Aphrodite (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Aphrodite" in English language version.

refsWebsite
Global rank English rank
3rd place
3rd place
6th place
6th place
155th place
138th place
26th place
20th place
2nd place
2nd place
11th place
8th place
1st place
1st place
2,380th place
1,296th place
121st place
142nd place
5th place
5th place
3,273rd place
2,108th place
low place
low place
230th place
214th place
1,313th place
823rd place
1,594th place
5,388th place
low place
low place
low place
low place
9,179th place
6,972nd place
2,948th place
1,879th place
613th place
456th place
1,840th place
1,115th place
1,505th place
1,194th place
2,274th place
3,241st place
low place
low place
1,196th place
1,430th place
3,028th place
3,987th place
8th place
10th place

academia.edu

  • Kölligan, Daniel (2007). "Aphrodite of the Dawn: Indo-European Heritage in Greek Divine Epithets and Theonyms". Letras Clássicas. 11 (11): 105–34. doi:10.11606/issn.2358-3150.v0i11p105-134.
  • Wilson-Wright, Aren M. (August 2019). Venus's Name: The Divine Name Aphrodite as a Phoenician Epithet. European Association of Biblical Studies Annual Conference. Warsaw.

archive.org

bbc.co.uk

beniculturali.it

cir.campania.beniculturali.it

  • Museo Archeologico Nazionale (Napoli). "so-called Venus in a bikini." Cir.campania.beniculturali.it.

    The statuette portrays Aphrodite on the point of untying the laces of the sandal on her left foot, under which a small Eros squats, touching the sole of her shoe with his right hand. The Goddess is leaning with her left arm (the hand is missing) against a figure of Priapus standing, naked and bearded, positioned on a small cylindrical altar while, next to her left thigh, there is a tree trunk over which the garment of the Goddess is folded. Aphrodite, almost completely naked, wears only a sort of costume, consisting of a corset held up by two pairs of straps and two short sleeves on the upper part of her arm, from which a long chain leads to her hips and forms a star-shaped motif at the level of her navel. The 'bikini', for which the statuette is famous, is obtained by the masterly use of the technique of gilding, also employed on her groin, in the pendant necklace and in the armilla on Aphrodite's right wrist, as well as on Priapus' phallus. Traces of the red paint are evident on the tree trunk, on the short curly hair gathered back in a bun and on the lips of the Goddess, as well as on the heads of Priapus and the Eros. Aphrodite's eyes are made of glass paste, while the presence of holes at the level of the ear-lobes suggest the existence of precious metal ear-rings which have since been lost. An interesting insight into the female ornaments of Roman times, the statuette, probably imported from the area of Alexandria, reproduces with a few modifications the statuary type of Aphrodite untying her sandal, known from copies in bronze and terracotta.

    For extensive research and a bibliography on the subject, see: de Franciscis 1963, p. 78, tav. XCI; Kraus 1973, nn. 270–71, pp. 194–95; Pompei 1973, n. 132; Pompeji 1973, n. 199, pp. 142 e 144; Pompeji 1974, n. 281, pp. 148–49; Pompeii A.D. 79 1976, p. 83 e n. 218; Pompeii A.D. 79 1978, I, n. 208, pp. 64–65, II, n. 208, p. 189; Döhl, Zanker 1979, p. 202, tav. Va; Pompeii A.D. 79 1980, p. 79 e n. 198; Pompeya 1981, n. 198, p. 107; Pompeii lives 1984, fig. 10, p. 46; Collezioni Museo 1989, I, 2, n. 254, pp. 146–47; PPM II, 1990, n. 7, p. 532; Armitt 1993, p. 240; Vésuve 1995, n. 53, pp. 162–63; Vulkan 1995, n. 53, pp. 162–63; LIMC VIII, 1, 1997, p. 210, s.v. Venus, n. 182; LIMC VIII, 2, 1997, p. 144; LIMC VIII, 1, 1997, p. 1031, s.v. Priapos, n. 15; LIMC VIII, 2, 1997, p. 680; Romana Pictura 1998, n. 153, p. 317 e tav. a p. 245; Cantarella 1999, p. 128; De Caro 1999, pp. 100–01; De Caro 2000, p. 46 e tav. a p. 62; Pompeii 2000, n. 1, p. 62.

