108. OCLC 654213036 – via the Internet Archive.
  • Grasselli, Rosenberg & Parmantier 1984, p. 478 Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Zolotov 1973, p. 139; Nemilova 1982, pp. 131–133; Nemilova 1989, pp. 137–138, 140, 142, 144, 146. Zolotov, Y. K., ed. (1973). Антуан Ватто [Antoine Watteau] (album and catalogue) (in Russian). Leningrad: Aurora. pp. 138–140, cat. no. 6. OCLC 46947007. Nemilova, I. S. (1982). Французская живопись XVIII века в Эрмитаже (La peinture française du XVIIIe siècle, Musée de L'Ermitage: catalogue raisonné) [French Painting of the 18th centrty in the Hermitage Museum: Scientific Catalogue]. Leningrad: Iskusstvo. pp. 130–134, cat. no. 45. OCLC 63466759. Nemilova, I. S. (1989) [1973]. Загадки старых картин [Enigmas of Old Masters] (in Russian) (3rd ed.). Moscow: Izobrazitel'noe iskusstvo. ISBN 5-85200-017-5. OCLC 909190011.
  • Nemilova 1964, pp. 86–87, 91. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342.
  • Nemilova 1985b, pp. 444–445. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528.
  • Josz 1903, p. 328, reiterated as Josz 1904, p. 146; cited in Benois 1908, p. 729, translated into French as Benois 1910, p. 114. Josz, Virgile (1903). Watteau. Moeurs du XVIIIe siècle (in French). Paris: Société du Mercure de France. OCLC 900757508 – via Google Books. Josz, Virgile (1904). Antoine Watteau (in French). Paris: H. Piazza et cie. pp. 117 (reproduction of Thomassin's print), 146, 222. OCLC 963518006 – via the Internet Archive. Benois, A. N. (November–December 1908). "Живопись эпохи барокко и рококо" [Painting of the Age of Baroque and Rococo]. 1908: Выставка картин. Старые годы (in Russian). pp. 720–734 – via the Internet Archive. Benois, Alexandre (1910). "La Peinture Française, Italienne et Anglaise aux xviie et xviiie siècles". In Weiner, P. P. [in Russian] (ed.). Les Anciennes écoles de peinture dans les palais et collections privées russes, représentées à l'exposition organisée à St.- Pétersbourg en 1909 par la revue d'art ancien "Staryé gody". Bruxelles: G. van Oest. pp. 105–119. OCLC 697960157 – via the Internet Archive.
  • Stuffmann 1968, p. 135. Stuffmann, Margret (July–September 1968). "Les tableaux de la collection de Pierre Crozat: historique et destinée d'un ensemble célèbre établis en partant d'un inventaire après décès inédit 30 mai 1740". Gazette des Beaux-Arts (in French). 72: 11–144. OCLC 888303109.
  • Marishkina, V. F. (2017). Фотограф Императорского Эрмитажа [Photographer of the Imperial Hermitage] (in Russian). Saint Petersburg: The State Hermitage Publishers. pp. 72–73. ISBN 978-5-93572-732-1. OCLC 1022848562.
  • Nemilova 1964, pp. 28–29, 182. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342.
  • Zimmermann 1912, p. 186: "Grave par H. S. Thomassin fils (G. 78). Die Zeichnung des Bildes wirkt in der Reproduktion sehr flau. Baron Nikolaus Wrangel von der Ermitage in St. Petersburg war so liebenswürdig, mir mitzuteilen, daß er das Bild für eine Kopie von Mercier halte. Ich selbst konnte das Gemälde nicht untersuchen." Zimmermann, E. Heinrich [in German] (1912). Watteau: des Meisters Werke in 182 Abbildungen. Klassiker der Kunst (in German). Vol. 21. Stuttgart, Leipzig: Deutsche Verlags-Anstalt. Reproduced at p. 122, notes at pp. 190–191. OCLC 561124140 – via the Internet Archive.
  • Ferré, Jean, ed. (1972). Watteau. Vol. 1. Madrid: Éditions Athena. vol. 1 pp. 151–152, vol. 3 p. 966; cat. no. B32. OCLC 906101135.
