Aristonous, "Hymn to Apollo" (Ancient Greek: Ἀπόλλωνι Πυθίῳ τὸν ὕμνον, Latin: Paean in Apollinem), Collectanea Alexandrinapp. 162-164.
Philodamus of Scarphea, "Paean to Dionysus" (Latin: Paean in Dionysum), Collectanea Alexandrinapp. 165-171.
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The attribution of fr. 137 (the more substantial of the two fragments) to Sappho is doubted, based in part on the meter, by Gregory Nagy, "Did Sappho and Alcaeus ever meet? Symmetries of myth and ritual in performing the songs of ancient Lesbos," in Literatur und Religion 1: Wege zu einer mythisch-rituellen Poetik bei den Griechen, ed. Anton Bierl et al., Walter de Gruyter, 2007, who sees Alcaeus as "the notional composer." G. O. Hutchinson judges that "The application and at the very least the later part of [Sappho fr. 137] are likely to be inauthentic, but are certainly as early as Aristotle."[8])