Additive synthesis (English Wikipedia)

Cosimi, Enrico (20 May 2009). "EMS Story - Prima Parte" [EMS Story - Part One]. Audio Accordo.it (in Italian). Archived from the original on 22 May 2009. Retrieved 21 January 2012.

acm.org (Global: 1,200^th place; English: 821^st place)

dl.acm.org

Adrien, Jean-Marie (1991). "The missing link: modal synthesis". In Giovanni de Poli; Aldo Piccialli; Curtis Roads (eds.). Representations of Musical Signals. Cambridge, MA: MIT Press. pp. 269–298. ISBN 978-0-262-04113-3.

adsabs.harvard.edu (Global: 14^th place; English: 9^th place)

ui.adsabs.harvard.edu

Cooper, F. S.; Liberman, A. M.; Borst, J. M. (May 1951). "The interconversion of audible and visible patterns as a basis for research in the perception of speech". Proc. Natl. Acad. Sci. U.S.A. 37 (5): 318–25. Bibcode:1951PNAS...37..318C. doi:10.1073/pnas.37.5.318. PMC 1063363. PMID 14834156.
Remez, R.E.; Rubin, P.E.; Pisoni, D.B.; Carrell, T.D. (1981). "Speech perception without traditional speech cues". Science. 212 (4497): 947–950. Bibcode:1981Sci...212..947R. doi:10.1126/science.7233191. PMID 7233191. S2CID 13039853.

aes.org (Global: low place; English: 7,811^th place)

Andrew Horner (November 1995). "Wavetable Matching Synthesis of Dynamic Instruments with Genetic Algorithms". Journal of the Audio Engineering Society. 43 (11): 916–931.
Beauchamp, James W. (October 1966). "Additive Synthesis of Harmonic Musical Tones". Journal of the Audio Engineering Society. 14 (4): 332–342.

archive.org (Global: 6^th place; English: 6^th place)

Roads, Curtis (1995). The Computer Music Tutorial. MIT Press. p. 134. ISBN 978-0-262-68082-0.
Roads, Curtis (1995). The Computer Music Tutorial. MIT Press. pp. 150–153. ISBN 978-0-262-68082-0.
Adrien, Jean-Marie (1991). "The missing link: modal synthesis". In Giovanni de Poli; Aldo Piccialli; Curtis Roads (eds.). Representations of Musical Signals. Cambridge, MA: MIT Press. pp. 269–298. ISBN 978-0-262-04113-3.
Fourier, Jean Baptiste Joseph (1822). Théorie analytique de la chaleur [The Analytical Theory of Heat] (in French). Paris, France: Chez Firmin Didot, père et fils. ISBN 9782876470460. {{cite book}}: ISBN / Date incompatibility (help)
Miller, Dayton Clarence (1926) [1916]. The Science of Musical Sounds. New York: The Macmillan Company. pp. 110, 244–248.
von Helmholtz, Hermann (1875). On the sensations of tone as a physiological basis for the theory of music. London, United Kingdom: Longmans, Green, and co. pp. xii, 175–179.
Russell, George Oscar (1936). Year book - Carnegie Institution of Washington (1936). Carnegie Institution of Washington: Year Book. Vol. 35. Washington: Carnegie Institution of Washington. pp. 359–363.
Douglas, Alan Lockhart Monteith (1957). The Electrical Production of Music. London, UK: Macdonald. pp. 140, 142.
Weidenaar, Reynold (1995). Magic Music from the Telharmonium. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-2692-2.

audiomedia.com (Global: low place; English: low place)

Street, Rita (8 November 2000). "Fairlight: A 25-year long fairytale". Audio Media magazine. IMAS Publishing UK. Archived from the original on 8 October 2003. Retrieved 29 January 2012.

books.google.com (Global: 3^rd place; English: 3^rd place)