books.google.com

brill.com

britishmuseum.org

doi.org

  • Kölligan, Daniel (2007). "Aphrodite of the Dawn: Indo-European Heritage in Greek Divine Epithets and Theonyms". Letras Clássicas. 11 (11): 105–34. doi:10.11606/issn.2358-3150.v0i11p105-134.
  • Marcovich 1996, pp. 43–59. Marcovich, Miroslav (1996), "From Ishtar to Aphrodite", Journal of Aesthetic Education, 39 (2): 43–59, doi:10.2307/3333191, JSTOR 3333191
  • Iossif & Lorber 2007, p. 77. Iossif, Panagiotis; Lorber, Catharine (2007), "Laodikai and the Goddess Nikephoros" (PDF), L'Antiquité Classique, 76: 77, doi:10.3406/antiq.2007.2618, ISSN 0770-2817, JSTOR 41665635
  • Marcovich 1996, p. 49. Marcovich, Miroslav (1996), "From Ishtar to Aphrodite", Journal of Aesthetic Education, 39 (2): 43–59, doi:10.2307/3333191, JSTOR 3333191
  • Bonner 1949, p. 1. Bonner, Campbell (1949), "KESTOS IMAS and the Saltire of Aphrodite", The American Journal of Philology, 70 (1), The Johns Hopkins University Press: 1–6, doi:10.2307/290961, JSTOR 290961
  • Bonner 1949, pp. 1–6. Bonner, Campbell (1949), "KESTOS IMAS and the Saltire of Aphrodite", The American Journal of Philology, 70 (1), The Johns Hopkins University Press: 1–6, doi:10.2307/290961, JSTOR 290961
  • Bonner 1949, pp. 1–2. Bonner, Campbell (1949), "KESTOS IMAS and the Saltire of Aphrodite", The American Journal of Philology, 70 (1), The Johns Hopkins University Press: 1–6, doi:10.2307/290961, JSTOR 290961
  • Walcot 1977, p. 31. Walcot, P. (April 1977), "The Judgement of Paris", Greece & Rome, 24 (1), Cambridge: Cambridge University Press: 31–39, doi:10.1017/S0017383500019616, JSTOR 642687, S2CID 162573370
  • Walcot 1977, pp. 31–32. Walcot, P. (April 1977), "The Judgement of Paris", Greece & Rome, 24 (1), Cambridge: Cambridge University Press: 31–39, doi:10.1017/S0017383500019616, JSTOR 642687, S2CID 162573370
  • Walcot 1977, p. 32. Walcot, P. (April 1977), "The Judgement of Paris", Greece & Rome, 24 (1), Cambridge: Cambridge University Press: 31–39, doi:10.1017/S0017383500019616, JSTOR 642687, S2CID 162573370
  • Walcot 1977, pp. 32–33. Walcot, P. (April 1977), "The Judgement of Paris", Greece & Rome, 24 (1), Cambridge: Cambridge University Press: 31–39, doi:10.1017/S0017383500019616, JSTOR 642687, S2CID 162573370

getty.edu

gla.ac.uk

emblems.arts.gla.ac.uk

  • Pausanias, Periegesis vi.25.1; Aphrodite Pandemos was represented in the same temple riding on a goat, symbol of purely carnal rut: "The meaning of the tortoise and of the he-goat I leave to those who care to guess," Pausanias remarks. The image was taken up again after the Renaissance: see Andrea Alciato, Emblemata / Les emblemes (1584).

jstor.org

lucianofsamosata.info

mythology.us

ox.ac.uk

ashmol.ox.ac.uk

palaeolexicon.com

perseus.org

data.perseus.org

ru.nl

repository.ubn.ru.nl

semanticscholar.org

api.semanticscholar.org

thelatinlibrary.com

theoi.com

topostext.org

tufts.edu

perseus.tufts.edu

uchicago.edu

penelope.uchicago.edu

uky.edu

cs.uky.edu

web.archive.org

wikipedia.org

pl.wikipedia.org

  • Witczak 1993, pp. 115–23. Witczak, Krzysztof Tomasz [in Polish] (1993), Lambert Isebaert (ed.), "Greek Aphrodite and her Indo-European origins", Miscellanea Linguistica Graeco-Latina, Namur: Société des études classiques: 115–23[ISBN missing]

worldcat.org

search.worldcat.org