Antonio Sacchini (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Antonio Sacchini" in English language version.

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Pitou 1985, pp. 482–483; Lajarte 1878, p. 311 Pitou, Spire (1985). The Paris Opéra. An Encyclopedia of Operas, Ballets, Composers, and Performers – Rococo and Romantic, 1715–1815. Westport/London: Greenwood Press. ISBN 0-313-24394-8. Lajarte, Théodore de (1878). Bibliothèque Musicale du Théatre de l'Opéra. Catalogue Historique, Chronologique, Anecdotique (in French). Vol. I. Paris: Librairie des bibliophiles.
Lajarte 1878, p. 355. Lajarte, Théodore de (1878). Bibliothèque Musicale du Théatre de l'Opéra. Catalogue Historique, Chronologique, Anecdotique (in French). Vol. I. Paris: Librairie des bibliophiles.

books.google.com

Revue et gazette musicale de Paris, 1833, number 12. Quoted in Florimo 1869, pp. 426–427. The quotation by Florimo, as well as the one by Jullien 1878, pp. 103–104, refers to a period of "three months" between Marie Antoinette's announcement and Sacchini's death. Since such a lapse of time is obviously incongruous with the other available facts, Sauvé took the trouble to check Berton's original report in the library of the Opéra and discovered that he had actually written "three days". The date is also confirmed by a letter reproduced as a photograph by Sauvé 2006, pp. 113–115: this was written 69 years after the events by Françoise "Fanny" Bazin, at the time a young reader to the queen (she was the daughter of Charles Bazin, the intendant of the queen's Menus Plaisirs) and she too gives direct and clear evidence about what happened. Florimo, Francesco (1869). Cenno storico sulla scuola musicale di Napoli. Del Cavalier Francesco Florimo, archivista del Real Collegio di musica in S. Pietro a Majella (in Italian). Naples: Lorenzo Rocco. Jullien, Adolphe (1878). La Cour et l'Opéra sous Louis XVI. Marie-Antoinette et Sacchini Salieri Favart et Gluck. D'après des documents inédits conservés aux Archives de l'État et à l'Opéra (in French). Paris: Librairie Académique (Didier). OL 14017446M. Sauvé, Georges (2006). Antonio Sacchini 1730–1786 – Un musicien de Marie-Antoinette – Bréviaire biographique (in French). Paris: L'Harmattan. ISBN 2-296-01994-3.

elpe-musique.com

The dedicatee of the book is Françoise (Fanny) Bazin, already mentioned above in a footnote, an ancestor of Sauvé, and the former holder by inheritance of Sacchini's own copy of the original edition of Œdipe à Colone, which was utilized by ELPE-Musique Archived 2013-09-21 at the Wayback Machine for the modern edition of the opera.
Le Cahier de musique de Fanny Bazin

myword.it

Dizionario dell'opera (article on: Renaud)

odb-opera.com

Cf. the review of Sauvé's "bréviaire biographique" by Emmanuelle Pesqué, in ODB Opéra Passion (2007)

openlibrary.org

Jullien 1878, pp. 15 et seq.. Jullien, Adolphe (1878). La Cour et l'Opéra sous Louis XVI. Marie-Antoinette et Sacchini Salieri Favart et Gluck. D'après des documents inédits conservés aux Archives de l'État et à l'Opéra (in French). Paris: Librairie Académique (Didier). OL 14017446M.
Jullien 1878, p. 61. Jullien, Adolphe (1878). La Cour et l'Opéra sous Louis XVI. Marie-Antoinette et Sacchini Salieri Favart et Gluck. D'après des documents inédits conservés aux Archives de l'État et à l'Opéra (in French). Paris: Librairie Académique (Didier). OL 14017446M.
Revue et gazette musicale de Paris, 1833, number 12. Quoted in Florimo 1869, pp. 426–427. The quotation by Florimo, as well as the one by Jullien 1878, pp. 103–104, refers to a period of "three months" between Marie Antoinette's announcement and Sacchini's death. Since such a lapse of time is obviously incongruous with the other available facts, Sauvé took the trouble to check Berton's original report in the library of the Opéra and discovered that he had actually written "three days". The date is also confirmed by a letter reproduced as a photograph by Sauvé 2006, pp. 113–115: this was written 69 years after the events by Françoise "Fanny" Bazin, at the time a young reader to the queen (she was the daughter of Charles Bazin, the intendant of the queen's Menus Plaisirs) and she too gives direct and clear evidence about what happened. Florimo, Francesco (1869). Cenno storico sulla scuola musicale di Napoli. Del Cavalier Francesco Florimo, archivista del Real Collegio di musica in S. Pietro a Majella (in Italian). Naples: Lorenzo Rocco. Jullien, Adolphe (1878). La Cour et l'Opéra sous Louis XVI. Marie-Antoinette et Sacchini Salieri Favart et Gluck. D'après des documents inédits conservés aux Archives de l'État et à l'Opéra (in French). Paris: Librairie Académique (Didier). OL 14017446M. Sauvé, Georges (2006). Antonio Sacchini 1730–1786 – Un musicien de Marie-Antoinette – Bréviaire biographique (in French). Paris: L'Harmattan. ISBN 2-296-01994-3.