Prestini, Elena (2004) [Rev. ed of: Applicazioni dell'analisi armonica. Milan: Ulrico Hoepli, 1996]. The Evolution of Applied Harmonic Analysis: Models of the Real World. trans. New York, USA: Birkhäuser Boston. pp. 114–115. ISBN 978-0-8176-4125-2. Retrieved 6 February 2012.
Cahan, David (1993). Cahan, David (ed.). Hermann von Helmholtz and the foundations of nineteenth-century science. Berkeley and Los Angeles, USA: University of California Press. pp. 110–114, 285–286. ISBN 978-0-520-08334-9.
Christensen, Thomas Street (2002). The Cambridge History of Western Music. Cambridge, United Kingdom: Cambridge University Press. pp. 251, 258. ISBN 978-0-521-62371-1.
Lodge, John E. (April 1938). Brown, Raymond J. (ed.). "Odd Laboratory Tests Show Us How We Speak: Using X Rays, Fast Movie Cameras, and Cathode-Ray Tubes, Scientists Are Learning New Facts About the Human Voice and Developing Teaching Methods To Make Us Better Talkers". Popular Science Monthly. 132 (4). New York, USA: Popular Science Publishing: 32–33.

demon.co.uk (Global: 3,126^th place; English: 1,846^th place)

ems-synthi.demon.co.uk

Hinton, Graham (2002). "EMS: The Inside Story". Electronic Music Studios (Cornwall). Archived from the original on 21 May 2013.

doi.org (Global: 2^nd place; English: 2^nd place)

P. Kleczkowski (1989). "Group additive synthesis". Computer Music Journal. 13 (1): 12–20. doi:10.2307/3679851. JSTOR 3679851.
McAulay, R. J.; Quatieri, T. F. (August 1986). "Speech analysis/synthesis based on a sinusoidal representation". IEEE Transactions on Acoustics, Speech, and Signal Processing. 34 (4): 744–754. doi:10.1109/TASSP.1986.1164910.
Cooper, F. S.; Liberman, A. M.; Borst, J. M. (May 1951). "The interconversion of audible and visible patterns as a basis for research in the perception of speech". Proc. Natl. Acad. Sci. U.S.A. 37 (5): 318–25. Bibcode:1951PNAS...37..318C. doi:10.1073/pnas.37.5.318. PMC 1063363. PMID 14834156.
Remez, R.E.; Rubin, P.E.; Pisoni, D.B.; Carrell, T.D. (1981). "Speech perception without traditional speech cues". Science. 212 (4497): 947–950. Bibcode:1981Sci...212..947R. doi:10.1126/science.7233191. PMID 7233191. S2CID 13039853.
Sagayama, S.; Itakura, F. (1986). "Duality theory of composite sinusoidal modeling and linear prediction". ICASSP '86. IEEE International Conference on Acoustics, Speech, and Signal Processing. Vol. 11. Acoustics, Speech, and Signal Processing, IEEE International Conference on ICASSP '86. (published April 1986). pp. 1261–1264. doi:10.1109/ICASSP.1986.1168815. S2CID 122814777.
Morrison, Joseph Derek (IRCAM); Adrien, Jean-Marie (1993). "MOSAIC: A Framework for Modal Synthesis". Computer Music Journal. 17 (1): 45–56. doi:10.2307/3680569. JSTOR 3680569.
Thomson, Sir W. (1878). "Harmonic analyzer". Proceedings of the Royal Society of London. 27 (185–189). Taylor and Francis: 371–373. doi:10.1098/rspl.1878.0062. JSTOR 113690.
Comerford, P. (1993). "Simulating an Organ with Additive Synthesis". Computer Music Journal. 17 (2): 55–65. doi:10.2307/3680869. JSTOR 3680869.
"Institute News and Radio Notes". Proceedings of the IRE. 28 (10): 487–494. 1940. doi:10.1109/JRPROC.1940.228904.
Douglas, A. (1948). "Electrotonic Music". Proceedings of the Royal Musical Association. 75: 1–12. doi:10.1093/jrma/75.1.1.

ed.ac.uk (Global: 1,867^th place; English: 1,129^th place)

www2.ph.ed.ac.uk

Bilbao, Stefan (October 2009), "Modal Synthesis", Numerical Sound Synthesis: Finite Difference Schemes and Simulation in Musical Acoustics, Chichester, UK: John Wiley and Sons, ISBN 978-0-470-51046-9, A different approach, with a long history of use in physical modeling sound synthesis, is based on a frequency-domain, or modal description of vibration of objects of potentially complex geometry. Modal synthesis [1,148], as it is called, is appealing, in that the complex dynamic behaviour of a vibrating object may be decomposed into contributions from a set of modes (the spatial forms of which are eigenfunctions of the particular problem at hand, and are dependent on boundary conditions), each of which oscillates at a single complex frequency. ... (See also companion page)

free.fr (Global: 283^rd place; English: 705^th place)

egrefin.free.fr

"Computer Music Journal" (JPG). 1978. Retrieved 29 January 2012.