  • Nemilova 1964, pp. 28–29, 166 n. 4, 181; Nemilova 1982, p. 133; Grasselli, Rosenberg & Parmantier 1984, pp. 311–312. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342. Nemilova, I. S. (1982). Французская живопись XVIII века в Эрмитаже (La peinture française du XVIIIe siècle, Musée de L'Ermitage: catalogue raisonné) [French Painting of the 18th centrty in the Hermitage Museum: Scientific Catalogue]. Leningrad: Iskusstvo. pp. 130–134, cat. no. 45. OCLC 63466759. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Bordeaux 1980, p. 110: "La date d'exécution de ce tableau est assez imprécise." Galerie des Beaux-Arts, Bordeaux (1980). Les Arts du théâtre de Watteau à Fragonard (exhibition catalogue) (in French). Bordeaux: Galerie des Beaux-Arts. pp. 12, 45, 110–111; cat. no. 67. OCLC 606308317.
  • Adhémar 1950, p. 220, cat. no. 154. Adhémar, Hélène (1950). Watteau; sa vie, son oeuvre (in French). Paris: P. Tisné. pp. 119, 220, cat. no. 154, pl. 84. OCLC 853537.
  • Nemilova 1982, p. 133, cat. no. 45, reiterated as Nemilova 1985b, p. 445, cat. no. 348, records Sterling's dating as 1713–1717. Nemilova, I. S. (1982). Французская живопись XVIII века в Эрмитаже (La peinture française du XVIIIe siècle, Musée de L'Ermitage: catalogue raisonné) [French Painting of the 18th centrty in the Hermitage Museum: Scientific Catalogue]. Leningrad: Iskusstvo. pp. 130–134, cat. no. 45. OCLC 63466759. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528.
  • Mathey 1959, p. 68. Mathey, Jacques (1959). Antoine Watteau. Peintures réapparues inconnues ou négligées par les historiens (in French). Paris: F. de Nobele. p. 68. OCLC 954214682.
  • Montagni 1968, p. 113; translated as Camesasca 1971, p. 115; Bordeaux 1980, p. 110 Montagni, E. C. (1968). L'opera completa di Watteau. Classici dell'arte (in Italian). Vol. 21. Milano: Rizzoli. p. 113; cat. no. 162; colorpl. XXIV. OCLC 1006284992. For the English edition, see Camesasca 1971. Camesasca, Ettore [in Portuguese] (1971). The Complete Paintings of Watteau. Classics of the World's Great Art. New York: Harry N. Abrams. p. 115, cat. no. 162. ISBN 0-8109-5525-3. OCLC 143069 – via the Internet Archive. Galerie des Beaux-Arts, Bordeaux (1980). Les Arts du théâtre de Watteau à Fragonard (exhibition catalogue) (in French). Bordeaux: Galerie des Beaux-Arts. pp. 12, 45, 110–111; cat. no. 67. OCLC 606308317.
  • Nemilova 1985b, p. 445; Zolotov 1985, p. 100. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528. Zolotov, Yuri, ed. (1985). Antoine Watteau: Paintings and Drawings from Soviet Museums. Translated by Vladimir Pozner. Leningrad: Aurora Publishers. pp. 8, 11, 98–100, ill. 8–11. OCLC 249485317.
  • Goncourt 1875, pp. 161–162. Goncourt, Edmond de (1875). Catalogue raisonné de l'oeuvre peint, dessiné et gravé d'Antoine Watteau. Paris: Rapilly. pp. 74–75, cat. no. 78. OCLC 1041772738 – via the Internet Archive.
  • Dacier & Vuaflart 1922a, p. 45. Dacier, Émile; Vuaflart, Albert (1922a). "Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. II. Historique". Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle (in French). Paris: M. Rousseau. pp. 23, 68–69, 91–92, 99, 101, 136, 148–149. doi:10.11588/DIGLIT.41976. OCLC 1039156495.
  • Adhémar 1950, p. 210, cat. no. 84, pl. 37; Posner 1984, p. 290. Adhémar, Hélène (1950). Watteau; sa vie, son oeuvre (in French). Paris: P. Tisné. pp. 119, 220, cat. no. 154, pl. 84. OCLC 853537. Posner, Donald (1984). Antoine Watteau. London: Weidenfeld & Nicolson. p. 290. ISBN 0-8014-1571-3. OCLC 10736607 – via the Internet Archive.
