Analysis of information sources in references of the Wikipedia article "Anthony Marinelli" in English language version.
(as aka) My Forgotten Man
In 1982 the world's best selling album was released. Thriller included hits such as Beat It, Billie Jean and Wanna Be Startin' Somethin' as well as the title track. Witness speaks to Anthony Marinelli who worked on the seminal album.
The TV Commercial titled ZAPPA was done by Borders Perrin Norrander advertising agency for brand: GE in United States. It was released in the Feb 1992.
NED officials estimate that 80 percent of the Synclavier's features have come from customer suggestions. Banks and Marinelli have made many recommendations on its design. Banks said it's up to artists to '`push the technology. '`Everything we see the machine doing is basically stuff that we [artists] envisioned for years! he said.
Saturday Night Live alum Julia Sweeney narrates a segment from her one-woman show, In the Family Way, set to brand new music by Anthony Marinelli.
Levels Audio became known as the destination of choice for producers seeking the best in audio post service. With HBO, ABC, CBS, CMT, ESPN, FOX, NBC, MTV, Showtime and VH-1 all completing successful projects at Levels, the sheer volume of work at the original 1606 N. Highland Avenue location necessitated a move to a larger facility with more potential.
We called those Polaroids. Then, when something sticks, you develop it further, get into background lines and horns or synthesizers or whatever else you're going to be using.
The bandmembers seized on the idea and suggested that Amos produce them. "I was flattered and terrified," Amos says, "and the first call I made was to Anthony Marinelli." Co-producer Marinelli and his production partner, engineer Clint Bennett, have worked on numerous Shout Factory releases, including the surprising remix of Herb Alpert's Whipped Cream (And Other) Delights, in their Music Forever studio (Hollywood).
Looking for a more 'cinematic' sound, Quincy Jones enlisted synthesizer programmers Anthony Marinelli and Brian Banks, who bought every synth available at the time and turned up to Westlake Studios with three trucks full of instruments.
"Time Code" was shot entirely with digital cameras, hand-held, in real time. The screen is split into four segments, and each one is a single take about 93 minutes long. The stories are interrelated, and sometimes the characters in separate quadrants cross paths and are seen by more than one camera
First off there's thousands of commercials in his portfolio, including 30+ Apple Computer spots, and clients including Microsoft, Nike, Mercedes-Benz, Jaguar, Budweiser, and even the "This Is Your Brain on Drugs" campaign. And then there's the movies. If you've seen Hotel, American Gun, Young Guns, Internal Affairs, Timecode, Leaving Las Vegas, Demolition Man, Let It Ride, and Planes, Trains & Automobiles, then you've heard what he can do.
This was before the internet, so I don't know how people found out. It was like dancing on stage, it was like doing a concert. We didn't start taping until the middle of the night. Every night it was like, he came out and people were screaming. It was like being in concert with Michael Jackson - it was very exciting.
NED officials estimate that 80 percent of the Synclavier's features have come from customer suggestions. Banks and Marinelli have made many recommendations on its design. Banks said it's up to artists to '`push the technology. '`Everything we see the machine doing is basically stuff that we [artists] envisioned for years! he said.
First off there's thousands of commercials in his portfolio, including 30+ Apple Computer spots, and clients including Microsoft, Nike, Mercedes-Benz, Jaguar, Budweiser, and even the "This Is Your Brain on Drugs" campaign. And then there's the movies. If you've seen Hotel, American Gun, Young Guns, Internal Affairs, Timecode, Leaving Las Vegas, Demolition Man, Let It Ride, and Planes, Trains & Automobiles, then you've heard what he can do.
In 1982 the world's best selling album was released. Thriller included hits such as Beat It, Billie Jean and Wanna Be Startin' Somethin' as well as the title track. Witness speaks to Anthony Marinelli who worked on the seminal album.
Looking for a more 'cinematic' sound, Quincy Jones enlisted synthesizer programmers Anthony Marinelli and Brian Banks, who bought every synth available at the time and turned up to Westlake Studios with three trucks full of instruments.
This was before the internet, so I don't know how people found out. It was like dancing on stage, it was like doing a concert. We didn't start taping until the middle of the night. Every night it was like, he came out and people were screaming. It was like being in concert with Michael Jackson - it was very exciting.
Levels Audio became known as the destination of choice for producers seeking the best in audio post service. With HBO, ABC, CBS, CMT, ESPN, FOX, NBC, MTV, Showtime and VH-1 all completing successful projects at Levels, the sheer volume of work at the original 1606 N. Highland Avenue location necessitated a move to a larger facility with more potential.
We called those Polaroids. Then, when something sticks, you develop it further, get into background lines and horns or synthesizers or whatever else you're going to be using.
Saturday Night Live alum Julia Sweeney narrates a segment from her one-woman show, In the Family Way, set to brand new music by Anthony Marinelli.
The bandmembers seized on the idea and suggested that Amos produce them. "I was flattered and terrified," Amos says, "and the first call I made was to Anthony Marinelli." Co-producer Marinelli and his production partner, engineer Clint Bennett, have worked on numerous Shout Factory releases, including the surprising remix of Herb Alpert's Whipped Cream (And Other) Delights, in their Music Forever studio (Hollywood).
The TV Commercial titled ZAPPA was done by Borders Perrin Norrander advertising agency for brand: GE in United States. It was released in the Feb 1992.
(as aka) My Forgotten Man