Araldo Cossutta (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Araldo Cossutta" in English language version.

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aia.org

public.aia.org

  • Gane, John F., ed. (1970). "Araldo Albert Cossutta" (PDF). American Architects Directory (Third ed.). R.R. Bowker LLC. p. 181. ISBN 9780835202817. OCLC 13080703.

aia.org

archi.fr

aa.archi.fr

  • "Installation d'un nouveau membre titulaire étranger" [Induction of a new foreign member] (in French). Académie d’Architecture. November 4, 2010. Archived from the original on March 4, 2016. Retrieved September 18, 2014. In addition to his studies at the French École des Beaux-Arts and his work with Le Corbusier, Cossutta's Tour du Crédit Lyonnais is well-known in France, and has been nicknamed le crayon (the pencil). These were all noted in a discussion of his induction; see "Un atlas historique de Paris, Rencontre avec Laurent Théry, grand prix de l'urbanisme" (in French). il a été brièvement un collaborateur de Le Corbusier (1949), collaborateur (1956) puis associé de Ieoh Ming Pei (1963-1973) avant de s'établir à son compte, construisant notamment en France la fameuse tour du Crédit Lyonnais à la Part-Dieu, à Lyon, 142 mètres de haut, et coiffée d'une pyramide de verre qui lui donne un peu la forme d'un crayon (1972-1977).

architectmagazine.com

  • Kubo, Michael; Pasnik, Mark; Grimley, Chris (April 2010). "Tough Love: In Defense of Brutalism". Architect. American Institute of Architects (AIA). In the original version of this article, Cossutta's role in designing the Christian Science Center went unmentioned; the error was later corrected.
  • Hala, Katherine (November 17, 2010). "In Praise of the Hard: I.M. Pei's Christian Science Church Complex Threatened". Architect Magazine. It is hardscape at its hardest. It is this very quality that makes the ensemble so great It is heroic, speaking of the ideals of order and the belief in something that surpasses the quotidian. Whether or not you are sympathetic to the Church's beliefs, and I am not, you cannot help but be impressed by its willingness and ability to create something that is so "other," so beyond urban reason, that it offers a clear alternative to the messiness and confusion of daily life. Reprinting of an essay from Sacred Destinations. Cossutta's role goes unmentioned.
  • "Cossutta Church Saved". Architect Magazine. January 2008. Archived from the original on 2008-02-03.

archive.org

  • Kohler, Sue A.; Carson, Jeffrey R. (1988). "Third Church of Christ, Scientist". Sixteenth Street Architecture. Vol. 2. Washington: Commission of Fine Arts. pp. 106–119. OCLC 5847373. In addition, three features, sensitive in comparison to the basic design, were emphasized as foil to the realities of concrete. The features included the belfry which projects toward Sixteenth Street and required a zoning variance, the herringbone brick paving, and the plaza lawn with its towering, carefully asymmetrical trees. The Third Church of Christ, Scientist is a tour de force.

archpaper.com

books.google.com

boston.com

christianscience.com

  • The new buildings were the 26-story office building (177 Huntington Avenue), the Sunday School Building (now known as Reflection Hall), and the Colonnade Building (now known by its address, which is 101 Belvedere). See "Plaza architecture and grounds". christianscience.com. Boston: The First Church of Christ, Scientist. Archived from the original on 2014-09-02. Retrieved 2014-08-28.

cityofboston.gov

  • The Colonnade Building is now known as 101 Belvedere. See "Christian Science Center Complex: Boston Landmarks Commission Study Report" (PDF). January 25, 2011. p. 56. Archived from the original (PDF) on 2013-04-22. The Modernist-era Christian Science Plaza is a major example of the firm of I.M. Pei and Partners and of the lead design architect, Araldo Cossutta, and a singular achievement of civic design in the Modernist period. The Pei/Cossutta plan made the Christian Science Center one of the most monumental – and successful – public spaces in Boston.

dc.gov

planning.dc.gov

dcist.com

docomomo-us.org

franceculture.fr

  • "Installation d'un nouveau membre titulaire étranger" [Induction of a new foreign member] (in French). Académie d’Architecture. November 4, 2010. Archived from the original on March 4, 2016. Retrieved September 18, 2014. In addition to his studies at the French École des Beaux-Arts and his work with Le Corbusier, Cossutta's Tour du Crédit Lyonnais is well-known in France, and has been nicknamed le crayon (the pencil). These were all noted in a discussion of his induction; see "Un atlas historique de Paris, Rencontre avec Laurent Théry, grand prix de l'urbanisme" (in French). il a été brièvement un collaborateur de Le Corbusier (1949), collaborateur (1956) puis associé de Ieoh Ming Pei (1963-1973) avant de s'établir à son compte, construisant notamment en France la fameuse tour du Crédit Lyonnais à la Part-Dieu, à Lyon, 142 mètres de haut, et coiffée d'une pyramide de verre qui lui donne un peu la forme d'un crayon (1972-1977).

harvard.edu

worldwide.harvard.edu

gsd.harvard.edu

legacy.com

npr.org

nytimes.com

pcf-p.com

religionnews.com

spectator.org

state.il.us

gis.hpa.state.il.us

theguardian.com

  • Rose, Steve (July 16, 2008). "The many contradictions of Le Corbusier". The Guardian. He's arguably had more of an influence on the form of the modern world than any other architect - you could even argue there was no modern world before Le Corbusier - but stop someone on the street and ask them to name one of his buildings and you're unlikely to get a correct answer.

thirdchurchfreedom.org

web.archive.org

worldcat.org

search.worldcat.org

  • Gane, John F., ed. (1970). "Araldo Albert Cossutta" (PDF). American Architects Directory (Third ed.). R.R. Bowker LLC. p. 181. ISBN 9780835202817. OCLC 13080703.
  • Kohler, Sue A.; Carson, Jeffrey R. (1988). "Third Church of Christ, Scientist". Sixteenth Street Architecture. Vol. 2. Washington: Commission of Fine Arts. pp. 106–119. OCLC 5847373. In addition, three features, sensitive in comparison to the basic design, were emphasized as foil to the realities of concrete. The features included the belfry which projects toward Sixteenth Street and required a zoning variance, the herringbone brick paving, and the plaza lawn with its towering, carefully asymmetrical trees. The Third Church of Christ, Scientist is a tour de force.