  • Mathey 1959, p. 66. Mathey, Jacques (1959). Antoine Watteau. Peintures réapparues inconnues ou négligées par les historiens (in French). Paris: F. de Nobele. p. 68. OCLC 954214682.
  • Montagni 1968, p. 98; Montagni, E. C. (1968). L'opera completa di Watteau. Classici dell'arte (in Italian). Vol. 21. Milano: Rizzoli. p. 113; cat. no. 162; colorpl. XXIV. OCLC 1006284992. For the English edition, see Camesasca 1971.
  • Roland Michel 1980, pp. 42, 44, cat. no. 119. Roland Michel, Marianne (1980). Antoine Watteau: das Gesamtwerk (in German). Translated by Rudolf Kimmig. Frankfurt: Ullstein. pp. 14–15, 42, cat. no. 118. ISBN 3-548-36019-X. OCLC 69202887 – via the Internet Archive.
  • Nemilova 1964, p. 182; Nemilova 1970, p. 156; Nemilova 1985b, p. 445. Nemilova, I. S. (1964). Ватто и его произведения в Эрмитаже (Watteau et son œuvre à l'Ermitage) [Watteau and His Works in the Hermitage] (in Russian). Leningrad: Sovetskiy hudozhnik. OCLC 67871342. Nemilova, I. S. (1970). "Картина Ватто «Актёры французской комедии» и проблема портрета в творчестве художника [Watteau's painting Actors of the Comédie-Française and the matter of portrait in the artist's work]". In Izergina, A. N.; Nikulin, N. N. (eds.). Западноевропейское искусство [Western European Art] (in Russian). Leningrad: Aurora. pp. 145–157. OCLC 837241769. Nemilova, I. S. (1985b). A. S. Kantor-Gukovskaya (ed.). Французская живопись. XVIII век [French Painting: the 18th Century]. Государственный Эрмитаж. Собрание западноевропейской живописи: научный каталог в 16 томах. Vol. 10. Leningrad: Iskusstvo. pp. 444–445, cat. no. 348. OCLC 22896528.
  • Posner 1984, p. 290; Zeri 2000, pp. 26, 45, 48. Posner, Donald (1984). Antoine Watteau. London: Weidenfeld & Nicolson. p. 290. ISBN 0-8014-1571-3. OCLC 10736607 – via the Internet Archive. Zeri, Federico (2000) [first published in Italian in 1998]. Watteau: The Embarkment for Cythera. One Hundred Paintings. Richmond Hill, Ontario: NDE Pub. pp. 26, 45, 48. ISBN 1-55321-018-2. OCLC 48003550 – via the Internet Archive.
  • Roland Michel 1984, p. 217: "Inna Namilova [sic] datait cette œuvre de 1710–1712, ce qui semble très tôt si l'on tient compte du traitement des personnages et surtout de l'étude psychologique des physionomies, dans lesquelles on a voulu reconnaître des portraits de Mlle Desmares, de La Thorillière et d'autres comédiens; nous inclinons à en retarder l'exécution jusque vers 1714–1715." Roland Michel, Marianne (1984). Watteau: un artiste au XVIII-e siècle. Paris: Flammarion. pp. 216–217, 305; ill. 215. ISBN 0-86294-049-4. OCLC 417153549.
  • Grasselli, Rosenberg & Parmantier 1984, p. 312. Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Vidal 1992, pp. 146–147. Vidal, Mary (1992). Watteau's Painted Conversations: Art, Literature, and Talk in Seventeenth- and Eighteenth-Century France. New Haven, London: Yale University Press. pp. 146–147, fig. 142. ISBN 0-300-05480-7. OCLC 260176725.
  • Börsch-Supan 2000, pp. 46–47. Börsch-Supan, Helmut [in German] (2000). Antoine Watteau, 1684-1721. Meister der französischen Kunst (in German). Köln: Könemann. pp. 46–47, ill. 38. ISBN 3-8290-1630-1. OCLC 925262301.
