Alan Sharp (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Alan Sharp" in English language version.

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dundee.ac.uk

archives.dundee.ac.uk

filmfreakcentral.net

hollywoodreporter.com

imdb.com

independent.co.uk

  • Curtis, Quentin (21 May 1995). "Cinema / Och aye, such noble derring-do!". The Independent. Archived from the original on 9 November 2012. The first point to make about Alan Sharp's script is that it travesties history, bearing only the flimsiest resemblance to the facts of Rob's life, and importing a great deal of sensationalism (such as the rape of Rob's wife by Cunningham). The second point is that it's one of the best screenplays of the last decade. Sharp, who is returning to his roots, after scripting Hollywood classics such as Ulzana's Raid and Night Moves, has married the narrative complexity of the classic Western and film noir, to an earthy Scottish naturalism. The result is not so much like Walter Scott (whose novel Rob Roy barely dealt with the hero) as James Boswell, when in tumultuous mood, with the whoring rage upon him.

iofilm.co.uk

  • Pendreigh, Brian (18 September 2002). "Sharp Shooter". iofilm. Archived from the original on 10 November 2010. Retrieved 19 October 2010.

noiroftheweek.com

nytimes.com

nytimes.com

timesmachine.nytimes.com

  • Nichols, Lewis (28 April 1968). "American Notebook" (PDF). The New York Times. Alan Sharp, the young British writer who began a trilogy with the well-received "Green Tree in Gedde" and continued with the recently published but less well-received "The Wind Shifts," is halfway through the final volume, to be called "The Apple Pickers." No free online access.

scotsman.com

  • Pendreigh, Brian (15 February 2013). "Obituary: Alan Sharp, writer". The Scotsman. Alan Sharp was one of the greatest Scottish writers of the 20th century, even though many people have never heard of him.

scriptfactory.co.uk

  • Johnston, Trevor (13 January 2009). "Dean Spanley". The Script Factory. Archived from the original on 13 August 2010. Retrieved 21 October 2010. Trevor Johnston is a film critic for Time Out London. His article is a detailed appreciation of Sharp's adaptation of Lord Dunsany's 1936 novella, My Talks with Dean Spanley, for the film Dean Spanley (2008).

theedgars.com

variety.com

web.archive.org

  • Pendreigh, Brian (18 September 2002). "Sharp Shooter". iofilm. Archived from the original on 10 November 2010. Retrieved 19 October 2010.
  • Search at "The Edgar Awards Database". Archived from the original on 27 September 2018. Retrieved 20 October 2010.
  • Chaw, Walter (14 April 2010). "Night Moves". Film Freak Central. Archived from the original on 18 December 2010.
  • Johnston, Trevor (13 January 2009). "Dean Spanley". The Script Factory. Archived from the original on 13 August 2010. Retrieved 21 October 2010. Trevor Johnston is a film critic for Time Out London. His article is a detailed appreciation of Sharp's adaptation of Lord Dunsany's 1936 novella, My Talks with Dean Spanley, for the film Dean Spanley (2008).
  • Meyer, David N. (3 May 2009). "Any Kennedy: The Merciless, Blinding Sunshine of Night Moves". Film Noir of the Week. Archived from the original on 26 July 2011.
  • Curtis, Quentin (21 May 1995). "Cinema / Och aye, such noble derring-do!". The Independent. Archived from the original on 9 November 2012. The first point to make about Alan Sharp's script is that it travesties history, bearing only the flimsiest resemblance to the facts of Rob's life, and importing a great deal of sensationalism (such as the rape of Rob's wife by Cunningham). The second point is that it's one of the best screenplays of the last decade. Sharp, who is returning to his roots, after scripting Hollywood classics such as Ulzana's Raid and Night Moves, has married the narrative complexity of the classic Western and film noir, to an earthy Scottish naturalism. The result is not so much like Walter Scott (whose novel Rob Roy barely dealt with the hero) as James Boswell, when in tumultuous mood, with the whoring rage upon him.