stanford.edu

opera.stanford.edu

Cited by Opera Glass.
Cited by Sauvé 2006 and by Opera Glass. The New Grove Dictionary of Opera reports this work, along with 1770 Le vicende della sorte, as just containing music by Sacchini ("Music in:"). Sauvé, Georges (2006). Antonio Sacchini 1730–1786 – Un musicien de Marie-Antoinette – Bréviaire biographique (in French). Paris: L'Harmattan. ISBN 2-296-01994-3.

unt.edu

library.unt.edu

"score" (PDF). Archived from the original (PDF) on 2007-07-11. Retrieved 2006-05-27.
"score" (PDF). Archived from the original (PDF) on 2007-07-11. Retrieved 2006-05-27.
"score" (PDF). Archived from the original (PDF) on 2007-06-17. Retrieved 2006-05-27.

web.archive.org

"score" (PDF). Archived from the original (PDF) on 2007-07-11. Retrieved 2006-05-27.
"score" (PDF). Archived from the original (PDF) on 2007-07-11. Retrieved 2006-05-27.
"score" (PDF). Archived from the original (PDF) on 2007-06-17. Retrieved 2006-05-27.
In his list of Sacchini's sacred works, Sauvé 2006 identifies Rome as the first performance place (p. 146), whereas he had previously stated Bologna (p. 30). In fact, in Bologna, at the local Congregation of the Oratory, is preserved the manuscript of the work, which, incidentally, was performed in 2007, during the event Creator – Faenza Musica Sacra ("Creator – Faenza Musica Sacra", amadeusonline.net (archived) Sauvé, Georges (2006). Antonio Sacchini 1730–1786 – Un musicien de Marie-Antoinette – Bréviaire biographique (in French). Paris: L'Harmattan. ISBN 2-296-01994-3.
The dedicatee of the book is Françoise (Fanny) Bazin, already mentioned above in a footnote, an ancestor of Sauvé, and the former holder by inheritance of Sacchini's own copy of the original edition of Œdipe à Colone, which was utilized by ELPE-Musique Archived 2013-09-21 at the Wayback Machine for the modern edition of the opera.

wikipedia.org

de.wikipedia.org

The sources from which Sauvé states he has drawn his information (p. 143), are as follows: DiChiera 1997; Thierstein, i.e. a dissertation produced at the University of Cincinnati in 1974 and apparently never published (Eldred A. Thierstein, Antonio Maria Gaspero Sacchini and his French operas); Hochstein, i.e. Wolfgang Hochstein [de], "Musikforschung am Ospedaletto zu Venedig zur Zeit Antonio Sacchinis", Die Musikforschung, 1987, 40, 320–337; Roberto Zanetti, i.e. probably, La musica italiana nel Settecento, Busto Arsizio, Bramante Editrice, 1978 DiChiera, David (1997). "Sacchini, Antonio (Maria Gasparo Gioacchino)". In Stanley Sadie (ed.). The New Grove Dictionary of Opera. Vol. IV. New York: Oxford University Press. pp. 114–116. ISBN 978-0-19-522186-2.