Analysis of information sources in references of the Wikipedia article "Anna Wintour" in English language version.
Condé Nast Publications Inc. will fold Men's Vogue into the larger women's Vogue magazine [...] because of faltering advertising sales. Men's Vogue will be published twice a year, the closely held New York-based publisher said today in an e-mail.
...[F]or example a newish magazine is often identified with a particular editor; an example is the association of Audrey Slaughter in the 1960s and 70s with a succession of young women's publications — Honey, Petticoat, and Over 21.
Mr Wintour, who is brother of Anna Wintour, the editor-in-chief of Vogue ...
As for how Bob Marley is in bed, Wintour cleared that up as well. 'Fake news! I've never actually met Bob Marley,' she told Corden, clearing up any rumors that the two dated. However, Corden continued, 'Had you met him, would you have slept with him?' Her answer? 'Absolutely.'
And Men's Vogue, with 164 pages, was the most ad-laden launch in Condé Nast history
[Streep] may just have given us a classic here
Lauren's first job after returning to the U.S. and moving to Manhattan was the Assistant to the Editor-in-Chief of Vogue, Anna Wintour.
She became more perfunctory when Dave asked the two questions that probably most interest the non-fashionista. First, what happens to high fashion in a down economy, and second, does anyone wear the really bizarre stuff you see at fashion shows? Wintour's reply to the first question was that fashion is available at all prices, and that's probably true.
It's embarrassing to see how Vogue deals with the recession. For the December issue, it sent a writer off to discover the 'charms' of WalMart and Target. A similar obtuseness permeates a fashion spread in the January issue, where a model and a child are portrayed on a weekend outing with a Superman figure. Is a '50s suburban frock emblematic of the mortgage meltdown?
It's hard to get past the onslaught of Page Six gossip and film-rights buzz that has preceded The Devil Wears Prada, Lauren Weisberger's thinly veiled roman à clef about her thankless year sidetracked in the trenches of a fashion magazine.
No longer simply the incarnation of evil, she is now a vision of aristocratic, purposeful and surprisingly human grace ... And the movie, while noting that she can be sadistic, inconsiderate and manipulative, is unmistakably on Miranda's side
[She] adopted every Anna Wintourism under the sun, down to mannerisms, posture, [a] way of carrying herself in the office, a certain way of crossing her legs, leaning on her elbow at a certain way at her desk. It was eerie, at times, how similar she acted to Anna—always sequestered in her corner office, with her two assistants perched there like little lion guard dogs.
Some of the stories aren't so far away from the tasks either I or my friends in various industries—whether fashion or magazines or PR or advertising—went through our first few years out of college. I imagine that assistants everywhere will recognize some of their own experiences in Andrea's life.
Family love steels her against what she has to face on her job at Mode magazine, which lost its Anna Wintour-like leader Fey Sommers in a car accident.
... after seeing the film, Wintour apparently decided to redecorate her office because the film set was almost an exact replica.
Sykes, who is 34, moved to New York from her native Britain in 1996, and has been charting the lives of Manhattan's upper classes, its Park Avenue Princesses, or PAPs, to use Sykes's phrase, ever since.
{{cite web}}: CS1 maint: multiple names: authors list (link)...[F]or example a newish magazine is often identified with a particular editor; an example is the association of Audrey Slaughter in the 1960s and 70s with a succession of young women's publications — Honey, Petticoat, and Over 21.
Mr Wintour, who is brother of Anna Wintour, the editor-in-chief of Vogue ...
As for how Bob Marley is in bed, Wintour cleared that up as well. 'Fake news! I've never actually met Bob Marley,' she told Corden, clearing up any rumors that the two dated. However, Corden continued, 'Had you met him, would you have slept with him?' Her answer? 'Absolutely.'
{{cite web}}: CS1 maint: multiple names: authors list (link)And Men's Vogue, with 164 pages, was the most ad-laden launch in Condé Nast history
Condé Nast Publications Inc. will fold Men's Vogue into the larger women's Vogue magazine [...] because of faltering advertising sales. Men's Vogue will be published twice a year, the closely held New York-based publisher said today in an e-mail.
It's embarrassing to see how Vogue deals with the recession. For the December issue, it sent a writer off to discover the 'charms' of WalMart and Target. A similar obtuseness permeates a fashion spread in the January issue, where a model and a child are portrayed on a weekend outing with a Superman figure. Is a '50s suburban frock emblematic of the mortgage meltdown?
She became more perfunctory when Dave asked the two questions that probably most interest the non-fashionista. First, what happens to high fashion in a down economy, and second, does anyone wear the really bizarre stuff you see at fashion shows? Wintour's reply to the first question was that fashion is available at all prices, and that's probably true.
Sykes, who is 34, moved to New York from her native Britain in 1996, and has been charting the lives of Manhattan's upper classes, its Park Avenue Princesses, or PAPs, to use Sykes's phrase, ever since.
Lauren's first job after returning to the U.S. and moving to Manhattan was the Assistant to the Editor-in-Chief of Vogue, Anna Wintour.
It's hard to get past the onslaught of Page Six gossip and film-rights buzz that has preceded The Devil Wears Prada, Lauren Weisberger's thinly veiled roman à clef about her thankless year sidetracked in the trenches of a fashion magazine.
Some of the stories aren't so far away from the tasks either I or my friends in various industries—whether fashion or magazines or PR or advertising—went through our first few years out of college. I imagine that assistants everywhere will recognize some of their own experiences in Andrea's life.
[She] adopted every Anna Wintourism under the sun, down to mannerisms, posture, [a] way of carrying herself in the office, a certain way of crossing her legs, leaning on her elbow at a certain way at her desk. It was eerie, at times, how similar she acted to Anna—always sequestered in her corner office, with her two assistants perched there like little lion guard dogs.
No longer simply the incarnation of evil, she is now a vision of aristocratic, purposeful and surprisingly human grace ... And the movie, while noting that she can be sadistic, inconsiderate and manipulative, is unmistakably on Miranda's side
[Streep] may just have given us a classic here
... after seeing the film, Wintour apparently decided to redecorate her office because the film set was almost an exact replica.