  • Temperini 2002, p. 145, cat. no. 77. Temperini, Renaud (2002). Watteau. Maîtres de l'art (in French). Paris: Gallimard. pp. 79, 145; cat. no. 77. ISBN 978-2-07-011686-7. OCLC 300225840.
  • Dacier & Vuaflart 1922a, p. 148; Roland Michel 1986, p. 55. Dacier, Émile; Vuaflart, Albert (1922a). "Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. II. Historique". Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle (in French). Paris: M. Rousseau. pp. 23, 68–69, 91–92, 99, 101, 136, 148–149. doi:10.11588/DIGLIT.41976. OCLC 1039156495. Roland Michel, Marianne (1986). "Watteau and England". In Hind, Charles (ed.). The Rococo in England. London: Victoria and Albert Museum. pp. 46–59. ISBN 0-948107-37-5. OCLC 18588917.
  • Dacier & Vuaflart 1922b, p. 23; Eidelberg 2019. Dacier, Émile; Vuaflart, Albert (1922b). "Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. III. Catalogue". Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle (in French). Paris: M. Rousseau. pp. 23, 66, 134; cat. nos. 36, 333. doi:10.11588/DIGLIT.41977. OCLC 1039156495. Eidelberg, Martin (January 2019). "Coquettes qui pour voir". A Watteau Abecedario. Archived from the original on January 31, 2021. Retrieved August 18, 2020.
  • Maurouard, Elvire Jean-Jacques (2005). Les beautés noires de Baudelaire. Paris: Karthala. p. 158. ISBN 2-84586-651-8. OCLC 1078667797 – via Google Books.
  • Le Blanc, Charles (1854–1890). Manuel de l'amateur d'estampes (in French). Vol. 3. Paris: E. Bouillon. p. 521. OCLC 793563927 – via the Internet Archive. 190. Mascarade, cinq figures : Watteau. In-fol.
  • Smith, John Chaloner (1884). British Mezzotinto Portraits. Vol. 3. London: H. Sotheran. p. 1129. OCLC 679810041 – via the Internet Archive. 175. Masquerade. Watteau. Group of five figures, T. Q. L., lady in centre, holding out her dress, bust in grove in background to left. Under, Watteau Pinx. I. Simon fecit., 8 verses. In this small ——— Vertue lost. H. 14 ; Sub. 12 5⁄8 ; W. 9 7⁄8.
  • Smith, John Chaloner (1883). British Mezzotinto Portraits. Vol. 4. London: H. Sotheran. p. 1863. OCLC 1041620630 – via the Internet Archive. 175a. Companion. ID. Group of five figures, T. Q. L., black boy in centre, lady with mask to left. Under, Watteau pinxt. J. Simon fec et ex. (8 verses.) Past the delights —Spouse adorns. Same dimensions as 175.
  • Dacier & Vuaflart 1922b, pp. 23, 134. Dacier, Émile; Vuaflart, Albert (1922b). "Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. III. Catalogue". Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle (in French). Paris: M. Rousseau. pp. 23, 66, 134; cat. nos. 36, 333. doi:10.11588/DIGLIT.41977. OCLC 1039156495.
  • Lemoyne de Forges, Marie-Thérèse, ed. (1965). Chefs-d'oeuvre de la peinture française dans les musées de Léningrad et de Moscou (exhibition catalogue). Paris: Ministère d'État des affaires culturelles. pp. XV, 108–109; cat. no. 41. OCLC 1138863.
  • Hermitage Museum, Leningrad (1972). Ватто и его время. Leningrad: Avrora. pp. 12, 21. OCLC 990348938.
  • Bordeaux 1980, p. 110. Galerie des Beaux-Arts, Bordeaux (1980). Les Arts du théâtre de Watteau à Fragonard (exhibition catalogue) (in French). Bordeaux: Galerie des Beaux-Arts. pp. 12, 45, 110–111; cat. no. 67. OCLC 606308317.
  • Deryabina, E. V. (1987). "Антуан Ватто. 300 лет со дня рождения". Сообщения Государственного Эрмитажа (in Russian). 52: 75. ISSN 0132-1501.
  • "Художественная жизнь Советского Союза: июнь, июль, август". Iskusstvo (in Russian). November 1984. pp. 76–79. ISSN 0130-2523.