James C. Melvin, The Melvin Memorial, Sleepy Hollow Cemetery, Concord, Massachusetts, A Brother's Tribute, (Cambridge, Massachusetts: The Riverside Press, 1910), p. xvi.[7]
Edward Payson Critcher, "Sculpture and Sculptors: Panam-Pacific International Exposition," The Fine Arts Journal, vol. 32 (February 1915), p. 47.[10]
Josef Vincent Lombardo, Attilio Piccirilli: Life of an American Sculptor (New York & Chicago: Pitman Publishing Corporation, 1944), p. 225.[12]
Henry Rankin Poore, "Stirling Calder, Sculptor" The International Studio, vol. 57, no. (April 1919), pp. XXXVII-LI.[3]
"Nereid, no. 1; by A. Sterling Calder," Catalogue of Copyright Entries for the Year 1914: Works of Art (Washington: Government Printing Office, 1914), p. 165.[4]
"Caryatid; by A. Sterling Calder," Catalogue of Copyright Entries for the Year 1914: Works of Art (Washington: Government Printing Office, 1914), p. 165.[5]
This direct claim made over Munson's name in the 5th of her 20 articles is not consistent with the declining fortunes of the Devonshire House circa World War I, nor with Weinman's exhaustive C.V., which shows no work at all outside the United States
silentera.com
"Purity". The Progressive Silent Film List. Silent Era. Retrieved January 23, 2016.
Bowers, Q. David. "Inspiration". Thanhouser Films: An Encyclopedia and History. Thanhouser Company Film Preservation, Inc. Archived from the original on February 8, 2016. Retrieved January 23, 2016.
Bowers, Q. David. "Inspiration". Thanhouser Films: An Encyclopedia and History. Thanhouser Company Film Preservation, Inc. Archived from the original on February 8, 2016. Retrieved January 23, 2016.