fundinguniverse.com (Global: 1,737^th place; English: 1,175^th place)

"Allen Organ Company". fundinguniverse.com.

hakenaudio.com (Global: low place; English: low place)

"Loris Software for Sound Modeling, Morphing, and Manipulation". Archived from the original on 30 July 2012. Retrieved 13 January 2012.

hammond-organ.com (Global: low place; English: low place)

Olsen, Harvey (14 December 2011). Brown, Darren T. (ed.). "Leslie Speakers and Hammond organs: Rumors, Myths, Facts, and Lore". The Hammond Zone. Hammond Organ in the U.K. Archived from the original on 1 September 2012. Retrieved 20 January 2012.

hdl.handle.net (Global: 66^th place; English: 34^th place)

Loscos, A. (2007). Spectral processing of the singing voice (PhD thesis). Barcelona, Spain: Pompeu Fabra University. hdl:10803/7542. (PDF).
See "Excitation plus resonances voice model" (p. 51)
Luce, David Alan (1963). Physical correlates of nonpercussive musical instrument tones (Thesis thesis). Cambridge, Massachusetts, U.S.A.: Massachusetts Institute of Technology. hdl:1721.1/27450.

hughlecaine.com (Global: low place; English: low place)

Young, Gayle. "Oscillator Bank (1959)".
Young, Gayle. "Spectrogram (1959)".

icacommission.org (Global: low place; English: low place)

Itakura, F. (2004). "Linear Statistical Modeling of Speech and its Applications -- Over 36-year history of LPC --" (PDF). Proceedings of the 18th International Congress on Acoustics (ICA 2004), We3.D, Kyoto, Japan, Apr. 2004. 3 (published April 2004): III–2077–2082. Archived from the original (PDF) on 24 May 2022. Retrieved 24 October 2014. 6. Composite Sinusoidal Modeling(CSM) In 1975, Itakura proposed the line spectrum representation (LSR) concept and its algorithm to obtain a set of parameters for new speech spectrum representation. Independently from this, Sagayama developed a composite sinusoidal modeling (CSM) concept which is equivalent to LSR but give a quite different formulation, solving algorithm and synthesis scheme. Sagayama clarified the duality of LPC and CSM and provided the unified view covering LPC, PARCOR, LSR, LSP and CSM, CSM is not only a new concept of speech spectrum analysis but also a key idea to understand the linear prediction from a unified point of view. ...

illinois.edu (Global: 1,178^th place; English: 745^th place)

cmp.music.illinois.edu

Beauchamp, James (17 November 2009). "The Harmonic Tone Generator: One of the First Analog Voltage-Controlled Synthesizers". Prof. James W. Beauchamp Home Page. Archived from the original on 12 June 2018. Retrieved 29 May 2018.

jstor.org (Global: 23^rd place; English: 15^th place)

P. Kleczkowski (1989). "Group additive synthesis". Computer Music Journal. 13 (1): 12–20. doi:10.2307/3679851. JSTOR 3679851.
Morrison, Joseph Derek (IRCAM); Adrien, Jean-Marie (1993). "MOSAIC: A Framework for Modal Synthesis". Computer Music Journal. 17 (1): 45–56. doi:10.2307/3680569. JSTOR 3680569.
Thomson, Sir W. (1878). "Harmonic analyzer". Proceedings of the Royal Society of London. 27 (185–189). Taylor and Francis: 371–373. doi:10.1098/rspl.1878.0062. JSTOR 113690.
Comerford, P. (1993). "Simulating an Organ with Additive Synthesis". Computer Music Journal. 17 (2): 55–65. doi:10.2307/3680869. JSTOR 3680869.

klingbeil.com (Global: low place; English: low place)

SPEAR Sinusoidal Partial Editing Analysis and Resynthesis for Mac OS X, MacOS 9 and Windows

liutaiomottola.com (Global: low place; English: low place)

Mottola, Liutaio (31 May 2017). "Table of Musical Notes and Their Frequencies and Wavelengths".

mit.edu (Global: 476^th place; English: 340^th place)

ll.mit.edu

McAulay, R. J.; Quatieri, T. F. (1988). "Speech Processing Based on a Sinusoidal Model" (PDF). The Lincoln Laboratory Journal. 1 (2): 153–167. Archived from the original (PDF) on 21 May 2012. Retrieved 9 December 2013.

