Analysis of information sources in references of the Wikipedia article "Andrew Geller" in English language version.
So were lesser figures like Andrew Geller, whose determination to unsquare the cube resulted in eccentric designs like his Hunt house of 1959 on Fire Island, which resembled a huge box kite laid down on its side. And Geller's dreadful Elkin house of 1966 in Sagaponack, an angular mess that he called the Reclining Picasso but which neighbors saw as a train wreck, no doubt played a part in the subsequent retreat to tradition, however spurious and ill-executed the results have been.
In spite of fluctuating typographic tastes and technological advances, much exemplary casual script lettering has endured, like Andrew Geller's energetic Lord & Taylor logo
So were lesser figures like Andrew Geller, whose determination to unsquare the cube resulted in eccentric designs like his Hunt house of 1959 on Fire Island, which resembled a huge box kite laid down on its side. And Geller's dreadful Elkin house of 1966 in Sagaponack, an angular mess that he called the Reclining Picasso but which neighbors saw as a train wreck, no doubt played a part in the subsequent retreat to tradition, however spurious and ill-executed the results have been.
So were lesser figures like Andrew Geller, whose determination to unsquare the cube resulted in eccentric designs like his Hunt house of 1959 on Fire Island, which resembled a huge box kite laid down on its side. And Geller's dreadful Elkin house of 1966 in Sagaponack, an angular mess that he called the Reclining Picasso but which neighbors saw as a train wreck, no doubt played a part in the subsequent retreat to tradition, however spurious and ill-executed the results have been.
In spite of fluctuating typographic tastes and technological advances, much exemplary casual script lettering has endured, like Andrew Geller's energetic Lord & Taylor logo
