Analysis of information sources in references of the Wikipedia article "Anarkali" in English language version.
{{cite book}}: |work= ignored (help).. The most famous tale of a brave love and a horrible death is probably that of Salim and Anarkali, although there are no contemporary Mughal sources for the story, just gossipy European travel tales; ... Salim's father, the emperor Akbar, walled Anarkali up alive to punish the pair for defying his will. There is a twist in perhaps the most important film version of the tale, Mughal-e-Azam, wherein Akbar secretly lets Anarkali go. This seems to have been necessitated by the film-makers' inability to reconcile modern notions of justice and tolerance, of which the nationalist hero Akbar was meant to be the epitome, with the patent cruelty of walling a woman up alive. ..
{{cite book}}: |work= ignored (help).. The most famous tale of a brave love and a horrible death is probably that of Salim and Anarkali, although there are no contemporary Mughal sources for the story, just gossipy European travel tales; ... Salim's father, the emperor Akbar, walled Anarkali up alive to punish the pair for defying his will. There is a twist in perhaps the most important film version of the tale, Mughal-e-Azam, wherein Akbar secretly lets Anarkali go. This seems to have been necessitated by the film-makers' inability to reconcile modern notions of justice and tolerance, of which the nationalist hero Akbar was meant to be the epitome, with the patent cruelty of walling a woman up alive. ..
.. The most famous tale of a brave love and a horrible death is probably that of Salim and Anarkali, although there are no contemporary Mughal sources for the story, just gossipy European travel tales; ... Salim's father, the emperor Akbar, walled Anarkali up alive to punish the pair for defying his will. There is a twist in perhaps the most important film version of the tale, Mughal-e-Azam, wherein Akbar secretly lets Anarkali go. This seems to have been necessitated by the film-makers' inability to reconcile modern notions of justice and tolerance, of which the nationalist hero Akbar was meant to be the epitome, with the patent cruelty of walling a woman up alive. ..
Most versions of the legend assert that the young Anarkali was a member of Akbar's household, either in the harem as a favourite wife or a beloved concubine or a palace servant. The various accounts agree that on discovering the relationship between his son and Anarkali, the enraged and jealous Akbar had the woman entombed alive within a wall in the fort, an act of such cruelty that it was credited by some for inspiring Salim's rebellion. ... The enticing and romantic gossip became popular legend, and even today the story of Salim and Anarkali is widely believed, however unsubstantiated and unlikely.
{{cite book}}: CS1 maint: location missing publisher (link){{cite book}}: CS1 maint: location missing publisher (link).. Popular legend suggests that Jahangir had met and fell in love with Mihrunnisa long before her husband's death; some versions even directly implicate Jahangir in his murder. These stories lack credibility. Had Jahangir been jealous of Istajlu's marriage to Mihrunnisa, it would be hard to explain Jahangir's years of patronage and extravagant reward for the warrior, or the nearly four years between the death of her husband and her subsequent marriage to the emperor. Mughal accounts support the claim that Jahangir met Mihrunnisa when she was a widow residing in the imperial harem, during the Nowruz festivities when the women of the Mughal family, joined by wives and daughters of the nobility, created a private Meena bazaar for themselves, selling small items to each other and donating the proceeds to charity ... Emperor Jahangir married Mihrunnisa on the 25th of May 1611.
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