mpg.de (Global: 1,722^nd place; English: 1,710^th place)

vlp.mpiwg-berlin.mpg.de

Helmholtz, von, Hermann (1863). Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik [On the sensations of tone as a physiological basis for the theory of music] (in German) (1st ed.). Leipzig: Leopold Voss. pp. v.

musicdsp.org (Global: low place; English: low place)

Robert Bristow-Johnson (November 1996). "Wavetable Synthesis 101, A Fundamental Perspective" (PDF). Archived from the original (PDF) on 15 June 2013. Retrieved 21 May 2005.

nih.gov (Global: 5^th place; English: 5^th place)

pubmed.ncbi.nlm.nih.gov

Cooper, F. S.; Liberman, A. M.; Borst, J. M. (May 1951). "The interconversion of audible and visible patterns as a basis for research in the perception of speech". Proc. Natl. Acad. Sci. U.S.A. 37 (5): 318–25. Bibcode:1951PNAS...37..318C. doi:10.1073/pnas.37.5.318. PMC 1063363. PMID 14834156.
Remez, R.E.; Rubin, P.E.; Pisoni, D.B.; Carrell, T.D. (1981). "Speech perception without traditional speech cues". Science. 212 (4497): 947–950. Bibcode:1981Sci...212..947R. doi:10.1126/science.7233191. PMID 7233191. S2CID 13039853.

ncbi.nlm.nih.gov

Cooper, F. S.; Liberman, A. M.; Borst, J. M. (May 1951). "The interconversion of audible and visible patterns as a basis for research in the perception of speech". Proc. Natl. Acad. Sci. U.S.A. 37 (5): 318–25. Bibcode:1951PNAS...37..318C. doi:10.1073/pnas.37.5.318. PMC 1063363. PMID 14834156.

pearsonhighered.com (Global: low place; English: low place)

Joel, Chadabe (1997). Electric Sound. Upper Saddle River, N.J., U.S.A.: Prentice Hall. pp. 177–178, 186. ISBN 978-0-13-303231-4.

physicsclassroom.com (Global: low place; English: low place)

"Fundamental Frequency and Harmonics".

psu.edu (Global: 299^th place; English: 159^th place)

citeseerx.ist.psu.edu

Rodet, X.; Depalle, P. (1992). "Spectral Envelopes and Inverse FFT Synthesis". Proceedings of the 93rd Audio Engineering Society Convention. CiteSeerX 10.1.1.43.4818. {{cite journal}}: Cite uses deprecated parameter |citeseerx= (help)
Fitz, Kelly (1999). The Reassigned Bandwidth-Enhanced Method of Additive Synthesis (PhD thesis). Dept. of Electrical and Computer Engineering, University of Illinois Urbana-Champaign. CiteSeerX 10.1.1.10.1130. {{cite thesis}}: Cite uses deprecated parameter |citeseerx= (help)
Bonada, J.; Celma, O.; Loscos, A.; Ortola, J.; Serra, X.; Yoshioka, Y.; Kayama, H.; Hisaminato, Y.; Kenmochi, H. (2001). "Singing voice synthesis combining Excitation plus Resonance and Sinusoidal plus Residual Models". Proc. Of ICMC. CiteSeerX 10.1.1.18.6258. {{cite journal}}: Cite uses deprecated parameter |citeseerx= (help) (PDF)

rice.edu (Global: 3,744^th place; English: 2,530^th place)

clear.rice.edu

"McAulay-Quatieri Method".

semanticscholar.org (Global: 15^th place; English: 8^th place)

api.semanticscholar.org

Remez, R.E.; Rubin, P.E.; Pisoni, D.B.; Carrell, T.D. (1981). "Speech perception without traditional speech cues". Science. 212 (4497): 947–950. Bibcode:1981Sci...212..947R. doi:10.1126/science.7233191. PMID 7233191. S2CID 13039853.
Sagayama, S.; Itakura, F. (1986). "Duality theory of composite sinusoidal modeling and linear prediction". ICASSP '86. IEEE International Conference on Acoustics, Speech, and Signal Processing. Vol. 11. Acoustics, Speech, and Signal Processing, IEEE International Conference on ICASSP '86. (published April 1986). pp. 1261–1264. doi:10.1109/ICASSP.1986.1168815. S2CID 122814777.

soundonsound.com (Global: 2,031^st place; English: 1,023^rd place)

Gordon Reid. "Synth Secrets, Part 14: An Introduction To Additive Synthesis". Sound on Sound (January 2000). Retrieved 14 January 2012.
Reid, Gordon. "PROG SPAWN! The Rise And Fall of Rocky Mount Instruments (Retro)". Sound on Sound (December 2001). Archived from the original on 25 December 2011. Retrieved 22 January 2012.
Flint, Tom. "Jean Michel Jarre: 30 Years of Oxygene". Sound on Sound (February 2008). Retrieved 22 January 2012.
Leete, Norm. "Fairlight Computer – Musical Instrument (Retro)". Sound on Sound (April 1999). Retrieved 29 January 2012.
"Kawai K5000R & K5000S". www.soundonsound.com. Retrieved 21 January 2024.

sourceforge.net (Global: 1,842^nd place; English: 1,520^th place)

arss.sourceforge.net

ARSS: The Analysis & Resynthesis Sound Spectrograph

stanford.edu (Global: 194^th place; English: 182^nd place)

ccrma.stanford.edu

Julius O. Smith III. "Additive Synthesis (Early Sinusoidal Modeling)". Retrieved 14 January 2012. The term "additive synthesis" refers to sound being formed by adding together many sinusoidal components
Smith III, Julius O.; Serra, Xavier (2005). "Additive Synthesis". PARSHL: An Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation. Proceedings of the International Computer Music Conference (ICMC-87, Tokyo), Computer Music Association, 1987. CCRMA, Department of Music, Stanford University. Retrieved 11 January 2015. (online reprint)
Smith III, Julius O. (2011). "Additive Synthesis (Early Sinusoidal Modeling)". Spectral Audio Signal Processing. CCRMA, Department of Music, Stanford University. ISBN 978-0-9745607-3-1. Retrieved 9 January 2012.
Julius O. Smith III. "Group Additive Synthesis". CCRMA, Stanford University. Archived from the original on 6 June 2011. Retrieved 12 May 2011.
Smith III, Julius O.; Serra, Xavier. "PARSHL: An Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation". Retrieved 9 January 2012.
Bilbao, Stefan (October 2009), "Modal Synthesis", Numerical Sound Synthesis: Finite Difference Schemes and Simulation in Musical Acoustics, Chichester, UK: John Wiley and Sons, ISBN 978-0-470-51046-9, A different approach, with a long history of use in physical modeling sound synthesis, is based on a frequency-domain, or modal description of vibration of objects of potentially complex geometry. Modal synthesis [1,148], as it is called, is appealing, in that the complex dynamic behaviour of a vibrating object may be decomposed into contributions from a set of modes (the spatial forms of which are eigenfunctions of the particular problem at hand, and are dependent on boundary conditions), each of which oscillates at a single complex frequency. ... (See also companion page)

tdx.cat (Global: low place; English: low place)

Loscos, A. (2007). Spectral processing of the singing voice (PhD thesis). Barcelona, Spain: Pompeu Fabra University. hdl:10803/7542. (PDF).
See "Excitation plus resonances voice model" (p. 51)

ubc.ca (Global: 1,820^th place; English: 998^th place)

cs.ubc.ca

Doel, Kees van den; Pai, Dinesh K. (2003). Greenebaum, K. (ed.). "Modal Synthesis For Vibrating Object" (PDF). Audio Anecdotes. Natick, MA: AK Peter. When a solid object is struck, scraped, or engages in other external interactions, the forces at the contact point causes deformations to propagate through the body, causing its outer surfaces to vibrate and emit sound waves. ... A good physically motivated synthesis model for objects like this is modal synthesis ... where a vibrating object is modeled by a bank of damped harmonic oscillators which are excited by an external stimulus.

umatic.nl (Global: low place; English: low place)

Holzer, Derek (22 February 2010). "A brief history of optical synthesis". Retrieved 13 January 2012.

umich.edu (Global: 429^th place; English: 307^th place)

quod.lib.umich.edu

B. Eaglestone and S. Oates (1990). "Analytical tools for group additive synthesis". Proceedings of the 1990 International Computer Music Conference, Glasgow. Computer Music Association.

upf.edu (Global: low place; English: low place)

mtg.upf.edu

Serra, Xavier (1989). A System for Sound Analysis/Transformation/Synthesis based on a Deterministic plus Stochastic Decomposition (PhD thesis). Stanford University. Retrieved 13 January 2012.
SMSTools application for Windows
Bonada, J.; Celma, O.; Loscos, A.; Ortola, J.; Serra, X.; Yoshioka, Y.; Kayama, H.; Hisaminato, Y.; Kenmochi, H. (2001). "Singing voice synthesis combining Excitation plus Resonance and Sinusoidal plus Residual Models". Proc. Of ICMC. CiteSeerX 10.1.1.18.6258. {{cite journal}}: Cite uses deprecated parameter |citeseerx= (help) (PDF)
Bonada, Jordi; Loscos, Alex (2003). "Sample-based singing voice synthesizer by spectral concatenation: 6. Concatenating Samples". Proc. of SMAC 03: 439–442.

usyd.edu.au (Global: 6,698^th place; English: 4,285^th place)

geosci.usyd.edu.au

Twyman, John (1 November 2004). (inter)facing the music: The history of the Fairlight Computer Musical Instrument (PDF) (Bachelor of Science (Honours) thesis). Unit for the History and Philosophy of Science, University of Sydney. Archived from the original (PDF) on 23 March 2012. Retrieved 29 January 2012.

vintagesynth.com (Global: low place; English: low place)

"Kawai K5000 | Vintage Synth Explorer". www.vintagesynth.com. Retrieved 21 January 2024.

web.archive.org (Global: 1^st place; English: 1^st place)

Robert Bristow-Johnson (November 1996). "Wavetable Synthesis 101, A Fundamental Perspective" (PDF). Archived from the original (PDF) on 15 June 2013. Retrieved 21 May 2005.
Julius O. Smith III. "Group Additive Synthesis". CCRMA, Stanford University. Archived from the original on 6 June 2011. Retrieved 12 May 2011.
McAulay, R. J.; Quatieri, T. F. (1988). "Speech Processing Based on a Sinusoidal Model" (PDF). The Lincoln Laboratory Journal. 1 (2): 153–167. Archived from the original (PDF) on 21 May 2012. Retrieved 9 December 2013.
"Loris Software for Sound Modeling, Morphing, and Manipulation". Archived from the original on 30 July 2012. Retrieved 13 January 2012.
Rubin, P.E. (1980). "Sinewave Synthesis Instruction Manual (VAX)" (PDF). Internal Memorandum. Haskins Laboratories, New Haven, CT. Archived from the original (PDF) on 29 August 2021. Retrieved 27 December 2011.
Itakura, F. (2004). "Linear Statistical Modeling of Speech and its Applications -- Over 36-year history of LPC --" (PDF). Proceedings of the 18th International Congress on Acoustics (ICA 2004), We3.D, Kyoto, Japan, Apr. 2004. 3 (published April 2004): III–2077–2082. Archived from the original (PDF) on 24 May 2022. Retrieved 24 October 2014. 6. Composite Sinusoidal Modeling(CSM) In 1975, Itakura proposed the line spectrum representation (LSR) concept and its algorithm to obtain a set of parameters for new speech spectrum representation. Independently from this, Sagayama developed a composite sinusoidal modeling (CSM) concept which is equivalent to LSR but give a quite different formulation, solving algorithm and synthesis scheme. Sagayama clarified the duality of LPC and CSM and provided the unified view covering LPC, PARCOR, LSR, LSP and CSM, CSM is not only a new concept of speech spectrum analysis but also a key idea to understand the linear prediction from a unified point of view. ...
Olsen, Harvey (14 December 2011). Brown, Darren T. (ed.). "Leslie Speakers and Hammond organs: Rumors, Myths, Facts, and Lore". The Hammond Zone. Hammond Organ in the U.K. Archived from the original on 1 September 2012. Retrieved 20 January 2012.
Beauchamp, James (17 November 2009). "The Harmonic Tone Generator: One of the First Analog Voltage-Controlled Synthesizers". Prof. James W. Beauchamp Home Page. Archived from the original on 12 June 2018. Retrieved 29 May 2018.
"RMI Harmonic Synthesizer". Synthmuseum.com. Archived from the original on 9 June 2011. Retrieved 12 May 2011.
Reid, Gordon. "PROG SPAWN! The Rise And Fall of Rocky Mount Instruments (Retro)". Sound on Sound (December 2001). Archived from the original on 25 December 2011. Retrieved 22 January 2012.
Cosimi, Enrico (20 May 2009). "EMS Story - Prima Parte" [EMS Story - Part One]. Audio Accordo.it (in Italian). Archived from the original on 22 May 2009. Retrieved 21 January 2012.
Hinton, Graham (2002). "EMS: The Inside Story". Electronic Music Studios (Cornwall). Archived from the original on 21 May 2013.
Twyman, John (1 November 2004). (inter)facing the music: The history of the Fairlight Computer Musical Instrument (PDF) (Bachelor of Science (Honours) thesis). Unit for the History and Philosophy of Science, University of Sydney. Archived from the original (PDF) on 23 March 2012. Retrieved 29 January 2012.
Street, Rita (8 November 2000). "Fairlight: A 25-year long fairytale". Audio Media magazine. IMAS Publishing UK. Archived from the original on 8 October 2003. Retrieved 29 January 2012.

yale.edu (Global: 559^th place; English: 389^th place)

haskins.yale.edu

Rubin, P.E. (1980). "Sinewave Synthesis Instruction Manual (VAX)" (PDF). Internal Memorandum. Haskins Laboratories, New Haven, CT. Archived from the original (PDF) on 29 August 2021. Retrieved 27 December 2011.

zenodo.org (Global: 737^th place; English: 426^th place)

Thomson, Sir W. (1878). "Harmonic analyzer". Proceedings of the Royal Society of London. 27 (185–189). Taylor and Francis: 371–373. doi:10.1098/rspl.1878.0062. JSTOR 113690.

Additive synthesis (English Wikipedia)

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semanticscholar.org (Global: 15th place; English: 8th place)

api.semanticscholar.org

soundonsound.com (Global: 2,031st place; English: 1,023rd place)

sourceforge.net (Global: 1,842nd place; English: 1,520th place)

arss.sourceforge.net

stanford.edu (Global: 194th place; English: 182nd place)

ccrma.stanford.edu

tdx.cat (Global: low place; English: low place)

ubc.ca (Global: 1,820th place; English: 998th place)

cs.ubc.ca

umatic.nl (Global: low place; English: low place)

umich.edu (Global: 429th place; English: 307th place)

quod.lib.umich.edu

upf.edu (Global: low place; English: low place)

mtg.upf.edu

usyd.edu.au (Global: 6,698th place; English: 4,285th place)

geosci.usyd.edu.au

vintagesynth.com (Global: low place; English: low place)

web.archive.org (Global: 1st place; English: 1st place)

yale.edu (Global: 559th place; English: 389th place)

haskins.yale.edu

zenodo.org (Global: 737th place; English: 426th place)

acm.org (Global: 1,200^th place; English: 821^st place)

adsabs.harvard.edu (Global: 14^th place; English: 9^th place)

aes.org (Global: low place; English: 7,811^th place)

archive.org (Global: 6^th place; English: 6^th place)

books.google.com (Global: 3^rd place; English: 3^rd place)

demon.co.uk (Global: 3,126^th place; English: 1,846^th place)

doi.org (Global: 2^nd place; English: 2^nd place)

ed.ac.uk (Global: 1,867^th place; English: 1,129^th place)

free.fr (Global: 283^rd place; English: 705^th place)

fundinguniverse.com (Global: 1,737^th place; English: 1,175^th place)

hdl.handle.net (Global: 66^th place; English: 34^th place)

illinois.edu (Global: 1,178^th place; English: 745^th place)

jstor.org (Global: 23^rd place; English: 15^th place)

mit.edu (Global: 476^th place; English: 340^th place)

mpg.de (Global: 1,722^nd place; English: 1,710^th place)

nih.gov (Global: 5^th place; English: 5^th place)

psu.edu (Global: 299^th place; English: 159^th place)

rice.edu (Global: 3,744^th place; English: 2,530^th place)

semanticscholar.org (Global: 15^th place; English: 8^th place)

soundonsound.com (Global: 2,031^st place; English: 1,023^rd place)

sourceforge.net (Global: 1,842^nd place; English: 1,520^th place)

stanford.edu (Global: 194^th place; English: 182^nd place)

ubc.ca (Global: 1,820^th place; English: 998^th place)

umich.edu (Global: 429^th place; English: 307^th place)

usyd.edu.au (Global: 6,698^th place; English: 4,285^th place)

web.archive.org (Global: 1^st place; English: 1^st place)

yale.edu (Global: 559^th place; English: 389^th place)

zenodo.org (Global: 737^th place; English: 426^th place)